1962 ten tijde van de Cubacrisis. De alleenstaande moeder Kay Harris (Teri Garr) verhuist samen met haar excentrieke tante Zena (Shirley MacLaine) en haar twee ondeugende kinderen vanuit Chicago naar een klein, slaperig stadje in het westen van Amerika. Daar hebben ze een café geërfd van een overleden oom en proberen ze een beter leven op te bouwen. De kinderen krijgen het aan de stok met de rare buurman en besluiten samen met hun tante hem terug te pakken door een spookverschijning in scène te zetten. Als de buurman echter denkt dat hij is bezocht door een engel, leidt dit onbedoeld tot enorm veel publiciteit, waardoor het stadje overspoeld wordt door nieuwsgierige bezoekers.
Nee, helaas is Waiting for the Light nog niet beschikbaar op Netflix in Nederland.
| Camera | Suzanne Hanover | Still Photographer |
| Writing | Christopher Monger | Screenplay |
| Sound | Budd Carr | Music Supervisor |
| Production | Llewellyn Wells | Production Manager |
| Costume & Make-Up | Judy L. Ruskin | Costume Design |
| Crew | Richard Daley | Stunts |
| Crew | Tony M. Ramano | Stunts |
| Directing | Matthew J. Clark | First Assistant Director |
| Directing | Coni Lancaster | Second Assistant Director |
| Directing | Elisa Sansalone | Second Second Assistant Director |
| Production | Virginia Bogert | Assistant Production Coordinator |
| Production | Diana Hrabowecki | Production Assistant |
| Production | Karen Chalk Wheeler | Assistant Accountant |
| Production | Elizabeth Young | Extras Casting |
| Camera | Harry K. Garvin | Second Assistant Camera |
| Production | Nancy Campbell | Extras Casting |
| Editing | Elizabeth Hancock | Assistant Editor |
| Production | Monica Melvin-Fratkin | Assistant Production Manager |
| Production | Alan Gershenfeld | Production Coordinator |
| Directing | Jane Goldsmith | Script Supervisor |
| Editing | Laura Rindner | Associate Editor |
| Art | Lachlin Loud | Set Designer |
| Editing | Grażyna Matola | Assistant Editor |
| Production | Suellen Richmond | Casting Associate |
| Camera | Bob Webeck | Third Assistant Camera |
| Production | Susan Dixon | Casting Associate |
| Camera | David Riley | First Assistant Camera |
| Production | Diana Adams | Production Accountant |
| Production | Kerri Kroll | Production Secretary |
| Art | Lori Melendy | Graphic Designer |
| Art | David Saltzman | Swing |
| Art | Peter A. Tullo | Assistant Property Master |
| Art | Kim Larsen-Santini | Assistant Property Master |
| Art | Kenneth Berg | Construction Foreman |
| Art | Petre M. Olanu | Painter |
| Art | Brad Einhorn | Property Master |
| Art | Jay Hart | Set Dresser |
| Crew | Keith Bergman | Carpenter |
| Art | Steven Eyrse | Painter |
| Art | Kenneth Milfred | Leadman |
| Art | Randy Eriksen | Leadman |
| Crew | Tom Williams | Carpenter |
| Art | Michael McCombe | Greensman |
| Art | Ian Jennings | Swing |
| Art | Loren Corney | Construction Coordinator |
| Crew | John Sumner | Carpenter |
| Crew | Richard Hall | Carpenter |
| Art | Leslie A. Fried | Painter |
| Art | Peter Allen | Art Department Coordinator |
| Crew | Fred Kimball | Carpenter |
| Crew | Tassilo Baur | Special Effects Coordinator |
| Camera | Jim Hicks | Grip |
| Camera | Brian H. Reynolds | Key Grip |
| Production | Tyler Butler | Post Production Coordinator |
| Camera | Mark Watson | Grip |
| Production | Michael Leon | Location Manager |
| Lighting | Martin Bosworth | Electrician |
| Art | Warren Milo Mell | Location Scout |
| Camera | Robena Malicoat | Grip |
| Sound | Mark Goodermote | Boom Operator |
| Crew | William A. Klinger | Special Effects Coordinator |
| Sound | Patrick M. Griffith | Supervising Sound Editor |
| Lighting | Dan Gillham | Gaffer |
| Costume & Make-Up | Shari Griffin | Set Costumer |
| Production | Louis G. Friedman | Production Executive |
| Lighting | Donna Vega | Best Boy Electric |
| Sound | Ed Novick | Sound Mixer |
| Camera | Don Simandl | Best Boy Grip |
| Lighting | Bob Calnan | Electrician |
| Lighting | Michael Commins | Electrician |
| Production | Brad Arensman | Executive In Charge Of Post Production |
| Costume & Make-Up | Laura Goldsmith | Key Costumer |
| Lighting | Michael Sudmeier | Electrician |
| Crew | Steven I. Celniker | Post Production Supervisor |
| Crew | Avram Butch Kaplan | Production Controller |
| Camera | Bruce Hamme | Dolly Grip |
| Sound | Ken S. Polk | Sound Re-Recording Mixer |
| Sound | Terry Fiyalko | Dialogue Editor |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Sound | Lewis Goldstein | Music Editor |
| Sound | Joseph A. Mayer | Dialogue Editor |
| Sound | Ann Scibelli | Assistant Sound Editor |
| Sound | Tanya McGinnis-Potvin | Assistant Sound Editor |
| Sound | Gerry Lentz | ADR Recordist |
| Sound | Paul Rodriguez | Sound Post Production Coordinator |
| Sound | Catherine Rowe | Foley Artist |
| Sound | Bill Freesh | Assistant Sound Editor |
| Sound | Kristen Janusis | Sound Re-Recording Assistant |
| Sound | Gerry Lentz | Sound Engineer |
| Sound | Harry Cohen | Sound Effects Designer |
| Sound | Terry O'Bright | Foley Recordist |
| Sound | Joan Rowe | Foley Artist |
| Directing | Christopher Monger | Director |
| Production | Ron Bozman | Producer |
| Production | Linda Koulisis | Associate Producer |
| Art | Dorree Cooper | Art Direction |
| Editing | Éva Gárdos | Editor |
| Production | Michael Flynn | Associate Producer |
| Costume & Make-Up | Ronnie Specter | Makeup Artist |
| Camera | Gabriel Beristain | Director of Photography |
| Sound | Michael Storey | Original Music Composer |
| Production | Pamela Guest | Casting |
| Costume & Make-Up | Isabella B. Van Soest | Costume Design |
| Production | Edward R. Pressman | Executive Producer |
| Costume & Make-Up | Sherry Anders | Assistant Makeup Artist |
| Art | Phil Peters | Production Design |
| Production | Caldecot Chubb | Producer |
| Costume & Make-Up | Robaire Charbonneau | Assistant Hairstylist |
| Costume & Make-Up | Enid Arias | Hairstylist |
| Costume & Make-Up | Ziggy | Wigmaker |
