Amy, Travis en Graham zitten in hun laatste jaar op de filmacademie. Hun eindopdracht is het maken van een film die ingestuurd wordt voor de prestigeuze Hitchcock Award. Amy besluit een film te maken over legendes. Tijdens de opnames van haar film vinden er vreemde voorvallen plaats, met keer op keer een fatale afloop. Zodra Amy op onderzoek uitgaat, ontdekt ze dat een koelbloedige moordenaar verantwoordelijk is voor die vreselijke ongelukken. Erger nog: Amy weet dat zij het volgende slachtoffer zal zijn.
Nee, helaas is Urban Legends: Final Cut nog niet beschikbaar op Netflix in Nederland.
| Writing | Paul Harris Boardman | Screenplay |
| Camera | Brian Pearson | Director of Photography |
| Sound | Damon Intrabartolo | Original Music Composer |
| Production | Neal H. Moritz | Producer |
| Writing | Scott Derrickson | Screenplay |
| Costume & Make-Up | François Dagenais | Prosthetic Designer |
| Directing | John Ottman | Director |
| Crew | Mickey Giacomazzi | Stunts |
| Writing | Silvio Horta | Characters |
| Crew | Alison Reid | Stunts |
| Production | Gina Matthews | Producer |
| Editing | John Ottman | Editor |
| Art | Carol Lavoie | Set Decoration |
| Costume & Make-Up | Trysha Bakker | Costume Design |
| Production | Nick Osborne | Executive Producer |
| Sound | John Ottman | Original Music Composer |
| Art | Nancey Pankiw | Art Direction |
| Production | Amanda Goodpaster | Associate Producer |
| Production | Brad Luff | Executive Producer |
| Production | Richard Luke Rothschild | Producer |
| Production | Michael McDonnell | Co-Producer |
| Art | Mark Zuelzke | Production Design |
| Production | Randi Hiller | Casting |
| Costume & Make-Up | Marie-Sylvie Deveau | Costume Design |
| Editing | Rob Kobrin | Editor |
| Art | Hans-Heinrich Piersig | Leadman |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Camera | Robert DaPrato | Key Grip |
| Art | Charles L. Dunlop | Set Designer |
| Production | Courtney Gross | Casting Associate |
| Camera | Jim Holmes | Grip |
| Costume & Make-Up | Gillian Steinhardt | Assistant Costume Designer |
| Sound | Colin Jones | Boom Operator |
| Production | Christopher J. Danton | Production Manager |
| Directing | Patricia Joyes | Script Supervisor |
| Crew | Harry Kassardjian | Carpenter |
| Camera | Brad Hruboska | Steadicam Operator |
| Production | Anne Richardson | Location Manager |
| Crew | Jeff Bell | Transportation Captain |
| Crew | Wilfred Bell | Transportation Coordinator |
| Crew | Jason Leeking | Transportation Co-Captain |
| Production | Kristine M. Gilbert | Production Coordinator |
| Art | Ane Christensen | Property Master |
| Crew | Larz Anderson | Special Effects |
| Visual Effects | Tavia Charlton | Visual Effects Coordinator |
| Lighting | Roddy Kosub | Best Boy Electric |
| Camera | Kirk Chiswell | First Assistant Camera |
| Production | Missy Eustermann | Post Production Accountant |
| Production | Richard Luke Rothschild | Unit Production Manager |
| Sound | Rick Mitchell | Foley Editor |
| Sound | David E. Fluhr | Sound Re-Recording Mixer |
| Costume & Make-Up | Irene Kent | Key Makeup Artist |
| Directing | Michael Zenon | First Assistant Director |
| Art | Henry Ilola | Construction Coordinator |
| Crew | Chris Fix | Propmaker |
| Sound | Ralph Stuart | Assistant Sound Editor |
| Sound | James Christopher | Sound Effects Editor |
| Crew | Leigh Bianco | Stunts |
| Camera | Susan A. Cabral | Additional Photography |
| Camera | Tony Guerin | Camera Operator |
| Camera | Michael Gibson | Still Photographer |
| Editing | Mike Milliken | Color Timer |
| Costume & Make-Up | Karola Dirnberger | Key Hair Stylist |
| Sound | John Ottman | Orchestrator |
| Lighting | Lux | Lighting Technician |
| Crew | Stephanie Keating | Unit Publicist |
| Visual Effects | Mark Savela | Visual Effects Supervisor |
| Lighting | John 'Fest' Sandau | Gaffer |
| Costume & Make-Up | Donna Butt | Set Costumer |
| Art | Brian Wade | Props |
| Sound | Andrea Lakin | Sound Recordist |
| Crew | Pat Banta | Stunt Coordinator |
| Crew | Sarah Norton | Compositor |
| Sound | Amanda Goodpaster | Music Editor |
| Production | Michael Goosen | Production Accountant |
| Sound | Damon Intrabartolo | Conductor |
| Production | Vicki Dee Rock | Production Executive |
| Sound | Greg Steele | ADR Mixer |
| Sound | Catherine Harper | Foley Artist |
| Editing | Chris Lamie | Colorist |
| Visual Effects | Chris Crowell | Digital Compositor |
| Crew | Reet Puhm | Key Scenic Artist |
| Crew | Brad Larkin | Special Effects Technician |
| Sound | Don Givens | Foley Mixer |
| Camera | Pete Daprato | Best Boy Grip |
| Production | Terri Douglas | ADR Voice Casting |
| Camera | Anthony Ellis | Second Assistant Camera |
| Production | Joseph Diaz | Production Assistant |
| Crew | Heather Callow | Stunt Double |
| Directing | Tim Singh | Second Assistant Director |
| Sound | Robert Zubia | Foley Recordist |
| Production | Jen Leonard | Assistant Location Manager |
| Production | Janet Ellis | Production Secretary |
| Directing | Tyler Delben | Third Assistant Director |
| Editing | Helen Hand | Assistant Editor |
| Sound | Elizabeth Kenton | ADR Editor |
| Sound | Dan Lucas | ADR Recordist |
| Production | Andrea Kool | Casting Assistant |
| Production | Redd Knight | Assistant Production Coordinator |
| Production | Sue Sparling | First Assistant Accountant |
| Production | Carl Bainbridge | Location Production Assistant |
| Crew | Mark Rice | Special Effects Assistant |
| Camera | Patrick King | Dolly Grip |
| Lighting | Richard Allen | Chief Lighting Technician |
| Costume & Make-Up | Clinton Wayne | Special Effects Key Makeup Artist |
