Zoals elke tiener wil Ronald Miller populair zijn. Voor hem lijkt het een onrealiseerbare droom: hij ziet er niet hip uit, draagt geen moderne kleren en is niet sportief. Het is dus niet verwonderlijk dat de meisjes hem negeren en dat hij nooit uitgenodigd wordt op fuiven. Toch is Ronald niet van plan zijn lot te aanvaarden, vooral niet nu hij laatstejaars is.
Nee, helaas is Can't Buy Me Love nog niet beschikbaar op Netflix in Nederland.
| Camera | Randal Feemster | Camera Operator |
| Camera | John Connell | First Assistant Camera |
| Costume & Make-Up | Eric Wise | Costumer |
| Lighting | Bob Fox | Gaffer |
| Sound | Scott Jacobs | Boom Operator |
| Production | Gillian P. Glen | Production Coordinator |
| Camera | Craig Fleming | Grip |
| Sound | John Phillips | Assistant Sound Editor |
| Costume & Make-Up | Gregory Poe | Costume Designer |
| Costume & Make-Up | Katherine Quinif | Costume Assistant |
| Directing | Jerram A. Swartz | First Assistant Director |
| Sound | Peter Bentley | Sound Mixer |
| Production | Russ Chesley | Production Executive |
| Camera | Perry Karidis | Best Boy Grip |
| Production | Michael Swerdlick | Associate Producer |
| Production | Donald C. Klune | Production Manager |
| Camera | Mark Braun | Grip |
| Art | Christian W. Russhon | Set Decoration |
| Art | Andrew Bernard | Set Decoration |
| Art | Annie Koerner | Property Master |
| Camera | Jay Coolidge | First Assistant Camera |
| Lighting | Larry Neimi | Best Boy Electric |
| Directing | Warren Glen Chidester | Second Assistant Director |
| Directing | Mark S. Thomas | Script Supervisor |
| Sound | Alicia Stevenson | Foley |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Camera | Gary Boulanger | Second Assistant Camera |
| Camera | Craig Woodruff | Key Grip |
| Sound | Hal Sanders | Sound Editor |
| Sound | Dean Drabin | Foley Mixer |
| Crew | Carlton Jones | Choreographer |
| Costume & Make-Up | Cher Slater | Hair Supervisor |
| Sound | Mike Warner | Sound Editor |
| Costume & Make-Up | Annie Mayo | Makeup & Hair |
| Production | Mark Burg | Co-Producer |
| Editing | William Turro | Assistant Editor |
| Sound | Gary A. Hecker | Foley |
| Writing | Michael Swerdlick | Writer |
| Sound | Bruce Lacey | Sound Editor |
| Crew | Paula Abdul | Choreographer |
| Editing | Jeff Gourson | Editor |
| Art | Donald Lee Harris | Production Design |
| Production | Thom Mount | Producer |
| Costume & Make-Up | Bob Smith | Makeup & Hair |
| Camera | Ed Fortson | Still Photographer |
| Sound | Vern Poore | Sound Re-Recording Mixer |
| Crew | Rex Stewart III | Post Production Supervisor |
| Sound | Bill Phillips | Supervising Sound Editor |
| Production | Jere Henshaw | Executive Producer |
| Costume & Make-Up | George Cooper | Costume Assistant |
| Costume & Make-Up | Cher Slater | Makeup Supervisor |
| Editing | Maria Lee Silver | Assistant Editor |
| Sound | Pieter Hubbard | Sound Editor |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Directing | Steve Rash | Director |
| Sound | Robert Folk | Original Music Composer |
| Sound | Ellen Segal | Music Editor |
| Camera | Peter Lyons Collister | Director of Photography |
| Production | Caro Jones | Casting |
| Production | Ron Beckman | Executive Producer |
