De familie Carter trekt met de caravan richting Californië. Vader Bob wil eerst nog enkele oude zilvermijnen bezoeken in een afgelegen woestijngebied. Het domein ligt er verlaten bij. Wanneer er plots legerjets boven hun hoofden scheuren, vermoeden ze dat ze zich nabij een testbasis van de Amerikaanse luchtmacht bevinden.
Nee, helaas is The Hills Have Eyes nog niet beschikbaar op Netflix in Nederland.
| Directing | Wes Craven | Director |
| Production | Peter Locke | Producer |
| Sound | Don Peake | Original Music Composer |
| Camera | Eric Saarinen | Director of Photography |
| Editing | Wes Craven | Editor |
| Production | Gus Schirmer | Casting |
| Costume & Make-Up | Joanne Jaffe | Costume Design |
| Writing | Wes Craven | Writer |
| Crew | Peter Locke | Presenter |
| Crew | Moe DiSesso | Animal Coordinator |
| Crew | Tom Morrocco | Animal Coordinator |
| Crew | Ron Stein | Stunt Coordinator |
| Crew | Ron Stein | Stunts |
| Crew | Al Jones | Stunts |
| Crew | John Frazier | Special Effects |
| Crew | Greg Auer | Special Effects |
| Crew | Jim Dannaldson | Animal Coordinator |
| Camera | Leslie Otis | Assistant Camera |
| Directing | Joanie Blum | Script Supervisor |
| Sound | Jan Schulte | Sound Mixer |
| Sound | D. G. Fisher | Assistant Sound Designer |
| Lighting | Dennis Bishop | Gaffer |
| Costume & Make-Up | Paula Cain | Wardrobe Supervisor |
| Camera | Ken Wheeland | Best Boy Grip |
| Camera | Richard Scheid | Grip |
| Camera | Bill Moore | Grip |
| Camera | Larry Boyd | Grip |
| Production | Rose Marie Yurinko | Producer's Assistant |
| Production | Rhonda Hopkins | Production Assistant |
| Production | Florence M. Amico | Production Assistant |
| Art | J. Larry Carroll | Set Designer |
| Camera | Ray Fischer | Still Photographer |
| Art | Tom Pickette | Location Scout |
| Production | Tom Pickette | Location Coordinator |
| Crew | Tim Wawrzeniac | Second Unit |
| Crew | Bob Eber | Second Unit |
| Crew | Rick Braverman | Second Unit |
| Crew | Craig Felburg | Second Unit |
| Crew | Karen Grant | Second Unit |
| Crew | Carolyn Ames | Second Unit |
| Editing | Robert Alsheimer | Assistant Editor |
| Sound | Don Peake | Conductor |
| Sound | Peter Hitchcock | Sound Effects |
| Sound | David Marsh | Sound Effects |
| Sound | David Lee Fein | Sound Effects |
| Sound | Jill Debin | Sound Effects |
| Sound | Hal Watkins | Sound Engineer |
| Camera | Lynn Rogers | Key Grip |
| Costume & Make-Up | Donald Mulderick | Makeup Artist |
| Costume & Make-Up | Ken Horn | Special Effects Makeup Artist |
| Art | Robert A. Burns | Art Direction |
| Costume & Make-Up | Dave Ayres | Special Effects Makeup Artist |
| Production | Walter R. Cichy | Production Manager |
| Directing | Valley Hoffman | Assistant Director |
| Art | Mary Church | Props |
