Roy, een FBI-agent heeft nogal wat emotionele littekens overgehouden van zijn verleden. Zijn vroegere partner werd jaren geleden vermoord door een Russische spion. Als hij een tiener, die toegelaten wil worden tot de militaire academie moet checken op zijn achtergrond, komt hij erachter dat de ouders Russische spionnen zijn.
Nee, helaas is Little Nikita nog niet beschikbaar op Netflix in Nederland.
| Sound | Marvin Hamlisch | Original Music Composer |
| Writing | Bo Goldman | Screenplay |
| Camera | László Kovács | Director of Photography |
| Editing | Jacqueline Cambas | Editor |
| Directing | Richard Benjamin | Director |
| Production | Harry Gittes | Producer |
| Writing | John Hill | Screenplay |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Costume & Make-Up | Patricia Norris | Costume Design |
| Writing | Tom Musca | Story |
| Art | Gene Callahan | Production Design |
| Production | Julio Medina | Co-Producer |
| Art | Hub Braden | Art Direction |
| Art | Lee Poll | Set Decoration |
| Production | Gail Mutrux | Associate Producer |
| Production | David Rubin | Casting |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Writing | Terry Schwartz | Story |
| Production | Art Levinson | Unit Production Manager |
| Camera | Joseph E. Thibo | First Assistant Camera |
| Art | Mark Hite | Leadman |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Directing | Dennis Maguire | First Assistant Director |
| Camera | Ray De La Motte | Camera Operator |
| Art | Sherman Labby | Production Illustrator |
| Camera | Brian W. Armstrong | Second Assistant Camera |
| Directing | Ray Quiroz | Script Supervisor |
| Directing | Robin R. Oliver | Second Assistant Director |
| Sound | B. Tennyson Sebastian II | Sound Re-Recording Mixer |
| Sound | Jack Hayes | Orchestrator |
| Camera | Donald L. Hartley | Dolly Grip |
| Sound | Jerry Jost | Sound Mixer |
| Art | Emily Ferry | Property Master |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Leonard T. Geschke | Sound Editor |
| Sound | Colin C. Mouat | Sound Editor |
| Crew | Vic Heutschy | Unit Publicist |
| Sound | Dennis Jones | Boom Operator |
| Sound | Louis L. Edemann | Supervising Sound Editor |
| Sound | Chuck Neely | Sound Editor |
| Sound | Jay Engel | ADR Editor |
| Lighting | Richmond L. Aguilar | Chief Lighting Technician |
| Art | Ann Harris | Set Designer |
| Sound | Larry Carow | Sound Editor |
| Costume & Make-Up | Dan Bronson | Costumer |
| Art | Donald R. Abblett | Standby Painter |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Tom Carlin | Music Editor |
| Camera | Gene Kearney | Key Grip |
| Production | Greg Lazzaro | Location Manager |
| Lighting | Paul Caven | Best Boy Electric |
| Art | David Gabrielli | Construction Foreman |
| Camera | Len Hekel | Still Photographer |
| Art | Marvin Salsberg | Construction Coordinator |
| Crew | Gene R. Johnson | Transportation Coordinator |
| Directing | Conrad E. Palmisano | Second Unit Director |
| Crew | Jerry F. Johnson | Transportation Captain |
| Production | Lisa Beach | Casting Assistant |
| Editing | Phil Hetos | Color Timer |
| Directing | Josh McLaglen | Second Unit First Assistant Director |
| Editing | Gary Burritt | Negative Cutter |
