Voor de jonge Wyatt Earp zijn familie, gerechtigheid en eerlijkheid de drie belangrijkste dingen in het leven. Dat heeft hij zo van zijn vader geleerd. Wyatt huwt met Urilla, zijn jeugdliefde, en gaat rechten studeren. Later vertrekt hij naar Wichita en daarna naar Dodge City. Daar krijgt hij de sheriffster opgespeld.
Nee, helaas is Wyatt Earp nog niet beschikbaar op Netflix in Nederland.
| Camera | Owen Roizman | Director of Photography |
| Production | Jon Slan | Executive Producer |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Production | Michael Grillo | Executive Producer |
| Production | Lawrence Kasdan | Producer |
| Writing | Lawrence Kasdan | Screenplay |
| Writing | Dan Gordon | Screenplay |
| Production | Charles Okun | Executive Producer |
| Production | Jim Wilson | Producer |
| Production | Kevin Costner | Producer |
| Editing | Carol Littleton | Editor |
| Directing | Lawrence Kasdan | Director |
| Production | Jennifer Shull | Casting |
| Art | Cheryl Carasik | Set Decoration |
| Art | Ida Random | Production Design |
| Art | Gary Wissner | Art Direction |
| Sound | James Newton Howard | Original Music Composer |
| Crew | Norman Howell | Stunt Coordinator |
| Production | Paul Hargrave | Location Manager |
| Camera | David L. Merrill | Dolly Grip |
| Costume & Make-Up | Ruby K. Manis | Key Costumer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Costume & Make-Up | Barry Francis Delaney | Key Costumer |
| Costume & Make-Up | Michael Mills | Makeup Supervisor |
| Sound | Jim Weidman | Music Editor |
| Visual Effects | Robert Stadd | Visual Effects Producer |
| Sound | Stephen Janisz | ADR Editor |
| Sound | James Matheny | Dialogue Editor |
| Camera | Richard Bowen | Second Unit Director of Photography |
| Camera | Rusty Geller | Steadicam Operator |
| Art | Barry Chusid | Set Designer |
| Costume & Make-Up | Dorothy D. Fox | Key Hair Stylist |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Costume & Make-Up | James M. George | Key Costumer |
| Production | Phil Poulos | Casting Associate |
| Camera | Ian Fox | Camera Operator |
| Lighting | Ian Kincaid | Chief Lighting Technician |
| Sound | Joel Shryack | Boom Operator |
| Sound | Stu Bernstein | Supervising Sound Editor |
| Camera | Tim Ryan | Key Grip |
| Sound | Jessica Gallavan | ADR Supervisor |
| Costume & Make-Up | Marlene D. Williams | Hair Supervisor |
| Sound | Robert Grieve | Supervising Sound Editor |
| Costume & Make-Up | Elle Elliott | Hairstylist |
| Costume & Make-Up | Cha Blevins | Costume Supervisor |
| Costume & Make-Up | Le Dawson | Costume Supervisor |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Camera | Bill Roe | Camera Operator |
| Lighting | Kim Kono | Rigging Gaffer |
| Art | Gershon Ginsburg | Assistant Art Director |
| Art | William A. Petrotta | Property Master |
| Production | Elizabeth Shull | Casting Associate |
| Sound | John Murray | Foley |
| Camera | Ben Glass | Still Photographer |
| Art | Greg John Callas | Construction Coordinator |
| Sound | Lewis Goldstein | Dialogue Editor |
| Sound | Bobby Mackston | Supervising Dialogue Editor |
| Art | Tom Reta | Set Designer |
| Art | Charlie Daboub | Set Designer |
| Costume & Make-Up | Gerald Quist | Key Makeup Artist |
| Sound | Alison Fisher | Dialogue Editor |
| Sound | Dan O'Connell | Foley |
| Directing | Anne Rapp | Script Supervisor |
| Sound | Joe Dorn | ADR Editor |
| Crew | Gary McLarty | Stunts |
| Production | Dan Gordon | Executive Producer |
