Terwijl de Hongaarse revolutie plaatsvindt en de Russische tanks Boedapest binnenrijden worden er in Melbourne de Olympische Spelen gehouden. De waterpolowedstrijd tussen het Hongaarse team en die van de Sovjet-Unie zal de geschiedenis ingaan als de bloedigste ooit gespeeld.
Nee, helaas is Szabadság, szerelem nog niet beschikbaar op Netflix in Nederland.
| Directing | Krisztina Goda | Director |
| Writing | Géza Bereményi | Screenplay |
| Writing | Joe Eszterhas | Screenplay |
| Writing | Éva Gárdos | Screenplay |
| Writing | Réka Divinyi | Screenplay |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Production | Tamás Zákonyi S. | Producer |
| Art | Slemer Karolina | Art Department Coordinator |
| Costume & Make-Up | Melinda Domán | Assistant Costume Designer |
| Camera | Tim Wooster | Underwater Camera |
| Costume & Make-Up | Réka Görgényi | Makeup Artist |
| Camera | László Bille | Camera Operator |
| Visual Effects | Gábor Marinov | Visual Effects Supervisor |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Lighting | Attila Bilik | Gaffer |
| Visual Effects | Gergõ Gazsy | Visual Effects Supervisor |
| Costume & Make-Up | Judit Halász | Hairstylist |
| Camera | Attila Csoboth | Camera Operator |
| Lighting | Attila Dóczi | Gaffer |
| Crew | János Köporosy | Sound Recordist |
| Sound | Mark Heslop | Supervising Sound Editor |
| Sound | Nick Glennie-Smith | Music |
| Art | Peter Gantner | Set Decoration |
| Art | János Szabolcs | Production Design |
| Camera | János Vecsernyés | Director of Photography |
| Editing | Annamária Szántó Komlóssy | Editor |
| Production | Zsolt Bándi | Casting |
| Art | Zsuzsanna Borvendég | Art Direction |
| Directing | Carmen Tabanyi | Script Supervisor |
| Editing | Éva Gárdos | Editor |
| Art | Judit Csák | Art Direction |
| Sound | Jon Olive | Music Editor |
| Production | Andrew G. Vajna | Producer |
| Camera | Buda Gulyás | Director of Photography |
| Directing | Gabriella Winkler | Script Supervisor |
| Crew | János Csáki | Sound Recordist |
| Editing | Oliver Farkas | Digital Intermediate |
| Camera | Balázs Révész | Steadicam Operator |
| Visual Effects | Gyula Krasnyánszky | Pyrotechnic Supervisor |
| Sound | Paul Govey | Sound Re-Recording Mixer |
| Costume & Make-Up | Klári Szinek | Hairstylist |
| Crew | Iván Pohárnok | Makeup Effects |
| Costume & Make-Up | Zsofia Laczko | Seamstress |
| Sound | Keith Tinman | Sound Effects Editor |
| Camera | Botond Aszalós | Camera Operator |
| Visual Effects | Gábor Kiszelly | Special Effects Supervisor |
| Sound | Thomas Dodgson | Dolby Consultant |
| Editing | Zoltán Kovács | First Assistant Editor |
| Costume & Make-Up | Gabriella Németh | Key Hair Stylist |
| Camera | Zsolt Fehér | First Assistant Camera |
| Sound | Ben Barker | Sound Effects Editor |
| Costume & Make-Up | Balázs Novák | Makeup Artist |
| Costume & Make-Up | Éva Vass | Costume Supervisor |
| Sound | Jack Stew | Foley Artist |
| Art | Gábor Nagy | Set Decoration |
| Production | Sandor Demjan | Executive Producer |
| Production | Clive Parsons | Producer |
| Sound | Ed Colyer | ADR Mixer |
| Sound | Hugo Adams | Foley Editor |
| Sound | Glen Gathard | Assistant Foley Artist |
