Carlton Leach is al één van de meest gevreesde leiders van de hooligans die tribunes bij het voetbal bevolken, maar het gaat met hem van kwaad tot erger. Hij wordt lid van een criminele bende die in de late jaren '80 en begin jaren '90 heel Londen en Essex onveilig maakt. Leach groeit op die manier in de loop van de jaren uit tot een topcrimineel die niet met zich laat spotten.
Nee, helaas is Rise of the Footsoldier nog niet beschikbaar op Netflix in Nederland.
| Directing | Julian Gilbey | Director |
| Writing | Julian Gilbey | Writer |
| Writing | Will Gilbey | Writer |
| Production | Andrew Loveday | Executive Producer |
| Production | Mike Loveday | Producer |
| Production | Steve Daly | Casting |
| Costume & Make-Up | Hayley Nebauer | Costume Design |
| Production | David Shead | Producer |
| Sound | Ross Cullum | Music |
| Production | Ian McIntyre | Producer |
| Production | Julie Dunne | Casting |
| Sound | Sandy McLelland | Music |
| Directing | Scott Bates | First Assistant Director |
| Camera | Ali Asad | Director of Photography |
| Art | Maeve Curtis | Art Department Coordinator |
| Sound | Ross Jarvis | Boom Operator |
| Sound | Rada Danilovic | Sound Effects Editor |
| Camera | Michael Monteiro | Camera Operator |
| Editing | Richard John Taylor | Assistant Editor |
| Art | Madeline Chan | Art Department Assistant |
| Editing | Alan Maiden | Online Editor |
| Sound | Lionel Strutt | ADR Coordinator |
| Production | Julie Dunne | Casting Coordinator |
| Production | Clive Waldron | Production Accountant |
| Production | Anna Kolber | Production Assistant |
| Art | Matthew Button | Production Design |
| Art | Alexandra Toomey | Art Department Assistant |
| Art | Joshua Osei | Props |
| Editing | Kai Van Beers | Digital Colorist |
| Costume & Make-Up | Sarah Pasricha | Assistant Costume Designer |
| Directing | Laure Bregevin | Script Supervisor |
| Art | Ben Green | Construction Manager |
| Lighting | James Holliday | Electrician |
| Sound | Jeff Richardson | Dialogue Editor |
| Crew | Mike Knights | Special Effects |
| Camera | Brian Udoff | Assistant Camera |
| Lighting | Christian Hayes | Electrician |
| Production | Amy Clamp | Casting Assistant |
| Sound | Ben Brazier | Sound Editor |
| Camera | Thomas Asad | Camera Trainee |
| Crew | Michael Button | Propmaker |
| Art | Daniela Faggio | Supervising Art Director |
| Visual Effects | Scott McIntyre | Special Effects Supervisor |
| Camera | Tamer Asad | Best Boy Grip |
| Lighting | Pawel Polak | Electrician |
| Camera | Andy Dorwart | Key Grip |
| Production | Clive Trott | Location Manager |
| Art | Peter Arnold | Art Direction |
| Costume & Make-Up | Melanie Szabo | Makeup Artist |
| Sound | Robert Brazier | Foley Editor |
| Sound | Nick Bridge-Butler | Sound Effects Editor |
| Sound | Adam Garstone | Sound Recordist |
| Lighting | Rolf Roodhart | Best Boy Electric |
| Costume & Make-Up | Rebecca Gore | Costume Assistant |
| Production | Emma Maclennan | Production Coordinator |
| Costume & Make-Up | Christine Bateman | Makeup Designer |
| Production | Claire Kendall-Price | Production Manager |
| Crew | Catherine Hart | Special Effects |
| Production | Emma Maclennan | Post Production Coordinator |
| Editing | David Fayinka | Assistant Editor |
| Sound | Mathew Knights | Sound Re-Recording Mixer |
| Costume & Make-Up | Diana Wyand | Costume Supervisor |
| Crew | Anya Noakes | Unit Publicist |
| Crew | Greg Corke | Armorer |
| Sound | Blair Jollands | Sound Effects Editor |
| Lighting | Marc Roodhart | Gaffer |
| Crew | Rocky Taylor | Stunt Coordinator |
