Nadat gebleken is dat de Russische bokser Ivan Drago Rocky permanente hersenbeschadiging heeft toegebracht, is Rocky gedwongen om te stoppen. Wanneer hij thuiskomt komt hij er achter dat al zijn geld gestolen is. Rocky besluit een jonge bokser te gaan trainen. Hij kan echter niet op tegen de hoge salarissen die de jongen aangeboden worden door andere managers.
Nee, helaas is Rocky V nog niet beschikbaar op Netflix in Nederland.
| Art | William J. Cassidy | Production Design |
| Editing | Michael N. Knue | Editor |
| Art | John M. Dwyer | Set Decoration |
| Production | Michael S. Glick | Unit Production Manager |
| Crew | Lou Carlucci | Special Effects |
| Editing | John G. Avildsen | Editor |
| Directing | John G. Avildsen | Director |
| Crew | Bobby Bass | Stunt Coordinator |
| Production | Robert Chartoff | Producer |
| Production | Caro Jones | Casting |
| Crew | Joe Digaetano | Special Effects Coordinator |
| Camera | Steven Poster | Director of Photography |
| Production | Irwin Winkler | Producer |
| Art | William J. Durrell Jr. | Art Direction |
| Sound | Bill Conti | Original Music Composer |
| Editing | Neil Eric Wenger | First Assistant Editor |
| Sound | Harry B. Miller III | Sound Effects Editor |
| Sound | Peter Michael Sullivan | Sound Effects Editor |
| Writing | Sylvester Stallone | Writer |
| Sound | Simon Coke | Sound Effects Editor |
| Sound | Julia Evershade | Sound Effects Editor |
| Sound | Lauren Palmer | ADR Editor |
| Costume & Make-Up | Michael Westmore | Special Effects Makeup Artist |
| Editing | Fran Kaplan | Assistant Editor |
| Sound | Samuel C. Crutcher | Sound Effects Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | Greg P. Russell | Sound Re-Recording Mixer |
| Crew | Terry Funk | Stunts |
| Camera | Michael A. FauntLeRoy Sr. | First Assistant Camera |
| Camera | Peter Kuttner | First Assistant Camera |
| Camera | Ben Beaird | Key Grip |
| Crew | Curtis Lupo | Stunt Double |
| Editing | Douglas Brumer | Assistant Editor |
| Sound | David B. Cohn | Supervising Sound Editor |
| Sound | Sherman Waze | Sound Effects Editor |
| Sound | John P. Fasal | Sound Effects |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Production | Barbara Spitz | Casting Assistant |
| Costume & Make-Up | Ed Fincher | Costumer |
| Writing | Sylvester Stallone | Characters |
| Editing | Neil Silver | Assistant Editor |
| Camera | Sam Emerson | Still Photographer |
| Sound | Allan Bromberg | Sound Effects Editor |
| Sound | Joseph Holsen | Sound Effects Editor |
| Sound | Renée Tondelli | ADR Editor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Forrest Williams | Boom Operator |
| Costume & Make-Up | Jay Cannistraci | Makeup Artist |
| Art | Charles Sertin | Set Dresser |
| Sound | Judy Oseransky | Assistant Sound Editor |
| Sound | Ken Johnson | Music Editor |
| Sound | Katie Rowe | Foley Artist |
| Camera | Marty Wayne Eichman | Key Grip |
| Lighting | Andrew M. Nelson | Best Boy Electric |
| Production | Lori A. Balton | Assistant Location Manager |
| Production | Jack Jones | Casting Assistant |
| Sound | Bob O'Brien | Sound Effects Editor |
| Sound | Robert Martel | Assistant Sound Editor |
| Sound | Mark S. Cafolla | Assistant Sound Editor |
| Art | Audrey A. Johnson | Assistant Property Master |
| Costume & Make-Up | Brad Anderson | Costumer |
| Costume & Make-Up | Leah Brown | Costumer |
| Production | Meredith Jacobson Marciano | Extras Casting |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Editing | Trevor Jolly | Editor |
| Sound | Steve Livingston | Music Editor |
| Sound | Doc Kane | Foley Mixer |
| Camera | Charles Lantz | Dolly Grip |
| Lighting | Byron White | Best Boy Electric |
| Costume & Make-Up | Katalin Elek | Makeup Artist |
| Editing | Robert A. Ferretti | Editor |
| Lighting | James Plannette | Chief Lighting Technician |
| Camera | Clayton J. Liotta | First Assistant Camera |
| Editing | Brian Ralph | Negative Cutter |
| Camera | Robert LaBonge | Camera Operator |
| Camera | George Kohut | Camera Operator |
| Lighting | Danny Buck | Chief Lighting Technician |
| Crew | Clement Scheaffer | Cableman |
| Crew | David Fletcher | Special Effects |
| Production | Laura Tateishi | Production Coordinator |
| Costume & Make-Up | Barton Kent James | Costume Supervisor |
| Costume & Make-Up | Carol Schwartz | Makeup Artist |
| Camera | Victor Hammer | Additional Photography |
| Sound | James Beshears | ADR Supervisor |
| Sound | David Behle | Sound Recordist |
| Camera | Kathina Szeto | Second Assistant Camera |
| Production | Diane Kirman | Extras Casting |
| Sound | Ron S. Herbes | Assistant Sound Editor |
| Art | Kent H. Johnson | Property Master |
| Art | Barton M. Susman | Leadman |
| Editing | Alessandra Carlino | Assistant Editor |
| Sound | Stu Bernstein | Sound Effects Editor |
| Sound | Debra Dobb | Sound Recordist |
| Camera | Stephen V. Isbell | Best Boy Grip |
| Costume & Make-Up | Carole Brown-James | Costume Supervisor |
| Sound | Barry Thomas | Sound Mixer |
| Costume & Make-Up | Sugar Blymyer | Hairstylist |
| Art | Donald F. Winter | Construction Coordinator |
| Editing | Phil Hetos | Color Timer |
| Sound | Matthew C. May | First Assistant Sound Editor |
| Sound | Jack Keller | Sound Recordist |
| Production | Missy Pray | Assistant Production Coordinator |
| Camera | Anastas N. Michos | Camera Operator |
| Production | Tony Dinizo | Extras Casting |
| Costume & Make-Up | Frank Carrisosa | Makeup Artist |
| Crew | Dennis Petersen | Special Effects |
| Crew | Mark De Alessandro | Stunt Double |
| Production | Michael S. Glick | Executive Producer |
| Directing | Hope R. Goodwin | Second Assistant Director |
| Directing | Kathryn Weygand | Script Supervisor |
| Directing | Clifford C. Coleman | First Assistant Director |
| Production | Janice Polley | Location Manager |
| Production | Tony Munafo | Associate Producer |
| Directing | Richard Wright | Second Second Assistant Director |
