In de jaren '80 was Randy "The Ram" Robinson een beroemd professioneel worstelaar. Nu, twintig jaar later, moet hij het doen met een handjevol liefhebbers bij shows in gymzalen en buurthuizen.
Nee, helaas is The Wrestler nog niet beschikbaar op Netflix in Nederland.
| Sound | Clint Mansell | Original Music Composer |
| Directing | Darren Aronofsky | Director |
| Writing | Robert D. Siegel | Screenplay |
| Crew | James Manley | Thanks |
| Costume & Make-Up | Steffany Bernstein | Costume Supervisor |
| Production | Mary Vernieu | Casting |
| Production | Suzanne Smith Crowley | Casting |
| Production | Scott Franklin | Producer |
| Art | Matthew Munn | Art Direction |
| Art | Tim Grimes | Production Design |
| Costume & Make-Up | Amy Westcott | Costume Design |
| Editing | Andrew Weisblum | Editor |
| Art | Theo Sena | Set Decoration |
| Production | Darren Aronofsky | Producer |
| Camera | Maryse Alberti | Director of Photography |
| Editing | Barbara Jean Kearney | Digital Intermediate |
| Visual Effects | Niko Tavernise | Visual Effects |
| Production | Ari Handel | Associate Producer |
| Production | Frank Murray | Production Accountant |
| Directing | Brendan Walsh | Assistant Director |
| Crew | Douglas Crosby | Stunt Coordinator |
| Sound | Roberto Cappannelli | Sound Re-Recording Mixer |
| Crew | Jon Trosky | Stunts Coordinator |
| Crew | Andrew Mortelliti | Special Effects |
| Crew | Anthony White | Thanks |
| Crew | Adrian Street | Thanks |
| Crew | Axl Rose | Thanks |
| Crew | Jim Buckman | Transportation Captain |
| Costume & Make-Up | Mandy Lyons | Hair Department Head |
| Directing | Anthony Pettine | Script Supervisor |
| Production | Mark Heyman | Co-Producer |
| Lighting | William Louthe | Electrician |
| Costume & Make-Up | Nicci Schinman | Set Costumer |
| Crew | Colleen Bachman | Post Production Supervisor |
| Crew | Nikita Breznikov | Thanks |
| Costume & Make-Up | Chris Kelly | Prosthetic Supervisor |
| Production | Ryan Smith | Location Manager |
| Production | Jennifer Roth | Executive Producer |
| Production | Abi Jackson | Location Manager |
| Lighting | Timothy Healy | Rigging Gaffer |
| Camera | Niko Tavernise | Still Photographer |
| Crew | Drew Jiritano | Special Effects |
| Costume & Make-Up | Arlynn Abseck | Set Costumer |
| Sound | Jim Black | Music Supervisor |
| Costume & Make-Up | Michael Marino | Makeup Designer |
| Art | Jeff Butcher | Property Master |
| Sound | Dan Korintus | Dialogue Editor |
| Art | Selina van den Brink | Art Department Coordinator |
| Visual Effects | Andy Simonson | Visual Effects Coordinator |
| Sound | Jacob Ribicoff | Sound Re-Recording Mixer |
| Sound | Bill Sweeney | Sound Effects Editor |
| Camera | Peter Nolan | Camera Operator |
| Lighting | David Skutch | Gaffer |
| Sound | Anguibe Guindo | Boom Operator |
| Sound | Tony Martinez | Supervising Dialogue Editor |
| Costume & Make-Up | Marjorie Durand | Key Makeup Artist |
| Sound | Eliza Paley | Sound Effects Editor |
| Sound | Dominick Tavella | Sound Re-Recording Mixer |
| Crew | Philip Gleason | Video Assist Operator |
| Sound | Eric Vierhaus | Dolby Consultant |
| Sound | Stuart Stanley | Foley Editor |
| Sound | Brian Emrich | Sound Designer |
| Art | Josue Clotaire Fleurimond | Conceptual Design |
| Sound | Jay Peck | Foley |
| Costume & Make-Up | Judy Chin | Key Makeup Artist |
| Visual Effects | Dan Schrecker | Visual Effects Supervisor |
| Camera | Chris Skutch | Key Grip |
| Costume & Make-Up | Diana Sikes | Key Hair Stylist |
| Sound | Tony Martinez | Supervising ADR Editor |
| Lighting | Graham Klatt | Rigging Grip |
| Production | Vincent Maraval | Executive Producer |
| Production | Agnès Mentre | Executive Producer |
