Nick werkt in een controlcenter op een New Yorkse luchthaven. Deze stressvolle baan laat echter een diepe indruk achter op zijn leven en dat van zijn collega's. Als Nick een nieuwe collega krijgt, Russell Bell, leidt dit tot een gespannen sfeer, aangezien beiden denken dat ze de beste zijn. De strijd leidt er zelfs uiteindelijk toe dat Nick met Russel's vrouw naar bed gaat.
Nee, helaas is Pushing Tin nog niet beschikbaar op Netflix in Nederland.
| Writing | Glen Charles | Screenplay |
| Directing | Mike Newell | Director |
| Sound | Anne Dudley | Original Music Composer |
| Production | Alan Greenspan | Executive Producer |
| Writing | Les Charles | Screenplay |
| Editing | Jon Gregory | Editor |
| Production | Art Linson | Producer |
| Sound | Chris Seefried | Original Music Composer |
| Camera | Gale Tattersall | Director of Photography |
| Crew | Joe Bucaro III | Stunt Double |
| Production | Michael Flynn | Executive Producer |
| Crew | Doug Coleman | Stunt Coordinator |
| Production | Ellen Chenoweth | Casting |
| Camera | Harald Ortenburger | Camera Operator |
| Sound | Bruce Carwardine | Production Sound Mixer |
| Art | Gordon White | Set Designer |
| Visual Effects | Boyd Shermis | Visual Effects Supervisor |
| Costume & Make-Up | Marie-Sylvie Deveau | Costume Design |
| Crew | Rick Forsayeth | Stunt Coordinator |
| Production | Joseph Boccia | Unit Production Manager |
| Art | Vic Rigler | Property Master |
| Costume & Make-Up | Karola Dirnberger | Hairstylist |
| Sound | Sue Baker | Supervising Sound Editor |
| Directing | Bruno Bryniarski | Second Assistant Director |
| Directing | David Webb | First Assistant Director |
| Art | Bruno Rubeo | Production Design |
| Art | Dennis Kirkham | Leadman |
| Visual Effects | Michael Kavanagh | Special Effects Supervisor |
| Art | Steve Shewchuk | Set Decoration |
| Art | Clive Thomasson | Set Decoration |
| Sound | Derek Holding | ADR Editor |
| Editing | Dennis McNeill | Color Timer |
| Lighting | Scotty Allan | Gaffer |
| Art | Bill Harman | Construction Coordinator |
| Directing | Mimi Wolch | Script Supervisor |
| Lighting | Gary Deneault | Rigging Gaffer |
| Crew | Joe Everett | Unit Publicist |
| Production | Gina Fowler | Production Coordinator |
| Sound | Tim Cavagin | Sound Re-Recording Mixer |
| Art | Elis Y. Lam | Set Designer |
| Costume & Make-Up | Christine Hart | Key Makeup Artist |
| Art | Ron Hewitt | Assistant Property Master |
| Art | John Dondertman | Art Direction |
| Production | Marty Dejczak | Location Manager |
| Sound | Dean Humphreys | Sound Re-Recording Mixer |
| Sound | Colin Miller | Sound Editor |
| Editing | Gary Burritt | Negative Cutter |
| Crew | Danny Lima | Stunts |
| Crew | Randy Butcher | Stunt Driver |
| Crew | Matt Birman | Stunts |
| Crew | Duncan McLeod | Stunt Double |
| Crew | Mick O'Rourke | Stunts |
| Crew | Donald John Hewitt | Stunts |
| Crew | Branko Racki | Stunt Driver |
| Crew | Robert Racki | Stunt Driver |
| Crew | Edward A. Queffelec | Stunts |
| Crew | John Stead | Stunt Double |
