Sidney Young is een gedesillusioneerde intellectueel die werkt bij een klein tijdschrift. Omdat hij een hekel heeft aan het leven van de glamour en roem in Hollywood, wordt hij opgemerkt door een groter publiek, omdat hij hier juist stukken over schrijft. Al snel wordt hij aangenomen bij een groter tijdschrift, waar hij zichzelf alles behalve geliefd maakt.
Nee, helaas is How to Lose Friends & Alienate People nog niet beschikbaar op Netflix in Nederland.
| Camera | Oliver Stapleton | Director of Photography |
| Writing | Peter Straughan | Screenplay |
| Production | Jon Diamond | Executive Producer |
| Production | Robin O'Hara | Producer |
| Production | Peter Hampden | Executive Producer |
| Directing | Robert B. Weide | Director |
| Production | Elizabeth Karlsen | Producer |
| Production | Simon Fawcett | Executive Producer |
| Production | Brian Gilmore | Executive Producer |
| Art | John Beard | Production Design |
| Production | Gary Smith | Executive Producer |
| Production | Kim Davis-Wagner | Casting |
| Production | Lila Yacoub | Line Producer |
| Production | Jina Jay | Casting |
| Production | Toby Young | Producer |
| Production | Stephen Woolley | Producer |
| Production | Paul White | Executive Producer |
| Production | Carrie Fix | Line Producer |
| Production | Jimmy Price | Line Producer |
| Sound | David Arnold | Original Music Composer |
| Editing | David Freeman | Editor |
| Production | Norman Merry | Executive Producer |
| Production | Tessa Ross | Executive Producer |
| Production | Richard Hewitt | Line Producer |
| Production | Justine Arteta | Casting |
| Costume & Make-Up | Annie Hardinge | Costume Design |
| Crew | Jo Fernihough | Unit Publicist |
| Art | Sara Parks | Set Decoration |
| Directing | Beverly Winston | Script Supervisor |
| Art | Anthony Gasparro | Art Direction |
| Crew | Polly Duval | Post Production Supervisor |
| Sound | Jim Greenhorn | Sound Mixer |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Writing | Toby Young | Script Consultant |
| Production | Neil Chaplin | Production Accountant |
| Production | Tony Clarkson | Location Manager |
| Writing | Toby Young | Book |
| Directing | Matthew Penry-Davey | First Assistant Director |
| Crew | Robert Hamilton | Video Assist Operator |
| Directing | Charlie Reed | Third Assistant Director |
| Crew | Hannah Andrews | Stand In |
| Sound | Nadine Richardson | Sound Assistant |
| Production | Ella Harris | Production Runner |
| Production | Sarah Stiff | Assistant Accountant |
| Sound | Orin Beaton | Boom Operator |
| Directing | Simon Downes | Second Second Assistant Director |
| Crew | Philip James Booth | Stand In |
| Camera | John Jordan | Focus Puller |
| Camera | Andrew Jones | Camera Trainee |
| Camera | Pete Cavaciuti | Steadicam Operator |
| Production | Hollie Foster | Assistant Production Coordinator |
| Production | Susan Chika Anisiobi | Assistant Accountant |
| Production | Joanna Laurie | Producer's Assistant |
| Crew | Sam Haveland | Floor Runner |
| Directing | Lance Roehrig | Second Assistant Director |
| Production | Francesca Dowd | Production Coordinator |
| Crew | Ryan Taggart | Loader |
| Camera | Rupert Lloyd-Parry | Key Grip |
| Crew | Liat Baruch | Actor's Assistant |
| Production | Peter Ogunsalu | Producer's Assistant |
| Crew | Loyd Catlett | Actor's Assistant |
| Production | Robin Davies | Producer's Assistant |
| Art | Ray Fisher | Leadman |
| Art | Ray Chan | Supervising Art Director |
| Production | Laurie Borg | Co-Producer |
| Crew | Jo McLaren | Stunt Double |
| Costume & Make-Up | Nana Fischer | Makeup Artist |
| Costume & Make-Up | Lucy Sibbick | Makeup Artist |
| Sound | Hugo Adams | Foley Editor |
| Sound | Niv Adiri | Sound |
| Sound | Ed Colyer | Foley Mixer |
| Sound | Glen Gathard | Assistant Foley Artist |
