Een groep Amerikaanse elitesoldaten is in Irak belast met een levensgevaarlijke opdracht: bommen ontmantelen in het heetst van de strijd. Wanneer sergeant James de leiding krijgt over een getraind ontmijningsteam, sleept hij zijn ondergeschikten roekeloos mee in een dodelijk kat-en-muisspel met de vijand. De dood laat hem schijnbaar onverschillig.
Nee, helaas is The Hurt Locker nog niet beschikbaar op Netflix in Nederland.
| Writing | Mark Boal | Screenplay |
| Camera | Barry Ackroyd | Director of Photography |
| Production | Nicolas Chartier | Producer |
| Production | Jenn Lee | Producer |
| Directing | Kathryn Bigelow | Director |
| Production | Mark Boal | Producer |
| Production | Tony Mark | Executive Producer |
| Production | Greg Shapiro | Producer |
| Production | Kathryn Bigelow | Producer |
| Production | Mark Bennett | Casting |
| Costume & Make-Up | George L. Little | Costume Design |
| Camera | Robin Smith | First Assistant Camera |
| Editing | Bob Murawski | Editor |
| Sound | Buck Sanders | Original Music Composer |
| Art | Karl Júlíusson | Production Design |
| Sound | Marco Beltrami | Original Music Composer |
| Camera | Jonathan Olley | Still Photographer |
| Art | Amin Charif El Masri | Set Decoration |
| Sound | Paul N.J. Ottosson | Sound Re-Recording Mixer |
| Sound | Richard C. Franklin | Sound Effects Editor |
| Sound | Paul N.J. Ottosson | Sound Designer |
| Editing | Chris Innis | Editor |
| Sound | Jamie Hardt | Sound Effects Editor |
| Directing | Aslaug Konradsdottir | Script Supervisor |
| Sound | Bernard Weiser | Sound Effects Editor |
| Camera | Stewart Whelan | First Assistant Camera |
| Production | Jack Schuster | Associate Producer |
| Production | Kirk Shaw | Associate Producer |
| Sound | Joe Cappelletti | ADR Supervisor |
| Sound | Robert Troy | ADR Editor |
| Art | Ian Nothnagel | Set Decoration |
| Camera | Scott MacDonald | Camera Operator |
| Camera | Dave Walker | Key Grip |
| Editing | Stephen Nakamura | Color Timer |
| Sound | John Sanacore | Foley Editor |
| Art | Ben Krakowsky | Assistant Property Master |
| Crew | Jack Schuster | Post-Production Manager |
| Sound | Simon Bysshe | Boom Operator |
| Production | Adel Akkad | Casting Assistant |
| Costume & Make-Up | Cathy Darby | Assistant Costume Designer |
| Editing | Sean Valla | First Assistant Editor |
| Sound | John Kurlander | Scoring Mixer |
| Sound | William Boston | Additional Music Supervisor |
| Sound | Alex Ullrich | Foley Editor |
| Sound | John Bissell | Music Supervisor |
| Sound | Julie Pearce | Music Editor |
| Camera | Imad Rechiche | First Assistant Camera |
| Production | Lara Atalla | Casting |
| Visual Effects | Richard Stutsman | Special Effects Supervisor |
| Lighting | Geoff Dane | Best Boy Electric |
| Editing | Stefan Sonnenfeld | Digital Intermediate |
| Directing | Lee Cleary | First Assistant Director |
| Art | David Inkster | Property Master |
| Crew | Isaac Hamon | Stunt Coordinator |
| Costume & Make-Up | Daniel J. Lester | Assistant Costume Designer |
| Editing | Gilbert Carreras | Color Timer |
| Production | Rob Lycar | Production Manager |
| Art | Marwan Kheir | Construction Coordinator |
| Camera | Duraid Munajim | Camera Operator |
| Lighting | Jim Swanson | Gaffer |
| Production | Jamie Lake | Location Manager |
| Sound | Peter Rotter | Music Supervisor |
| Production | Donall McCusker | Co-Producer |
| Costume & Make-Up | Dana Hamel | Key Makeup Artist |
| Costume & Make-Up | Karma Hijjawi | Costume Coordinator |
| Crew | Rupert Lloyd | Post Production Assistant |
| Camera | Jules Quesnel | Dolly Grip |
| Costume & Make-Up | Sara Rakhshandeh | Costume Supervisor |
| Art | Paul Joyal | Production Design |
| Art | Karim Kheir | Assistant Property Master |
| Visual Effects | Blair Foord | Special Effects Supervisor |
| Costume & Make-Up | Vicky Mulholland | Costume Design |
| Production | Fawaz Zoubi | Location Manager |
| Sound | Craig Stauffer | Sound Mixer |
| Camera | Ed Araquel | Still Photographer |
| Lighting | Hosni Al Baqa | Lighting Technician |
| Camera | Dale H. Jahraus | Camera Operator |
| Editing | Bruce Lomet | Digital Intermediate |
| Sound | Chris M. Jacobson | Sound Effects |
| Directing | David Ticotin | First Assistant Director |
| Crew | Tony Marsh | Stunt Coordinator |
| Production | Michael Farias | Location Manager |
| Sound | Ryan Juggler | First Assistant Sound Editor |
| Costume & Make-Up | Moira Anne Meyer | Costume Supervisor |
| Editing | Mike Chiado | Digital Intermediate |
| Art | Gary Damian Thomas | Storyboard Designer |
| Art | Nasser Zoubi | Property Master |
| Camera | Oliver Driscoll | First Assistant Camera |
| Crew | Dean Fitzpatrick | Transportation Coordinator |
| Production | Karima Ladjimi | Production Manager |
| Lighting | Matthew Moffat | Gaffer |
| Production | Laura Toplass | Casting |
| Directing | Nicolas Harvard | Second Assistant Director |
| Editing | J. Cody Baker | Digital Intermediate Assistant |
| Editing | Alex Romano | Online Editor |
| Sound | Kimberly Harris | Dialogue Editor |
| Costume & Make-Up | Melissa Binder | Ager/Dyer |
| Sound | Ray Beckett | Sound Mixer |
| Sound | Robert Troy | Dialogue Editor |
| Camera | Niels Reedtz Johansen | Second Unit Director of Photography |
| Editing | Erik Rogers | Digital Intermediate Producer |
