Het jonge koppel Chris en Lisa is nog maar net in hun droomhuis in Lakeview Terrace getrokken wanneer ze te maken krijgen met hun buurman die hun multiculturele relatie afkeurt. De man, Abel Turner, is een alleenstaande vader en agent bij de LAPD. Zijn patrouilletochten door de buurt geven sommigen een gevoel van veiligheid, maar Chris en Lisa pikken de voortdurende bemoeienissen van Turner niet.
Nee, helaas is Lakeview Terrace nog niet beschikbaar op Netflix in Nederland.
| Writing | David Loughery | Story |
| Editing | Joel Plotch | Editor |
| Writing | Howard Korder | Screenplay |
| Production | John Cameron | Producer |
| Sound | Mychael Danna | Original Music Composer |
| Directing | Neil LaBute | Director |
| Production | David Loughery | Executive Producer |
| Sound | Jeff Danna | Original Music Composer |
| Production | Orin Woinsky | Producer |
| Production | Jeffrey Graup | Executive Producer |
| Production | Joe Pichirallo | Executive Producer |
| Art | Bruton Jones | Production Design |
| Production | Will Smith | Producer |
| Writing | David Loughery | Screenplay |
| Production | Heidi Levitt | Casting |
| Directing | Jillian Giacomini | Script Supervisor |
| Camera | Alan R. Disler | First Assistant "A" Camera |
| Directing | Donald Murphy | First Assistant Director |
| Art | Paul Sonski | Art Direction |
| Camera | Tommy Tieche | Second Assistant "A" Camera |
| Crew | Ben Hernandez Bray | Stunt Coordinator |
| Camera | David Eubank | First Assistant "B" Camera |
| Art | Thomas T. Taylor | Art Direction |
| Art | Don Diers | Set Decoration |
| Camera | Andrae Crawford | Second Assistant "B" Camera |
| Production | James Lassiter | Producer |
| Production | Karen Ruth Getchell | Production Supervisor |
| Camera | Paul Sanchez | "A" Camera Operator |
| Production | John Cameron | Unit Production Manager |
| Directing | Peter Dress | Second Assistant Director |
| Art | Will Blount | Property Master |
| Camera | Patrick Rousseau | "B" Camera Operator |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Art | Meg Harker | Art Department Coordinator |
| Camera | Brian H. Reynolds | Key Grip |
| Crew | Paulette Dauber | Unit Publicist |
| Production | Duffy Taylor | Assistant Location Manager |
| Production | Chris Romberg | Production Accountant |
| Camera | Fred Cooper | Dolly Grip |
| Art | Mick Cukurs | Set Designer |
| Art | Kenneth Turek | Leadman |
| Crew | Steve Irwin | Video Assist Operator |
| Costume & Make-Up | Linda Villalobos | Hair Department Head |
| Sound | Todd O. Russell | Boom Operator |
| Art | David Elliott | Construction Coordinator |
| Sound | Lee Orloff | Sound Mixer |
| Costume & Make-Up | Amelia Buhrman | Costumer |
| Costume & Make-Up | Allan A. Apone | Makeup Department Head |
| Camera | Chuck Zlotnick | Still Photographer |
| Costume & Make-Up | Kimberly Johnson | Key Costumer |
| Lighting | Greg Etheredge | Assistant Chief Lighting Technician |
| Production | Lauren Fernandes | Casting Assistant |
| Costume & Make-Up | Sara Vaughn | Key Makeup Artist |
| Costume & Make-Up | Askia Won-Ling Jacob | Costumer |
| Production | Kevin Funston | Location Manager |
| Crew | John C. Hartigan | Special Effects Coordinator |
| Costume & Make-Up | Stacy Horn | Costume Supervisor |
| Costume & Make-Up | Rhonda O'Neal | Key Hair Stylist |
| Costume & Make-Up | Robert L. Stevenson | Hairstylist |
| Lighting | Christopher Prampin | Chief Lighting Technician |
| Camera | Robin Bursey | Camera Loader |
| Costume & Make-Up | Anita Louise Brown | Costumer |
| Directing | Renee Hill-Sweet | Second Second Assistant Director |
| Sound | Vincent Guisetti | Foley Artist |
| Visual Effects | R. Matt Smith | Compositing Supervisor |
| Visual Effects | Raoul Bolognini | Visual Effects Producer |
| Sound | David A. Cohen | ADR Editor |
| Sound | Kyle Rochlin | Foley Mixer |
| Crew | Charlie Scott Jr. | Craft Service |
| Sound | Ronald Eng | Supervising Sound Editor |
| Sound | Willard Overstreet | Foley Editor |
| Visual Effects | Dick Edwards | Visual Effects Supervisor |
| Sound | Howard London | ADR Mixer |
| Visual Effects | Rocco Passionino | Visual Effects Supervisor |
| Crew | Karri Mayo | Studio Teacher |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Visual Effects | Sean Tompkins | Visual Effects Coordinator |
| Sound | Robert Troy | Dialogue Editor |
| Editing | Keith Brachmann | Additional Editor |
| Sound | Jen Monnar | Music Editor |
| Sound | Pamela Kahn | Foley Artist |
| Sound | Brian Smith | ADR Mixer |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Crew | Eric Bergman | Post Production Supervisor |
| Sound | Dana LeBlanc Frankley | Assistant Sound Editor |
| Editing | Scott Gregory | Digital Colorist |
| Production | Rich King | Extras Casting |
| Sound | Steve Tushar | Sound Effects Editor |
| Sound | Fred Peck III | Sound Recordist |
| Crew | Tanoai Reed | Stunts |
| Camera | Rogier Stoffers | Director of Photography |
| Art | Todd Harris | Storyboard Artist |
| Crew | Jimmy Ortega | Stunts |
| Costume & Make-Up | Lynette Meyer | Costume Design |
| Crew | Richard Epper | Stunts |
| Crew | Timothy P. Ryan Jr. | Driver |
