Arthur Bach is een erg rijke man - en meestal ook erg dronken, met een caferekening waar de overheidsschuld niets bij is. Hij riskeert ook ook een erfenis van 750 miljoen dollar mis te lopen als hij binnen een maand niet trouwt met het saaiste blondje van Long Island. Helaas blijkt Arthur net het meisje van zijn dromen te hebben ontmoet. En in zijn geval is liefde niet alleen blind, maar ook stomdronken.
Nee, helaas is Arthur nog niet beschikbaar op Netflix in Nederland.
Directing | Steve Gordon | Director |
Sound | Christopher Cross | Theme Song Performance |
Costume & Make-Up | Romaine Greene | Hairstylist |
Production | Helen Robin | Production Coordinator |
Sound | James Sabat | Sound Mixer |
Camera | Ricki-Ellen Brooke | Second Assistant Camera |
Directing | Thomas A. Reilly | Second Assistant Director |
Art | Edward Swanson | Construction Coordinator |
Crew | Ellen Levene | Unit Publicist |
Sound | Dan Pinsky | Music Editor |
Sound | Louis Bertini | Assistant Sound Editor |
Sound | Richard Vorisek | Sound Re-Recording Mixer |
Sound | Louis Sabat | Sound Recordist |
Art | W. Steven Graham | Assistant Art Director |
Art | Paul Eads | Assistant Art Director |
Sound | Vito L. Ilardi | Boom Operator |
Camera | Norman Buck | Key Grip |
Sound | Sanford Rackow | Supervising Sound Editor |
Crew | Edgard Mourino | Stunts |
Directing | Robert Greenhut | First Assistant Director |
Sound | Marjorie Deutsch | Sound Editor |
Costume & Make-Up | Fern Buchner | Makeup Artist |
Camera | Sandy Brooke | Assistant Camera |
Art | James Mazzola | Property Master |
Production | Charles H. Joffe | Executive Producer |
Camera | Brian Hamill | Still Photographer |
Costume & Make-Up | Jane Greenwood | Costume Design |
Sound | Burt Bacharach | Original Music Composer |
Editing | Susan E. Morse | Editor |
Production | Jeremy Ritzer | Casting |
Lighting | William Ward | Gaffer |
Production | Howard Feuer | Casting |
Art | Steven J. Jordan | Set Decoration |
Camera | Dick Mingalone | Camera Operator |
Camera | Fred Schuler | Director of Photography |
Art | Carol Joffe | Set Decoration |
Production | Michael Peyser | Production Manager |
Production | Robert Greenhut | Producer |
Production | Juliet Taylor | Casting |
Art | Stephen Hendrickson | Production Design |
Directing | Kay Chapin | Script Supervisor |
Production | Larry Brezner | Executive Producer |
Writing | Steve Gordon | Writer |
Production | Jack Rollins | Executive Producer |
Sound | Peter Allen | Music |
Sound | Burt Bacharach | Main Title Theme Composer |
Sound | Peter Allen | Main Title Theme Composer |
Sound | Carole Bayer Sager | Main Title Theme Composer |
Sound | Christopher Cross | Main Title Theme Composer |
Production | Ezra Swerdlow | Assistant Unit Manager |
Costume & Make-Up | Patricia Eiben | Wardrobe Supervisor |
Editing | Meri Weingarten | Assistant Editor |
Sound | Michael Omartian | Music Producer |
Camera | David L. Quaid | Additional Photography |
Art | Joseph Badalucco Jr. | Lead Set Dresser |
Costume & Make-Up | David Charles | Assistant Costume Designer |
Sound | Melissa A. Higgins | Apprentice Sound Editor |
Crew | Cosmo Sorice | Scenic Artist |
Editing | Jonathan Oppenheim | Assistant Editor |
Sound | Artie Kaplan | Music Consultant |
Crew | James Sorice | Scenic Artist |
Crew | Walter Charleston | Transportation Captain |
Costume & Make-Up | William A. Campbell | Wardrobe Supervisor |
Sound | Richard Hazard | Orchestrator |
Production | Wendi Lazar-Pillot | Location Manager |
Art | Arne Olsen | Construction Grip |
Editing | Pamela Scott Arnold | Assistant Editor |
Sound | Jim Boyer | Music Sound Design and Processing |
Costume & Make-Up | Helen Tarr | Wardrobe Supervisor |