Maria is zwanger van de lokale football-speler. Maar hij heeft andere toekomstplannen en laat haar in de steek. Als haar vader het nieuws hoort sterft hij ter plekke aan een hartaanval. Maria verlaat het huis en ontmoet de gewelddadige computertechnicus Matthew. Zij vinden elkaar in hun gemoedstoestand, maar of er ook sprake van liefde is...
Nee, helaas is Soul Man nog niet beschikbaar op Netflix in Nederland.
| Writing | Carol Black | Screenplay |
| Camera | Jeffrey Jur | Director of Photography |
| Editing | David Finfer | Editor |
| Production | Steve Tisch | Producer |
| Directing | Steve Miner | Director |
| Sound | Tom Scott | Original Music Composer |
| Camera | Michael Becker | Still Photographer |
| Costume & Make-Up | Devora Fischa | Makeup Artist |
| Costume & Make-Up | Enid Arias | Hairstylist |
| Lighting | Paul McIlvaine | Best Boy Electric |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Camera | Kelly Elder McGowen | Second Assistant Camera |
| Lighting | Karen Bean | Gaffer |
| Production | Donna Smith | Production Manager |
| Art | Anne Tamrazi | Assistant Property Master |
| Directing | Karen Golden | Script Supervisor |
| Camera | Robert L. Blatman | First Assistant Camera |
| Costume & Make-Up | Sharon Simonaire | Costume Design |
| Sound | Christopher Brooks | Supervising Music Editor |
| Production | Dianne Mapp-Cheek | Production Accountant |
| Lighting | Ricky Perez | Electrician |
| Art | Doug Lefler | Storyboard Artist |
| Camera | Khan Griffith | Dolly Grip |
| Crew | Mike Padovich | Transportation Coordinator |
| Sound | John Leveque | Sound Editor |
| Crew | Steve M. Davison | Stunts |
| Camera | Clarence Brown | Grip |
| Sound | David A. Whittaker | Sound Editor |
| Camera | Donne Daniels | Key Grip |
| Crew | Hal Lary | Transportation Captain |
| Crew | Chris Howell | Stunt Coordinator |
| Art | Nina Saxon | Title Designer |
| Crew | Pat Romano | Stunts |
| Production | Joseph A. Liuzzi | Location Manager |
| Art | John Krenz Reinhart Jr. | Construction Coordinator |
| Sound | Steve Sollars | Boom Operator |
| Production | Michelle Solotar | Production Coordinator |
| Art | Deborah Ross | Title Designer |
| Sound | Don Summer | Sound Mixer |
| Art | Michael Reinhart | Construction Foreman |
| Editing | Lois Trent-Bring | Negative Cutter |
| Crew | William H. Burton Sr. | Stunts |
| Crew | Roger George | Special Effects |
| Sound | Karen G. Wilson | Sound Editor |
| Sound | Richard E. Yawn | Foley Editor |
| Sound | Becky Sullivan | ADR Editor |
| Sound | Marvin Walowitz | Sound Editor |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Sound | Sherman Waze | Sound Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Crew | David Burton | Stunts |
| Sound | Shawn Sykora | Assistant Sound Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Art | Gregg Fonseca | Production Design |
| Production | Melissa Skoff | Casting |
| Directing | Betsy Magruder | First Assistant Director |
| Production | Neal Marlens | Co-Producer |
| Production | Donna Smith | Line Producer |
| Directing | Stuart B. Hagen | Second Second Assistant Director |
| Production | Bernie Goldmann | Associate Producer |
| Production | Stephen Vaughan | Associate Producer |
| Production | Carol Black | Co-Producer |
| Directing | Josh King | Second Assistant Director |
| Sound | David Anderle | Music Supervisor |
| Art | Dorree Cooper | Set Decoration |
| Art | Larry Fulton | Set Designer |
| Art | Lisa Dean | Set Dresser |
| Art | Don Diers | Art Direction |
| Art | Kirk Corwin | Property Master |
| Art | Gene Serdena | Set Dresser |
| Art | John Krenz Reinhart Jr. | Art Direction |
