Roy, een FBI-agent heeft nogal wat emotionele littekens overgehouden van zijn verleden. Zijn vroegere partner werd jaren geleden vermoord door een Russische spion. Als hij een tiener, die toegelaten wil worden tot de militaire academie moet checken op zijn achtergrond, komt hij erachter dat de ouders Russische spionnen zijn.
Nee, helaas is Little Nikita nog niet beschikbaar op Netflix in Nederland.
| Directing | Richard Benjamin | Director |
| Editing | Jacqueline Cambas | Editor |
| Production | Harry Gittes | Producer |
| Camera | László Kovács | Director of Photography |
| Writing | Bo Goldman | Screenplay |
| Writing | John Hill | Screenplay |
| Sound | Marvin Hamlisch | Original Music Composer |
| Writing | Tom Musca | Story |
| Production | Julio Medina | Co-Producer |
| Costume & Make-Up | Patricia Norris | Costume Design |
| Production | Art Levinson | Unit Production Manager |
| Art | Gene Callahan | Production Design |
| Art | Hub Braden | Art Direction |
| Production | Gail Mutrux | Associate Producer |
| Art | Lee Poll | Set Decoration |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Writing | Terry Schwartz | Story |
| Production | David Rubin | Casting |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Directing | Dennis Maguire | First Assistant Director |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Larry Carow | Sound Editor |
| Sound | Jay Engel | ADR Editor |
| Lighting | Paul Caven | Best Boy Electric |
| Art | Mark Hite | Leadman |
| Art | Ann Harris | Set Designer |
| Sound | Jerry Jost | Sound Mixer |
| Costume & Make-Up | Dan Bronson | Costumer |
| Art | David Gabrielli | Construction Foreman |
| Directing | Robin R. Oliver | Second Assistant Director |
| Art | Sherman Labby | Production Illustrator |
| Camera | Joseph E. Thibo | First Assistant Camera |
| Camera | Ray De La Motte | Camera Operator |
| Directing | Ray Quiroz | Script Supervisor |
| Camera | Brian W. Armstrong | Second Assistant Camera |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Jack Hayes | Orchestrator |
| Sound | B. Tennyson Sebastian II | Sound Re-Recording Mixer |
| Art | Marvin Salsberg | Construction Coordinator |
| Sound | Colin C. Mouat | Sound Editor |
| Crew | Vic Heutschy | Unit Publicist |
| Directing | Josh McLaglen | Second Unit First Assistant Director |
| Production | Greg Lazzaro | Location Manager |
| Sound | Chuck Neely | Sound Editor |
| Camera | Donald L. Hartley | Dolly Grip |
| Sound | Louis L. Edemann | Supervising Sound Editor |
| Sound | Leonard T. Geschke | Sound Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Camera | Gene Kearney | Key Grip |
| Art | Donald R. Abblett | Standby Painter |
| Crew | Gene R. Johnson | Transportation Coordinator |
| Crew | Jerry F. Johnson | Transportation Captain |
| Editing | Phil Hetos | Color Timer |
| Art | Emily Ferry | Property Master |
| Sound | Dennis Jones | Boom Operator |
| Lighting | Richmond L. Aguilar | Chief Lighting Technician |
| Camera | Len Hekel | Still Photographer |
| Sound | Tom Carlin | Music Editor |
| Production | Lisa Beach | Casting Assistant |
| Editing | Gary Burritt | Negative Cutter |
| Directing | Conrad E. Palmisano | Second Unit Director |
| Crew | Erik Cord | Stunts |
