De familie Carter trekt met de caravan richting Californië. Vader Bob wil eerst nog enkele oude zilvermijnen bezoeken in een afgelegen woestijngebied. Het domein ligt er verlaten bij. Wanneer er plots legerjets boven hun hoofden scheuren, vermoeden ze dat ze zich nabij een testbasis van de Amerikaanse luchtmacht bevinden.
Nee, helaas is The Hills Have Eyes nog niet beschikbaar op Netflix in Nederland.
| Camera | Eric Saarinen | Director of Photography |
| Directing | Wes Craven | Director |
| Production | Peter Locke | Producer |
| Editing | Wes Craven | Editor |
| Sound | Don Peake | Original Music Composer |
| Costume & Make-Up | Joanne Jaffe | Costume Design |
| Production | Gus Schirmer | Casting |
| Writing | Wes Craven | Writer |
| Crew | Ron Stein | Stunts |
| Lighting | Dennis Bishop | Gaffer |
| Crew | Tom Morrocco | Animal Coordinator |
| Crew | Jim Dannaldson | Animal Coordinator |
| Sound | D. G. Fisher | Assistant Sound Designer |
| Camera | Larry Boyd | Grip |
| Art | Tom Pickette | Location Scout |
| Crew | Bob Eber | Second Unit |
| Camera | Ken Wheeland | Best Boy Grip |
| Crew | Karen Grant | Second Unit |
| Production | Tom Pickette | Location Coordinator |
| Sound | Jan Schulte | Sound Mixer |
| Crew | Moe DiSesso | Animal Coordinator |
| Crew | Ron Stein | Stunt Coordinator |
| Crew | Al Jones | Stunts |
| Costume & Make-Up | Paula Cain | Wardrobe Supervisor |
| Crew | Peter Locke | Presenter |
| Crew | Greg Auer | Special Effects |
| Camera | Leslie Otis | Assistant Camera |
| Sound | Peter Hitchcock | Sound Effects |
| Crew | John Frazier | Special Effects |
| Sound | David Marsh | Sound Effects |
| Directing | Joanie Blum | Script Supervisor |
| Production | Rose Marie Yurinko | Producer's Assistant |
| Crew | Tim Wawrzeniac | Second Unit |
| Crew | Craig Felburg | Second Unit |
| Camera | Richard Scheid | Grip |
| Production | Rhonda Hopkins | Production Assistant |
| Editing | Robert Alsheimer | Assistant Editor |
| Production | Florence M. Amico | Production Assistant |
| Crew | Rick Braverman | Second Unit |
| Camera | Bill Moore | Grip |
| Art | J. Larry Carroll | Set Designer |
| Sound | David Lee Fein | Sound Effects |
| Camera | Ray Fischer | Still Photographer |
| Sound | Hal Watkins | Sound Engineer |
| Crew | Carolyn Ames | Second Unit |
| Sound | Don Peake | Conductor |
| Sound | Jill Debin | Sound Effects |
| Camera | Lynn Rogers | Key Grip |
| Costume & Make-Up | Donald Mulderick | Makeup Artist |
| Production | Walter R. Cichy | Production Manager |
| Costume & Make-Up | Ken Horn | Special Effects Makeup Artist |
| Art | Mary Church | Props |
| Art | Robert A. Burns | Art Direction |
| Costume & Make-Up | Dave Ayres | Special Effects Makeup Artist |
| Directing | Valley Hoffman | Assistant Director |
