In de jaren '80 was Randy "The Ram" Robinson een beroemd professioneel worstelaar. Nu, twintig jaar later, moet hij het doen met een handjevol liefhebbers bij shows in gymzalen en buurthuizen.
Nee, helaas is The Wrestler nog niet beschikbaar op Netflix in Nederland.
| Directing | Darren Aronofsky | Director |
| Writing | Robert D. Siegel | Screenplay |
| Sound | Clint Mansell | Original Music Composer |
| Crew | James Manley | Thanks |
| Production | Mary Vernieu | Casting |
| Editing | Andrew Weisblum | Editor |
| Art | Tim Grimes | Production Design |
| Production | Scott Franklin | Producer |
| Production | Suzanne Smith Crowley | Casting |
| Costume & Make-Up | Amy Westcott | Costume Design |
| Production | Darren Aronofsky | Producer |
| Costume & Make-Up | Steffany Bernstein | Costume Supervisor |
| Art | Theo Sena | Set Decoration |
| Art | Matthew Munn | Art Direction |
| Camera | Maryse Alberti | Director of Photography |
| Editing | Barbara Jean Kearney | Digital Intermediate |
| Visual Effects | Niko Tavernise | Visual Effects |
| Crew | Jim Buckman | Transportation Captain |
| Camera | Niko Tavernise | Still Photographer |
| Costume & Make-Up | Mandy Lyons | Hair Department Head |
| Sound | Roberto Cappannelli | Sound Re-Recording Mixer |
| Crew | Colleen Bachman | Post Production Supervisor |
| Lighting | William Louthe | Electrician |
| Crew | Douglas Crosby | Stunt Coordinator |
| Costume & Make-Up | Arlynn Abseck | Set Costumer |
| Production | Jennifer Roth | Executive Producer |
| Production | Frank Murray | Production Accountant |
| Production | Abi Jackson | Location Manager |
| Crew | Axl Rose | Thanks |
| Crew | Nikita Breznikov | Thanks |
| Crew | Andrew Mortelliti | Special Effects |
| Sound | Jim Black | Music Supervisor |
| Lighting | Timothy Healy | Rigging Gaffer |
| Costume & Make-Up | Chris Kelly | Prosthetic Supervisor |
| Crew | Drew Jiritano | Special Effects |
| Production | Ryan Smith | Location Manager |
| Costume & Make-Up | Nicci Schinman | Set Costumer |
| Crew | Adrian Street | Thanks |
| Crew | Anthony White | Thanks |
| Production | Mark Heyman | Co-Producer |
| Production | Ari Handel | Associate Producer |
| Directing | Brendan Walsh | Assistant Director |
| Directing | Anthony Pettine | Script Supervisor |
| Costume & Make-Up | Michael Marino | Makeup Designer |
| Crew | Jon Trosky | Stunts Coordinator |
| Sound | Stuart Stanley | Foley Editor |
| Sound | Dan Korintus | Dialogue Editor |
| Sound | Bill Sweeney | Sound Effects Editor |
| Art | Selina van den Brink | Art Department Coordinator |
| Sound | Anguibe Guindo | Boom Operator |
| Sound | Tony Martinez | Supervising Dialogue Editor |
| Lighting | David Skutch | Gaffer |
| Visual Effects | Andy Simonson | Visual Effects Coordinator |
| Sound | Eliza Paley | Sound Effects Editor |
| Camera | Peter Nolan | Camera Operator |
| Costume & Make-Up | Diana Sikes | Key Hair Stylist |
| Sound | Tony Martinez | Supervising ADR Editor |
| Lighting | Graham Klatt | Rigging Grip |
| Costume & Make-Up | Judy Chin | Key Makeup Artist |
| Art | Josue Clotaire Fleurimond | Conceptual Design |
| Camera | Chris Skutch | Key Grip |
| Sound | Eric Vierhaus | Dolby Consultant |
| Sound | Brian Emrich | Sound Designer |
| Art | Jeff Butcher | Property Master |
| Costume & Make-Up | Marjorie Durand | Key Makeup Artist |
| Sound | Dominick Tavella | Sound Re-Recording Mixer |
| Crew | Philip Gleason | Video Assist Operator |
| Sound | Jay Peck | Foley |
| Visual Effects | Dan Schrecker | Visual Effects Supervisor |
| Sound | Jacob Ribicoff | Sound Re-Recording Mixer |
| Production | Vincent Maraval | Executive Producer |
| Production | Agnès Mentre | Executive Producer |
