Ray Trueblood keert terug naar zijn geboortegrond Brooklyn. Hij ontdekt dat zijn broer Donny lid is van dezelfde meedogenloze bende die hem, 10 jaar daarvoor, liet opdraaien voor de moord op een politieman. Ray wil er alles aan doen om zijn broer te redden uit de handen van de bende.
Nee, helaas is True Blood nog niet beschikbaar op Netflix in Nederland.
| Production | Valerie McCaffrey | Casting |
| Production | Bradley B. Chambers | Line Producer |
| Camera | Mark Morris | Director of Photography |
| Editing | Michael Haight | Editor |
| Sound | Scott Roewe | Original Music Composer |
| Production | Sonny Vest | Associate Producer |
| Production | Peter Maris | Producer |
| Writing | Frank Kerr | Writer |
| Directing | Frank Kerr | Director |
| Crew | Jim Lovelett | Stunt Coordinator |
| Crew | Michael R. Long | Stunts |
| Crew | Shawn O'Neil | Stunts |
| Crew | Felix Mauras | Stunts |
| Crew | Alex Stevens | Stunts |
| Crew | Gene Harrison | Stunts |
| Crew | Harry Madsen | Stunts |
| Crew | Marc Macaulay | Stunts |
| Crew | Elliot Santiago | Stunts |
| Crew | Phil Neilson | Stunts |
| Crew | Andy Duppin | Stunts |
| Crew | Rawn Hutchinson | Stunts |
| Crew | Michael Russo | Stunts |
| Crew | Franklin Scott | Stunts |
| Crew | Alberto Vazquez | Stunts |
| Crew | Michael Raez | Stunts |
| Crew | Gino Lucci | Stunts |
| Crew | Terry Golden | Stunts |
| Crew | Jeff Ward | Stunts |
| Directing | Katarina Wittich | First Assistant Director |
| Directing | Andrew Sears | Third Assistant Director |
| Directing | Alicia Accardo | Script Supervisor |
| Camera | Jamie Maxtone-Graham | First Assistant Camera |
| Camera | Michael A. Broz | First Assistant Camera |
| Camera | Gina Degirolamo | Second Assistant Camera |
| Editing | Vanick Moradian | Assistant Editor |
| Art | Katherine Tirr | Art Direction |
| Art | Catie De Haan | Set Decoration |
| Costume & Make-Up | Kathleen Richards | Key Makeup Artist |
| Costume & Make-Up | Kathleen Richards | Key Hair Stylist |
| Costume & Make-Up | Stephen Patrie | Special Effects Makeup Artist |
| Sound | Melanie Johnson | Production Sound Mixer |
| Sound | Carol Guidry | Boom Operator |
| Art | Mark Harrington | Property Master |
| Costume & Make-Up | Juliet Polcsa | Costume Designer |
| Costume & Make-Up | Juliet Polcsa | Wardrobe Supervisor |
| Costume & Make-Up | Tim Kent | Wardrobe Assistant |
| Crew | Wilfred Caban | Special Effects |
| Crew | Drew Giratano | Special Effects |
| Camera | Margaret O'Brien | Still Photographer |
| Production | John Hartnett | Location Manager |
| Lighting | James Brummel | Gaffer |
| Camera | Don Davis | Key Grip |
| Camera | Michael James Fahey | Dolly Grip |
| Production | Maureen Fremont | Extras Casting |
| Directing | Priscilla Guastavino | Second Assistant Director |
| Directing | Priscilla Guastavino | Second Unit First Assistant Director |
| Directing | Laura Banks | Second Assistant Director |
| Camera | Michael A. Broz | Camera Operator |
| Camera | Gina Degirolamo | First Assistant Camera |
| Sound | Paul Schremp | Sound Re-Recording Mixer |
| Sound | Randy Hauck | Sound Recordist |
| Sound | Anton Holden | Sound Editor |
| Sound | Greg Stewart | Sound Editor |
| Sound | Barry Draper | Foley Mixer |
| Sound | Jon Taylor | Foley Recordist |
| Sound | Michael Salvetta | Foley Artist |
| Sound | Mary Louise Rodgers | Foley Artist |
| Sound | Greg Stewart | Dialogue Editor |
| Sound | Jim Hebenstreit | Dialogue Editor |
| Sound | Michael Schremp | ADR Recordist |
| Editing | Robert Freeman | Negative Cutter |
| Crew | Michael Becker | Additional Music |
