Jane (Anna Faris) is een jonge actrice die een nogal drukke agenda heeft. Op een dag gaat het dan ook rigoureus mis met de planning van haar bezigheden. Zij verorbert een spacecake, wat het begin is van alle ellende. De zaken worden nog verergerd als o.m. een nerd haar probeert te versieren, haar bankrekening geplunderd wordt, zij bij een overval betrokken raakt en een auditie grandioos de mist in gaat.
Nee, helaas is Smiley Face nog niet beschikbaar op Netflix in Nederland.
| Directing | Gregg Araki | Director |
| Writing | Dylan Haggerty | Writer |
| Crew | Lou Simon | Stunt Coordinator |
| Costume & Make-Up | Helen Evans | Key Hair Stylist |
| Production | Alix Madigan | Producer |
| Crew | Beau J. Genot | Post Production Supervisor |
| Production | Lisa Looney | Production Supervisor |
| Production | Gregg Araki | Producer |
| Directing | Elion Olson | Assistant Director |
| Editing | Mato | Color Timer |
| Production | Thomas Becker | Executive Producer |
| Production | Stuart Burkin | Executive Producer |
| Production | Beau J. Genot | Associate Producer |
| Production | Gene Vassilaros | Casting Associate |
| Crew | Sai-Bing Ho | Post Production Assistant |
| Costume & Make-Up | Tiana Aiello | Costume Design |
| Crew | Minerva Adams | Stunts |
| Visual Effects | Aaron Peak | Digital Effects Producer |
| Production | Hans Ritter | Co-Producer |
| Visual Effects | David A. Davidson | Visual Effects Supervisor |
| Production | Steve Golin | Producer |
| Art | John Larena | Production Design |
| Costume & Make-Up | Tatiana Thorpe | Key Makeup Artist |
| Crew | Joseph Cheng King-Kei | Post Production Assistant |
| Editing | Vivian Hengsteler | Negative Cutter |
| Production | Russell Gremillot | Location Manager |
| Production | Henry Winterstern | Producer |
| Art | Helen Harwell | Art Direction |
| Costume & Make-Up | Alix Hester | Costume Design |
| Production | H. Jason Beck | Executive Producer |
| Production | Kevin Turen | Producer |
| Production | Jörg Westerkamp | Executive Producer |
| Editing | Gregg Araki | Editor |
| Visual Effects | Craig Hilditch | Digital Compositors |
| Production | Monika Mikkelsen | Casting |
| Art | Peggy Paola | Set Decoration |
| Directing | Amy Armstrong | First Assistant Director |
| Directing | Cristi Rickey | Second Assistant Director |
| Production | Azadeh Khanedani | Associate Producer |
| Camera | Shawn Kim | Director of Photography |
| Directing | Sam Nainoa | Assistant Director |
| Production | Andrew R. Gardiner | Location Manager |
| Production | Irvin Gourgue | Casting Assistant |
| Costume & Make-Up | Christine Hawes | Assistant Costume Designer |
| Costume & Make-Up | Selby Van Horne | Costume Design |
| Editing | Alex Blatt | Assistant Editor |
| Crew | Sophia M. Crawford | Stunts |
| Sound | Steven Avila | Sound Effects Editor |
| Sound | Michael J. Fox | ADR Supervisor |
| Sound | Steven Avila | Sound Designer |
| Sound | Peter D. Lago | Sound Effects Editor |
| Sound | Rick Owens | Foley Artist |
| Sound | Trip Brock | Supervising Sound Editor |
| Sound | Greg Mauer | Foley Mixer |
| Sound | Mark A. Rozett | Sound Re-Recording Mixer |
| Sound | Kelly Vandever | Sound Re-Recording Mixer |
| Sound | Adam DeCoster | Foley Artist |
| Sound | Coleman Metts | Production Sound Mixer |
| Sound | Stewart Nelsen | Foley Editor |
| Sound | Eric Reuveni | Sound Effects Editor |
| Directing | Jan McWilliams | Script Supervisor |
| Art | Sally Cruikshank | Opening Title Sequence |
| Sound | David Kitay | Original Music Composer |
| Art | Tony Howell | Set Dresser |
