Sarah Polley komt er in deze documentaire achter dat de waarheid afhankelijk is van wie het vertelt. Polley is zowel filmmaker als detective wanneer ze de geheimen onderzoekt achter een familie van verhalenvertellers. Middels interviews en ondervragingen van een cast aan personages met verschillende achtergronden lokt ze verfrissende, openhartige maar meestal toch tegenstrijdige antwoorden uit op dezelfde vragen.
Nee, helaas is Stories We Tell nog niet beschikbaar op Netflix in Nederland.
| Camera | Iris Ng | Director of Photography |
| Editing | Mike Munn | Editor |
| Directing | Sarah Polley | Director |
| Writing | Sarah Polley | Writer |
| Production | Anita Lee | Producer |
| Sound | Jonathan Goldsmith | Original Music Composer |
| Crew | Shawn Dickey | Mix Technician |
| Editing | Michelle Morris | Project Manager |
| Crew | Paul Brideau | Driver |
| Crew | Dawn Weaver | Craft Service |
| Camera | Margaret Mansell | Digital Imaging Technician |
| Sound | Dave Rose | Supervising Sound Editor |
| Crew | Chris Rowles | Driver |
| Art | Catherine Crawford | Location Scout |
| Camera | Ken Woroner | Still Photographer |
| Art | Julia Brown | Title Designer |
| Sound | Krystin Hunter | Dialogue Editor |
| Production | Elizabeth Klinck | Researcher |
| Production | Sonia Hosko | Producer |
| Sound | Barry Gilmore | Dialogue Editor |
| Production | Graeme Brown | Production Assistant |
| Costume & Make-Up | Teena Black | Daily Makeup & Hair |
| Crew | Stephanie Dagg | Craft Service |
| Camera | Michael Gibson | Still Photographer |
| Production | Fernando da Silva | Assistant Location Manager |
| Crew | Matthew Hunwicks | Set Production Assistant |
| Costume & Make-Up | Lily Champniss | Daily Makeup & Hair |
| Costume & Make-Up | Alister Muir | Daily Makeup & Hair |
| Production | Ryan Buller | Production Assistant |
| Production | Roman Martyn | Location Manager |
| Production | Eardley Wilmot | Location Manager |
| Costume & Make-Up | Adrienne Baker | Costume Assistant |
| Art | Stephen Depko | Set Dresser |
| Production | Adam Belanger | Production Assistant |
| Crew | Missy Dingman | Set Production Assistant |
| Production | Josiah Rothenberg | Administration |
| Production | Marc Cunningham | Assistant Location Manager |
| Costume & Make-Up | Lucy Orton | Daily Makeup & Hair |
| Costume & Make-Up | Nola Chaters | Costume Assistant |
| Art | Sasha Tolstoy | Set Dresser |
| Crew | Larry Weinstein | Thanks |
| Sound | Jonathan Goldsmith | Music Arranger |
| Production | Silva Basmajian | Executive Producer |
| Sound | Sanjay Mehta | Sound Recordist |
| Production | Jason Knight | Casting |
| Crew | Lorraine Samuel | Post-Production Manager |
| Sound | Joe Morrow | Sound Re-Recording Mixer |
| Crew | Michael Ondaatje | Thanks |
| Camera | Zach Zohr | Key Grip |
| Sound | Lou Solakofski | Sound Re-Recording Mixer |
| Production | Janine Heath | Production Manager |
| Art | David Gruer | Set Decoration |
| Production | John Buchan | Casting |
| Lighting | Walter Klymkiw | Gaffer |
| Art | Lea Carlson | Production Design |
| Directing | David Forsyth | First Assistant Director |
| Sound | David Rose | Sound Recordist |
| Costume & Make-Up | Josie Stewart | Hairstylist |
| Crew | Jared Leto | Thanks |
| Crew | Wim Wenders | Thanks |
| Costume & Make-Up | Sarah Armstrong | Costume Designer |
| Crew | Atom Egoyan | Thanks |
| Sound | David Rose | Supervising Sound Editor |
| Costume & Make-Up | Sarah Craig McEathron | Makeup Artist |
| Lighting | Hugh McJanet | Gaffer |
| Art | Paul Vernon | Property Master |
