De rivaliteit tussen Richard Dees en Katherine Blair, twee reporters van het sensatieblad Inside View, laait hoog op als ze van hun uitgever een sappige opdracht krijgen. Een mysterieuze piloot die op kleine en verlaten luchthavens landt, zou zich tijdens nachtelijke moordpartijen te goed doen aan het bloed van buurtbewoners. In zijn privvliegtuig volgt Dees het bloederige spoor van deze moderne vampier. Hij zet getuigen onder druk om de meest akelige details te onthullen en drukt daarbij de wansmakelijke foto's af die hij kan vinden. Maar ook Blair laat zich niet onbetuigd om achter de waarheid te komen. Het lot zal haar hierbij een aardig handje helpen.
Nee, helaas is The Night Flier nog niet beschikbaar op Netflix in Nederland.
| Camera | David Connell | Director of Photography |
| Production | David R. Kappes | Executive Producer |
| Writing | Jack O'Donnell | Screenplay |
| Production | Richard P. Rubinstein | Producer |
| Sound | Brian Keane | Original Music Composer |
| Editing | Elizabeth Schwartz | Editor |
| Production | Mitchell Galin | Producer |
| Directing | Mark Pavia | Director |
| Writing | Mark Pavia | Screenplay |
| Costume & Make-Up | Pauline White-Kassulke | Costume Design |
| Production | Leonard Finger | Casting |
| Production | Lyn Richmond | Casting |
| Crew | Greg Nicotero | Makeup Effects |
| Art | Burton Rencher | Production Design |
| Production | Alfredo Cuomo | Co-Producer |
| Crew | Howard Berger | Makeup Effects |
| Crew | Robert Kurtzman | Makeup Effects |
| Production | Neal Marshall Stevens | Associate Producer |
| Art | Timothy Stepeck | Set Decoration |
| Production | Jack O'Donnell | Co-Producer |
| Camera | Alan Aldridge | First Assistant "D" Camera |
| Costume & Make-Up | Jeff Goodwin | Key Makeup Artist |
| Art | John Sanders | Property Master |
| Lighting | Eric Jennings | Electrician |
| Art | Peter Battistelli | Construction Coordinator |
| Art | Andrew Menzies | Set Designer |
| Camera | Dennis Zoppe | Key Grip |
| Camera | Fred Norris | Still Photographer |
| Camera | Laurel Hughes | Camera Loader |
| Crew | J.B. Long | Generator Operator |
| Visual Effects | Julie Goldberg | Visual Effects Producer |
| Camera | Brian Heller | Aerial Camera |
| Visual Effects | Oliver Rockwell | Visual Effects Supervisor |
| Lighting | Peter Girolami | Electrician |
| Costume & Make-Up | David Halsey | Key Hair Stylist |
| Lighting | John Ferguson | Gaffer |
| Costume & Make-Up | Amy Lilley | Wardrobe Supervisor |
| Lighting | Neil Beard | Electrician |
| Costume & Make-Up | Missy Anderson | Wardrobe Assistant |
| Lighting | Carson E. Mayne | Electrician |
| Costume & Make-Up | Vanessa Jenik | Costumer |
| Lighting | Thomas C. Nisbet | Best Boy Electric |
| Camera | Mike Repeta | Second Assistant Camera |
| Directing | Christine Moore | Script Supervisor |
| Visual Effects | André Mazzone | CG Artist |
| Camera | David R. Kappes | Camera Operator |
| Costume & Make-Up | Irene Hanson | Tailor |
| Editing | Stan Sztaba | Negative Cutter |
| Sound | Rick Wessler | Foley Artist |
| Sound | John Bowen | Supervising Sound Editor |
| Sound | Ken Hahn | Sound Re-Recording Mixer |
| Sound | Ray Palagy | Sound Effects Editor |
| Editing | Mark Ginsberg | Color Timer |
| Sound | Neil Cedar | ADR Recordist |
| Sound | Randy Smith | Boom Operator |
| Editing | Laura Congleton | Assistant Editor |
| Editing | Patricia Sztaba | Negative Cutter |
| Sound | Jay Meagher | Sound Mixer |
| Writing | Stephen King | Short Story |
