Wanneer een televisieploeg tijdens een live-uitzending een gênante nederlaag van een politie-eenheid tegen een bende overvallers registreert, bereikt het imago van de politie een dieptepunt. Inspecteur Cheung gaat op onderzoek uit en stuit op de schuilplaats van de criminelen. Terwijl hij met zijn mensen actie onderneemt om ze aan te houden, probeert hoofdinspecteur Rebecca Fong de media te gebruiken om weer een positieve impuls te geven aan de reputatie van de politie.
Nee, helaas is Daai Si Gin nog niet beschikbaar op Netflix in Nederland.
| Production | Cao Biao | Producer |
| Production | Yang Buting | Executive Producer |
| Directing | 杜琪峯 | Director |
| Camera | Cheng Siu-keung | Director of Photography |
| Sound | Ben Cheung Siu-Hung | Original Music Composer |
| Sound | Chung Chi-Wing | Original Music Composer |
| Production | 杜琪峯 | Producer |
| Editing | David M. Richardson | Editor |
| Production | John Chong | Executive Producer |
| Production | Chiu Chi-Shing | Unit Manager |
| Crew | To Hung-Mo | Second Unit Cinematographer |
| Lighting | Kwong Ting-Fong | Best Boy Lighting Technician |
| Directing | Law Wing-Cheong | Field Director |
| Directing | 陳偉雄 | First Assistant Director |
| Directing | Yuen Bun | Action Director |
| Directing | Kenneth Cheung Moon-Yuen | Script Supervisor |
| Writing | Yip Tin-Shing | Writer |
| Lighting | 胡國超 | Lighting Technician |
| Art | 陳錦河 | Art Direction |
| Writing | Chan Hing-Kai | Writer |
| Directing | 陳惠珠 | Second Assistant Director |
| Editing | Simon Fung | Assistant Editor |
| Costume & Make-Up | Midco Chu Wai-Fong | Makeup Artist |
| Costume & Make-Up | Rachel Kong Tak-Yen | Hairstylist |
| Sound | Lee Sin-Kwok | Location Sound Mixer |
| Costume & Make-Up | 曾伯銓 | Costume Design |
| Costume & Make-Up | Elsa Chan Kit-Ling | Wardrobe Coordinator |
| Costume & Make-Up | Kitty Chau Cheuk-Wai | Assistant Costume Designer |
| Art | 林偉健 | Property Master |
| Production | Ding Yuin-Shan | Production Coordinator |
| Production | 禤志傑 | Executive Producer |
| Crew | Catherine Chan Dao-Ho | Production Controller |
| Production | Jiang Tao | Executive Producer |
| Production | Han Sanping | Associate Producer |
| Crew | Shirley Lau Yim-Ngo | Production Controller |
| Editing | Elaine Chu Suk-Yee | Project Manager |
| Crew | Lu Ching-Ting | Set Runner |
| Crew | Calmen Lui Lai-Wah | Post Production Consulting |
| Sound | Tommy Yu Ka-Luk | Foley Artist |
| Sound | 林漢釗 | Foley Artist |
| Sound | 莫美華 | ADR Recordist |
| Sound | 余志文 | Foley Artist |
| Visual Effects | 馬文現 | Visual Effects Director |
| Sound | Charlie Lo Pak-Yue | Sound Effects Designer |
| Sound | Choy King-Fai | Foley Artist |
| Sound | Kwong Sek-Kei | Foley Artist |
| Sound | 莫美華 | Sound Effects Designer |
| Sound | Charlie Lo Pak-Yue | Sound Effects Editor |
| Sound | 區俊宏 | Foley Artist |
| Production | Shi Dongming | Associate Producer |
| Production | Jackson Ha Chak-Shun | Production Manager |
| Camera | Hirotake Okazaki | Still Photographer |
| Sound | 莫美華 | Sound Re-Recording Mixer |
| Visual Effects | 林碧雯 | Visual Effects Coordinator |
| Sound | 任廣香 | Foley Artist |
| Sound | Fung Wing-Hong | Foley Artist |
| Production | 陳詠茜 | Post Production Coordinator |
| Sound | 林偉麟 | ADR Recordist |
| Directing | 劉子洋 | Second Assistant Director |
| Editing | 劉志傑 | Assistant Editor |
| Sound | 吳國輝 | Boom Operator |
| Art | 陳廣鴻 | Assistant Art Director |
