Voor de jonge Wyatt Earp zijn familie, gerechtigheid en eerlijkheid de drie belangrijkste dingen in het leven. Dat heeft hij zo van zijn vader geleerd. Wyatt huwt met Urilla, zijn jeugdliefde, en gaat rechten studeren. Later vertrekt hij naar Wichita en daarna naar Dodge City. Daar krijgt hij de sheriffster opgespeld.
Nee, helaas is Wyatt Earp nog niet beschikbaar op Netflix in Nederland.
| Writing | Lawrence Kasdan | Screenplay |
| Writing | Dan Gordon | Screenplay |
| Editing | Carol Littleton | Editor |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Camera | Owen Roizman | Director of Photography |
| Production | Charles Okun | Executive Producer |
| Directing | Lawrence Kasdan | Director |
| Production | Lawrence Kasdan | Producer |
| Production | Kevin Costner | Producer |
| Production | Michael Grillo | Executive Producer |
| Production | Jim Wilson | Producer |
| Production | Jon Slan | Executive Producer |
| Art | Ida Random | Production Design |
| Art | Cheryl Carasik | Set Decoration |
| Art | Gary Wissner | Art Direction |
| Production | Jennifer Shull | Casting |
| Sound | James Newton Howard | Original Music Composer |
| Crew | Norman Howell | Stunt Coordinator |
| Costume & Make-Up | Ruby K. Manis | Key Costumer |
| Sound | Dan O'Connell | Foley |
| Sound | Robert Grieve | Supervising Sound Editor |
| Production | Paul Hargrave | Location Manager |
| Camera | Richard Bowen | Second Unit Director of Photography |
| Costume & Make-Up | Dorothy D. Fox | Key Hair Stylist |
| Costume & Make-Up | Michael Mills | Makeup Supervisor |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Sound | Stephen Janisz | ADR Editor |
| Camera | Ben Glass | Still Photographer |
| Art | Greg John Callas | Construction Coordinator |
| Sound | Lewis Goldstein | Dialogue Editor |
| Sound | Joe Dorn | ADR Editor |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Art | Barry Chusid | Set Designer |
| Production | Phil Poulos | Casting Associate |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Costume & Make-Up | Cha Blevins | Costume Supervisor |
| Costume & Make-Up | Le Dawson | Costume Supervisor |
| Costume & Make-Up | Barry Francis Delaney | Key Costumer |
| Sound | Jessica Gallavan | ADR Supervisor |
| Sound | Bobby Mackston | Supervising Dialogue Editor |
| Costume & Make-Up | Marlene D. Williams | Hair Supervisor |
| Visual Effects | Robert Stadd | Visual Effects Producer |
| Lighting | Ian Kincaid | Chief Lighting Technician |
| Art | Tom Reta | Set Designer |
| Art | Charlie Daboub | Set Designer |
| Sound | Joel Shryack | Boom Operator |
| Sound | Alison Fisher | Dialogue Editor |
| Sound | James Matheny | Dialogue Editor |
| Camera | David L. Merrill | Dolly Grip |
| Camera | Tim Ryan | Key Grip |
| Production | Elizabeth Shull | Casting Associate |
| Camera | Rusty Geller | Steadicam Operator |
| Sound | John Murray | Foley |
| Camera | Ian Fox | Camera Operator |
| Camera | Bill Roe | Camera Operator |
| Art | William A. Petrotta | Property Master |
| Costume & Make-Up | Elle Elliott | Hairstylist |
| Costume & Make-Up | Gerald Quist | Key Makeup Artist |
| Costume & Make-Up | James M. George | Key Costumer |
| Sound | Jim Weidman | Music Editor |
| Sound | Stu Bernstein | Supervising Sound Editor |
| Lighting | Kim Kono | Rigging Gaffer |
| Art | Gershon Ginsburg | Assistant Art Director |
| Directing | Anne Rapp | Script Supervisor |
| Crew | Gary McLarty | Stunts |
| Production | Dan Gordon | Executive Producer |
