Begin jaren tachtig vindt de politie in een bos bij het Russische plaatsje Rostov acht verminkte lijken. De arts Victor Burakov is ervan overtuigd dat dit het werk is van een seriemoordenaar, maar de Communistische Partij is het daar niet mee eens.
Nee, helaas is Citizen X nog niet beschikbaar op Netflix in Nederland.
| Production | Laura Bickford | Executive Producer |
| Directing | Chris Gerolmo | Director |
| Production | Timothy Marx | Producer |
| Production | David R. Ginsburg | Executive Producer |
| Camera | Robert Fraisse | Director of Photography |
| Editing | William Goldenberg | Editor |
| Production | Matthew Chapman | Executive Producer |
| Sound | Randy Edelman | Original Music Composer |
| Writing | Chris Gerolmo | Writer |
| Crew | Bruce Golin | Post Production Supervisor |
| Art | Éva Martin | Construction Coordinator |
| Crew | Greg Nicotero | Makeup Effects |
| Directing | Michelangelo Csaba Bolla | First Assistant Director |
| Production | Erzsebet Gaspar | Extras Casting Coordinator |
| Art | József Romvári | Production Design |
| Writing | Chris Gerolmo | Teleplay |
| Writing | Robert Cullen | Book |
| Production | Robert Stone | Co-Producer |
| Lighting | Sándor Novák | Best Boy Electric |
| Production | Joyce Nettles | Casting |
| Directing | Éva Bognár | Second Assistant Director |
| Production | Webster Stone | Co-Producer |
| Editing | Richard Byard | Assistant Editor |
| Production | Éva Bognár | Local Casting |
| Production | László Sipos | Local Casting |
| Crew | Gino Crognale | Makeup Effects |
| Sound | Jason King | Dialogue Editor |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Production | József Cirkó | Production Manager |
| Production | Adrianna A.J. Cohen | Production Supervisor |
| Production | László Lakatos | Unit Manager |
| Camera | Attila Szücs | Key Grip |
| Sound | John LaSalandra | Music Editor |
| Lighting | Péter Sidló | Gaffer |
| Sound | Pál Szûrös | Boom Operator |
| Sound | William Freesh | Sound Re-Recording Mixer |
| Sound | David Farmer | Sound Effects Editor |
| Camera | Tamás Nyerges | Steadicam Operator |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Gregg Barbanell | Foley Artist |
| Directing | Brenda K. Wachel | Script Supervisor |
| Costume & Make-Up | Maria Hruby | Costume Design |
| Art | Lóránt Jávor | Art Direction |
| Camera | István Bese | Dolly Grip |
| Editing | Gary Burritt | Negative Cutter |
| Art | István Tóth | Set Decoration |
| Camera | Lajos Simon | Best Boy Grip |
| Sound | Allan Byer | Sound Mixer |
| Camera | Csaba Bankhardt | Grip |
| Sound | William Freesh | ADR Recordist |
| Art | Bulcsú Balla | Property Master |
| Production | Peter Seres | Location Manager |
| Crew | Istvan Pintye | Transportation Coordinator |
| Costume & Make-Up | Erzsébet Rácz | Key Hair Stylist |
| Sound | Tim Gedemer | Supervising Sound Editor |
| Sound | Mike Moser | Sound Effects Editor |
| Costume & Make-Up | Zsuzsa Balai | Costume Supervisor |
| Camera | József Takács | First Assistant Camera |
| Production | Hans Berggren | Production Accountant |
| Costume & Make-Up | Karoly Balazs | Key Makeup Artist |
| Crew | Ferenc Ormos | Special Effects |
| Sound | Ann Scibelli | Sound Effects Editor |
| Sound | Vince Nicastro | Foley Artist |
