De familie Carter trekt met de caravan richting Californië. Vader Bob wil eerst nog enkele oude zilvermijnen bezoeken in een afgelegen woestijngebied. Het domein ligt er verlaten bij. Wanneer er plots legerjets boven hun hoofden scheuren, vermoeden ze dat ze zich nabij een testbasis van de Amerikaanse luchtmacht bevinden.
Nee, helaas is The Hills Have Eyes nog niet beschikbaar op Netflix in Nederland.
| Directing | Wes Craven | Director |
| Editing | Wes Craven | Editor |
| Sound | Don Peake | Original Music Composer |
| Production | Peter Locke | Producer |
| Camera | Eric Saarinen | Director of Photography |
| Costume & Make-Up | Joanne Jaffe | Costume Design |
| Production | Gus Schirmer | Casting |
| Writing | Wes Craven | Writer |
| Crew | Peter Locke | Presenter |
| Crew | Al Jones | Stunts |
| Directing | Joanie Blum | Script Supervisor |
| Crew | Ron Stein | Stunts |
| Crew | John Frazier | Special Effects |
| Crew | Greg Auer | Special Effects |
| Camera | Leslie Otis | Assistant Camera |
| Sound | D. G. Fisher | Assistant Sound Designer |
| Crew | Ron Stein | Stunt Coordinator |
| Costume & Make-Up | Paula Cain | Wardrobe Supervisor |
| Camera | Ken Wheeland | Best Boy Grip |
| Art | Tom Pickette | Location Scout |
| Crew | Craig Felburg | Second Unit |
| Sound | Don Peake | Conductor |
| Sound | Hal Watkins | Sound Engineer |
| Crew | Moe DiSesso | Animal Coordinator |
| Lighting | Dennis Bishop | Gaffer |
| Crew | Tom Morrocco | Animal Coordinator |
| Crew | Jim Dannaldson | Animal Coordinator |
| Sound | Jan Schulte | Sound Mixer |
| Camera | Bill Moore | Grip |
| Camera | Larry Boyd | Grip |
| Camera | Ray Fischer | Still Photographer |
| Sound | David Lee Fein | Sound Effects |
| Editing | Robert Alsheimer | Assistant Editor |
| Production | Rose Marie Yurinko | Producer's Assistant |
| Camera | Richard Scheid | Grip |
| Sound | Peter Hitchcock | Sound Effects |
| Production | Florence M. Amico | Production Assistant |
| Crew | Karen Grant | Second Unit |
| Crew | Carolyn Ames | Second Unit |
| Crew | Tim Wawrzeniac | Second Unit |
| Crew | Bob Eber | Second Unit |
| Production | Rhonda Hopkins | Production Assistant |
| Sound | David Marsh | Sound Effects |
| Art | J. Larry Carroll | Set Designer |
| Sound | Jill Debin | Sound Effects |
| Production | Tom Pickette | Location Coordinator |
| Crew | Rick Braverman | Second Unit |
| Camera | Lynn Rogers | Key Grip |
| Costume & Make-Up | Donald Mulderick | Makeup Artist |
| Art | Robert A. Burns | Art Direction |
| Art | Mary Church | Props |
| Production | Walter R. Cichy | Production Manager |
| Costume & Make-Up | Ken Horn | Special Effects Makeup Artist |
| Directing | Valley Hoffman | Assistant Director |
| Costume & Make-Up | Dave Ayres | Special Effects Makeup Artist |
