Dorothy vlucht weg uit een kliniek waar ze shocktherapie zou krijgen, maar komt terecht in Oz, dat volledig in puin ligt.
Nee, helaas is Return to Oz nog niet beschikbaar op Netflix in Nederland.
| Sound | David Shire | Original Music Composer |
| Directing | Walter Murch | Director |
| Production | Paul Maslansky | Producer |
| Production | Gary Kurtz | Executive Producer |
| Camera | David Watkin | Director of Photography |
| Editing | Leslie Hodgson | Editor |
| Crew | Cheryl Brown | Stunt Double |
| Crew | Sarah White | Stunt Double |
| Crew | Elaine Ford | Stunts |
| Crew | Gareth Milne | Stunts |
| Crew | Alison Lynn | Stunt Double |
| Crew | Andy Bradford | Stunts |
| Crew | Nicola Roche | Stunt Double |
| Crew | Tip Tipping | Stunts |
| Costume & Make-Up | Paul Vachon | Wardrobe Supervisor |
| Production | Susie Figgis | Casting |
| Costume & Make-Up | Raymond Hughes | Costume Design |
| Writing | Denis Rich | Storyboard |
| Lighting | Jim Dawes | Gaffer |
| Production | Colin Michael Kitchens | Associate Producer |
| Directing | Ian Hickinbotham | Second Assistant Director |
| Production | Jane Feinberg | Casting |
| Production | Marci Liroff | Casting |
| Lighting | Maurice Gillett | Gaffer |
| Directing | Ray Corbett | Assistant Director |
| Art | Fred Hole | Art Direction |
| Writing | Harley Jessup | Storyboard |
| Costume & Make-Up | William McPhail | Assistant Costume Designer |
| Art | Norman Reynolds | Production Design |
| Art | Charles Bishop | Supervising Art Director |
| Art | Michael Ford | Set Decoration |
| Directing | Kieron Phipps | Second Assistant Director |
| Visual Effects | Lyle Conway | Creature Design |
| Visual Effects | John Stephenson | Mechanical Designer |
| Writing | L. Frank Baum | Book |
| Production | Bruce Sharman | Executive In Charge Of Production |
| Writing | Mike Ploog | Storyboard |
| Directing | Sally Jones | Continuity |
| Camera | Richard Blanshard | Still Photographer |
| Sound | Bill Rowe | Sound Re-Recording Mixer |
| Crew | Robert Watts | Thanks |
| Camera | Ken Worringham | Camera Operator |
| Camera | Barry Peake | Still Photographer |
| Sound | Tony Morris | Assistant Sound Editor |
| Writing | Henry Selick | Storyboard |
| Camera | Gordon Hayman | Camera Operator |
| Directing | Michael Murray | Assistant Director |
| Crew | Colin Skeaping | Stunt Coordinator |
| Art | Peter Hancock | Property Master |
| Sound | Martin Evans | Sound Editor |
| Art | Richard Holland | Draughtsman |
| Sound | Peter Musgrave | Sound Editor |
| Crew | George Lucas | Thanks |
| Writing | Gill Dennis | Screenplay |
| Sound | Walter Nelson | Assistant Sound Editor |
| Sound | Geoff R. Brown | Assistant Sound Editor |
| Sound | Herbert W. Spencer | Orchestrator |
| Writing | Walter Murch | Screenplay |
| Production | Philip Kohler | Unit Manager |
| Production | Grania O'Shannon | Location Manager |
| Production | Mike Fenton | Casting |
| Costume & Make-Up | Robin Grantham | Makeup Supervisor |
| Costume & Make-Up | Beryl Lerman | Makeup Artist |
| Costume & Make-Up | Magdalen Gaffney | Makeup Artist |
| Sound | Stan Witt | Music Editor |
| Costume & Make-Up | Pat McDermott | Hair Department Head |
| Sound | Michael Hopkins | Sound Editor |
| Editing | Dan Farrell | Assistant Editor |
| Art | Reg Bream | Draughtsman |
| Camera | John Palmer | Camera Operator |
| Visual Effects | Will Vinton | Animation Director |
| Art | Drew Struzan | Art Designer |
