Na zeven jaar keren twee broers terug naar hun geboortestad in de Midlands. Ze installeren zich in een huis bovenop een heuvel. Al snel wordt duidelijk dat de oudste broer, Richard, niet voor het weidse landschap is teruggekomen. Hij wil zich wreken op de groepjes dealers en losers die na zeven jaar nog steeds door de stad zwerven. Eén voor één zoekt hij ze op om ze te vermoorden. De macabere en allegorische moordscènes zaaien paniek en paranoia. Wat is de reden voor al dit bloedvergieten?
Nee, helaas is Dead Man's Shoes nog niet beschikbaar op Netflix in Nederland.
| Writing | Paddy Considine | Writer |
| Camera | Danny Cohen | Director of Photography |
| Editing | Lucas Roche | Editor |
| Sound | Aphex Twin | Original Music Composer |
| Directing | Shane Meadows | Director |
| Production | Mark Herbert | Producer |
| Writing | Shane Meadows | Writer |
| Editing | Chris Wyatt | Editor |
| Editing | Celia Haining | Editor |
| Production | Carol Crane | Casting |
| Art | Anjan Sarkar | Storyboard Artist |
| Costume & Make-Up | Tristan Versluis | Special Effects Makeup Artist |
| Directing | Griffin | First Assistant Director |
| Directing | Lisa Butler | Second Assistant Director |
| Camera | Andy Hill | Clapper Loader |
| Production | Tessa Ross | Executive Producer |
| Sound | Ian Waggott | Foley Artist |
| Camera | Lucie Seymour | Focus Puller |
| Production | Rachel Robey | Production Coordinator |
| Lighting | Michael Bail | Electrician |
| Production | Mary Burke | Production Assistant |
| Visual Effects | Bronwyn Edwards | 2D Artist |
| Production | Will Clarke | Executive Producer |
| Sound | Dave Heels | Sound Assistant |
| Camera | Mike Parker | Aerial Camera |
| Sound | Mark Hackett | Foley Mixer |
| Sound | Stevie Haywood | Sound Recordist |
| Directing | Louise Knight | Continuity |
| Production | Steve Beckett | Executive Producer |
| Visual Effects | Bumble Davis | Visual Effects Producer |
| Camera | Matt Shaw | Focus Puller |
| Production | Peter Carlton | Executive Producer |
| Lighting | Dave Ainley | Gaffer |
| Sound | Paul Hanks | Foley Artist |
| Sound | Matt D. Hall | Dialogue Editor |
| Sound | James Feltham | Sound Re-Recording Mixer |
| Crew | Al Ford | Visual Effects Editor |
| Lighting | Mark Clayton | Gaffer |
| Sound | Nigel Heath | Sound Re-Recording Mixer |
| Art | Adam Tomlinson | Production Design |
| Camera | Zac Nicholson | Additional Photography |
| Sound | Greg Marshall | Sound Effects Editor |
| Crew | Rod Woodruff | Stunt Coordinator |
| Visual Effects | Tim Caplan | Visual Effects Supervisor |
| Camera | Dean Rogers | Still Photographer |
| Art | Rosie Jones | Assistant Art Director |
| Crew | Keeley Naylor | Unit Publicist |
| Costume & Make-Up | Theresa Hughes | Costume Supervisor |
| Production | Richard Knight | Location Manager |
| Production | Louise Knight | Co-Producer |
| Art | Adam Tomlinson | Set Designer |
| Directing | Steve Watson | Third Assistant Director |
| Crew | Paul Fraser | Additional Writing |
| Production | Barry Ryan | Line Producer |
| Editing | Paul Harrison | Colorist |
| Editing | Leyton Rooney | Additional Editing |
| Directing | Daemian Greaves | Third Assistant Director |
| Costume & Make-Up | Polly Jensen | Makeup Artist |
| Sound | Greg Marshall | Sound Effects Designer |
| Costume & Make-Up | Allisa Davies | Makeup Artist |
| Sound | Greg Marshall | Foley Editor |
| Production | Pat Mee | Production Accountant |
| Camera | Zac Nicholson | Second Unit Director of Photography |
| Crew | Mike Sherbert | Dialect Coach |
| Sound | Lewis James | Sound Re-Recording Assistant |
| Costume & Make-Up | Lizzie Broadley | Key Makeup Artist |
| Sound | Matt D. Hall | ADR Editor |
| Art | Adam Tomlinson | Art Direction |
| Sound | Arvo Pärt | Additional Soundtrack |
