Roy, een FBI-agent heeft nogal wat emotionele littekens overgehouden van zijn verleden. Zijn vroegere partner werd jaren geleden vermoord door een Russische spion. Als hij een tiener, die toegelaten wil worden tot de militaire academie moet checken op zijn achtergrond, komt hij erachter dat de ouders Russische spionnen zijn.
Nee, helaas is Little Nikita nog niet beschikbaar op Netflix in Nederland.
| Directing | Richard Benjamin | Director |
| Writing | Bo Goldman | Screenplay |
| Writing | John Hill | Screenplay |
| Production | Harry Gittes | Producer |
| Sound | Marvin Hamlisch | Original Music Composer |
| Camera | László Kovács | Director of Photography |
| Editing | Jacqueline Cambas | Editor |
| Production | Julio Medina | Co-Producer |
| Production | Gail Mutrux | Associate Producer |
| Writing | Tom Musca | Story |
| Writing | Terry Schwartz | Story |
| Production | David Rubin | Casting |
| Art | Gene Callahan | Production Design |
| Art | Hub Braden | Art Direction |
| Art | Lee Poll | Set Decoration |
| Costume & Make-Up | Patricia Norris | Costume Design |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Production | Art Levinson | Unit Production Manager |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Directing | Dennis Maguire | First Assistant Director |
| Directing | Robin R. Oliver | Second Assistant Director |
| Camera | Ray De La Motte | Camera Operator |
| Camera | Joseph E. Thibo | First Assistant Camera |
| Camera | Brian W. Armstrong | Second Assistant Camera |
| Directing | Ray Quiroz | Script Supervisor |
| Art | Mark Hite | Leadman |
| Art | Ann Harris | Set Designer |
| Art | Sherman Labby | Production Illustrator |
| Art | Emily Ferry | Property Master |
| Sound | Jerry Jost | Sound Mixer |
| Sound | Dennis Jones | Boom Operator |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | B. Tennyson Sebastian II | Sound Re-Recording Mixer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Louis L. Edemann | Supervising Sound Editor |
| Sound | Larry Carow | Sound Editor |
| Sound | Leonard T. Geschke | Sound Editor |
| Sound | Colin C. Mouat | Sound Editor |
| Sound | Chuck Neely | Sound Editor |
| Sound | Jay Engel | ADR Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Tom Carlin | Music Editor |
| Sound | Jack Hayes | Orchestrator |
| Costume & Make-Up | Dan Bronson | Costumer |
| Camera | Len Hekel | Still Photographer |
| Crew | Vic Heutschy | Unit Publicist |
| Lighting | Richmond L. Aguilar | Chief Lighting Technician |
| Lighting | Paul Caven | Best Boy Electric |
| Camera | Gene Kearney | Key Grip |
| Camera | Donald L. Hartley | Dolly Grip |
| Art | Marvin Salsberg | Construction Coordinator |
| Art | David Gabrielli | Construction Foreman |
| Art | Donald R. Abblett | Standby Painter |
| Production | Greg Lazzaro | Location Manager |
| Crew | Gene R. Johnson | Transportation Coordinator |
| Crew | Jerry F. Johnson | Transportation Captain |
| Production | Lisa Beach | Casting Assistant |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Phil Hetos | Color Timer |
| Directing | Conrad E. Palmisano | Second Unit Director |
| Directing | Josh McLaglen | Second Unit First Assistant Director |
| Crew | Erik Cord | Stunts |
