Jordan White en Amy Blue, twee ontspoorde jongeren, pikken een lifter genaamd X op. Als die een supermarkt-eigenaar door het hoofd schiet, volgt een uitzinnige roadtrip door psychopathisch Amerika. En ontstaat er een driehoeksverhouding tussen Jordan, Amy en X met alle fatale gevolgen van dien.
Nee, helaas is The Doom Generation nog niet beschikbaar op Netflix in Nederland.
| Production | Pascal Caucheteux | Executive Producer |
| Art | Thérèse DePrez | Production Design |
| Directing | Gregg Araki | Director |
| Production | Nicole Arbib | Executive Producer |
| Production | Grégoire Sorlat | Executive Producer |
| Camera | Jim Fealy | Director of Photography |
| Writing | Gregg Araki | Writer |
| Sound | Dan Gatto | Original Music Composer |
| Production | Joseph Middleton | Casting |
| Editing | Gregg Araki | Editor |
| Production | Gregg Araki | Producer |
| Art | Jennifer M. Gentile | Set Decoration |
| Art | Michael Krantz | Art Direction |
| Production | Andrea Sperling | Producer |
| Lighting | Rob Schmidt | Gaffer |
| Sound | Michael Miller | Foley Mixer |
| Lighting | Malik Hassan Sayeed | Gaffer |
| Sound | Bob Goold | Sound Effects Editor |
| Directing | Peter Bækkel | First Assistant Director |
| Production | Ann Ruark | Unit Production Manager |
| Production | Derek Jan Vermaas | Assistant Production Coordinator |
| Directing | Christien G. Tuttle | Second Second Assistant Director |
| Sound | Mark Weingarten | Sound Mixer |
| Production | Lanie Siegel | Extras Casting |
| Sound | Mark A. Rozett | Sound Re-Recording Mixer |
| Directing | Jaie Laplante | Script Supervisor |
| Camera | Terence Pratt | Second Assistant Camera |
| Sound | Dave Yamamoto | Sound Re-Recording Mixer |
| Directing | Michael J. Moore | Second Assistant Director |
| Production | Richard Huggard | Production Coordinator |
| Production | Yves Marmion | Producer |
| Camera | William Perkins | First Assistant Camera |
| Production | Steven C. Ward | Casting Associate |
| Sound | Paul Holzborn | Foley Artist |
| Sound | Peter Coquillard | Music Supervisor |
| Production | Jim Stark | Associate Producer |
| Editing | Kate McGowan | Co-Editor |
| Editing | Karen Kennedy | Assistant Editor |
| Sound | Kira Smith | Boom Operator |
| Crew | José Ignacio Álvarez | Stunts |
| Sound | Richard Evans | Foley Recordist |
| Sound | Bruce M. Honda | Dialogue Editor |
| Crew | Budd Carr | Executive Music Producer |
| Editing | Jennifer M. Gentile | Assistant Editor |
| Sound | David Michael Evans | Foley Artist |
| Sound | Dave Yamamoto | Music Editor |
| Costume & Make-Up | Jason Rail | Makeup & Hair |
| Sound | Steve Kageyama | Dialogue Editor |
| Costume & Make-Up | Catherine Cooper-Thoman | Costume Design |
| Crew | Kevin Hudson | Special Effects |
| Crew | Chris Mabli | Special Effects |
| Camera | Jennifer Curl | Grip |
| Camera | Jean-Claude Lother | Still Photographer |
| Camera | James Malloy | Assistant Camera |
| Camera | Anthony Salvia | Key Grip |
| Camera | Raymond Wolthers | Grip |
| Art | Todd Ritchie | Graphic Designer |
