John Rambo woont inmiddels in een klooster. Op een dag komen zijn voormalige kolonel Trautman en de ambassadeur van de V.S. hem opzoeken met een aanbod om een missie te accepteren. John weigert, en Trautman besluit om in zijn eentje naar Afghanistan te vertrekken. Zijn missie gaat echter mis; hij wordt door de Russen gevangen genomen en gemarteld in een zwaar bewaakt fort.
Nee, helaas is Rambo III nog niet beschikbaar op Netflix in Nederland.
| Editing | James R. Symons | Editor |
| Sound | Michael Dittrick | Music Editor |
| Crew | Kenny Bates | Stunts |
| Writing | Sylvester Stallone | Screenplay |
| Crew | Thomas L. Fisher | Special Effects |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Joy Todd | Casting |
| Art | Bill Kenney | Production Design |
| Costume & Make-Up | Donna Barrett Gilbert | Hairstylist |
| Writing | Sheldon Lettich | Screenplay |
| Editing | Edward Warschilka | Editor |
| Art | Adrian Gorton | Art Direction |
| Camera | John Stanier | Director of Photography |
| Production | Buzz Feitshans | Producer |
| Art | Benjamín Fernández | Art Direction |
| Costume & Make-Up | Giannetto De Rossi | Makeup Artist |
| Sound | Rodger Pardee | Sound Editor |
| Editing | O. Nicholas Brown | Editor |
| Editing | Andrew London | Editor |
| Art | Pier Luigi Basile | Art Direction |
| Directing | Peter MacDonald | Director |
| Visual Effects | William Mesa | Visual Effects Supervisor |
| Costume & Make-Up | Richard La Motte | Costume Design |
| Art | Alan Cassie | Art Direction |
| Crew | Vic Armstrong | Stunt Coordinator |
| Costume & Make-Up | Michael Westmore | Special Effects Makeup Artist |
| Costume & Make-Up | Kamal Haasan | Makeup Artist |
| Crew | Danny Epper | Stunts |
| Crew | Mic Rodgers | Stunts |
| Crew | Johnny Hock | Utility Stunts |
| Crew | Tom Elliott | Stunts |
| Crew | Steven Lambert | Stunts |
| Directing | Michael Stevenson | Second Unit First Assistant Director |
| Production | Mario Kassar | Executive Producer |
| Production | Charles Murray | Unit Production Manager |
| Crew | Charles Bella | Pilot |
| Production | Andrew G. Vajna | Executive Producer |
| Sound | Kenneth Hall | Music Editor |
| Crew | Harry Hauss | Pilot |
| Art | Wayne Fitzgerald | Title Designer |
| Directing | Ronit Ravich-Boss | Script Supervisor |
| Production | Michael Fuller | Unit Production Manager |
| Production | Tony Munafo | Associate Producer |
| Art | Giorgio Postiglione | Set Decoration |
| Art | Greg Papalia | Set Designer |
| Writing | David Morrell | Characters |
| Production | Terry Collis | Production Manager |
| Production | Delia Circelli | Production Coordinator |
| Crew | Gary Epper | Stunts |
| Crew | Freddie Hice | Stunts |
| Crew | Gary McLarty | Stunts |
| Crew | Bob Orrison | Stunts |
| Art | Larry Verne | Construction Coordinator |
| Lighting | Danny ben Menahem | Gaffer |
| Camera | Gerard Jakubowicz | Second Assistant Camera |
| Sound | Margie O'Malley | Foley Artist |
| Sound | Michele Sharp | Sound Editor |
| Art | Howard Fannon | Props |
| Art | David J. Negrón Jr. | Storyboard Artist |
| Camera | Louis H. Lavelly | Camera Operator |
| Camera | John Campbell | Camera Operator |
| Art | Mark Rich | Property Master |
| Crew | Frank Leasure | Propmaker |
| Art | Ron Reedy | Props |
| Camera | Itzik Ben-Aroya | Key Grip |
| Sound | Earl Sampson | Boom Operator |
| Sound | Evelyn Dutton | Foley Artist |
| Art | Sam Moore | Property Master |
| Camera | Moshe Bukman | Grip |
| Sound | Ross Taylor | Foley Artist |
| Sound | Solange S. Schwalbe | Sound Editor |
| Camera | Timothy E. Wade | Camera Operator |
| Camera | Bob Bridges | Clapper Loader |
| Camera | Bob Rose | Key Grip |
| Crew | Roy Matthews | Pilot |
| Camera | Rami Siman-Tov | Focus Puller |
| Camera | Yoni Hamenachem | Still Photographer |
| Sound | Constance A. Kazmer | ADR Editor |
| Sound | Shelley Brown | Assistant Sound Editor |
| Sound | Yossi Yarkoni | Boom Operator |
| Art | John Sweeney | Assistant Property Master |
| Art | Carlo Postiglione | Props |
| Camera | Sidney Sidell | Assistant Camera |
| Camera | Dave Friedman | Still Photographer |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Lighting | Yuda Tatarko | Best Boy Electric |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Crew | Mike De Luca | Security |
| Costume & Make-Up | Carol Fisher-Mann | Seamstress |
| Sound | Lorane Mitchell | Sound Editor |
| Sound | Fred J. Brown | Supervising Sound Editor |
| Crew | Mark De Alessandro | Stunt Double |
| Camera | Jacob Bukman | Key Grip |
| Sound | Michelle Pleis | Assistant Sound Editor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Victoria Sampson | Sound Editor |
| Sound | William B. Kaplan | Sound Mixer |
| Camera | Michael T. Travers | Grip |
| Sound | Linda Folk | Sound Editor |
| Sound | Eli Yarkoni | Sound Mixer |
| Crew | Tony Didio Jr. | Armorer |
| Camera | Tony Rowland | Key Grip |
| Sound | Steve Bartlett | Sound |
| Sound | Lucy Coldsnow-Smith | ADR Editor |
| Sound | Lauren Palmer | ADR Editor |
| Sound | Christy Richmond | Assistant Sound Editor |
| Crew | Don Charles McGovern | Stunt Double |
| Camera | Moshe Levin | Camera Operator |
| Crew | Syd Stembridge | Armorer |
| Crew | Yoav Peled | Pilot |
| Art | Panyawadee Navarut | Props |
| Crew | Dave Lowry | Stunts |
| Crew | Dick Ziker | Stunts |
