Maria is zwanger van de lokale football-speler. Maar hij heeft andere toekomstplannen en laat haar in de steek. Als haar vader het nieuws hoort sterft hij ter plekke aan een hartaanval. Maria verlaat het huis en ontmoet de gewelddadige computertechnicus Matthew. Zij vinden elkaar in hun gemoedstoestand, maar of er ook sprake van liefde is...
Nee, helaas is Soul Man nog niet beschikbaar op Netflix in Nederland.
| Sound | Tom Scott | Original Music Composer |
| Writing | Carol Black | Screenplay |
| Camera | Jeffrey Jur | Director of Photography |
| Production | Steve Tisch | Producer |
| Editing | David Finfer | Editor |
| Directing | Steve Miner | Director |
| Costume & Make-Up | Sharon Simonaire | Costume Design |
| Art | Anne Tamrazi | Assistant Property Master |
| Camera | Robert L. Blatman | First Assistant Camera |
| Camera | Michael Becker | Still Photographer |
| Sound | Christopher Brooks | Supervising Music Editor |
| Costume & Make-Up | Devora Fischa | Makeup Artist |
| Camera | Donne Daniels | Key Grip |
| Production | Joseph A. Liuzzi | Location Manager |
| Art | John Krenz Reinhart Jr. | Construction Coordinator |
| Art | Nina Saxon | Title Designer |
| Costume & Make-Up | Enid Arias | Hairstylist |
| Lighting | Paul McIlvaine | Best Boy Electric |
| Crew | Chris Howell | Stunt Coordinator |
| Crew | Mike Padovich | Transportation Coordinator |
| Camera | Clarence Brown | Grip |
| Production | Dianne Mapp-Cheek | Production Accountant |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Directing | Karen Golden | Script Supervisor |
| Camera | Kelly Elder McGowen | Second Assistant Camera |
| Production | Donna Smith | Production Manager |
| Lighting | Karen Bean | Gaffer |
| Sound | John Leveque | Sound Editor |
| Sound | Richard E. Yawn | Foley Editor |
| Crew | David Burton | Stunts |
| Sound | Shawn Sykora | Assistant Sound Editor |
| Sound | Karen G. Wilson | Sound Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Steve Sollars | Boom Operator |
| Production | Michelle Solotar | Production Coordinator |
| Crew | Steve M. Davison | Stunts |
| Crew | Hal Lary | Transportation Captain |
| Sound | Becky Sullivan | ADR Editor |
| Sound | Marvin Walowitz | Sound Editor |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Editing | Lois Trent-Bring | Negative Cutter |
| Crew | Pat Romano | Stunts |
| Sound | Don Summer | Sound Mixer |
| Art | Doug Lefler | Storyboard Artist |
| Art | Deborah Ross | Title Designer |
| Crew | William H. Burton Sr. | Stunts |
| Lighting | Ricky Perez | Electrician |
| Art | Michael Reinhart | Construction Foreman |
| Camera | Khan Griffith | Dolly Grip |
| Crew | Roger George | Special Effects |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Sound | David A. Whittaker | Sound Editor |
| Sound | Sherman Waze | Sound Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Production | Neal Marlens | Co-Producer |
| Production | Melissa Skoff | Casting |
| Sound | David Anderle | Music Supervisor |
| Production | Carol Black | Co-Producer |
| Production | Bernie Goldmann | Associate Producer |
| Production | Donna Smith | Line Producer |
| Directing | Josh King | Second Assistant Director |
| Directing | Stuart B. Hagen | Second Second Assistant Director |
| Directing | Betsy Magruder | First Assistant Director |
| Art | John Krenz Reinhart Jr. | Art Direction |
| Production | Stephen Vaughan | Associate Producer |
| Art | Lisa Dean | Set Dresser |
| Art | Gene Serdena | Set Dresser |
| Art | Gregg Fonseca | Production Design |
| Art | Larry Fulton | Set Designer |
| Art | Don Diers | Art Direction |
| Art | Dorree Cooper | Set Decoration |
| Art | Kirk Corwin | Property Master |
