Het stijve, burgelijke leventje van de jonge Winnie Foster verstikt haar meer dan de zomerhitte, maar er hangt verandering in de lucht. Bij toeval maakt ze kennis met de familie Tuck - een gastvrij maar vreemd gezin dat niet van deze tijd lijkt te zijn. Ze leren haar het maximale uit het leven te halen. Als er plotseling een vreemdeling verschijnt die te veel vragen stelt en het wereldje van de familie Tuck bedreigt, moet Winnie al snel besluiten of ze verder wil leven zoals vroeger, of dat ze het leven dat ze nu kent niet meer vaarwel wil zeggen.
Nee, helaas is Tuck Everlasting nog niet beschikbaar op Netflix in Nederland.
| Directing | Jay Russell | Director |
| Crew | Jennifer Badger | Stunt Double |
| Crew | Jeffrey Lee Gibson | Stunt Double |
| Crew | Rick LeFevour | Stunt Double |
| Crew | Jay Spadaro | Stunt Double |
| Crew | Bob Colletti | Stunt Double |
| Crew | David Brian Martin | Stunt Double |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Art | Tiffany Zappulla | Art Department Assistant |
| Costume & Make-Up | Marisa Aboitiz | Costume Supervisor |
| Costume & Make-Up | Christine Wada | Costume Supervisor |
| Costume & Make-Up | Catharine Fletcher Incaprera | Assistant Costume Designer |
| Costume & Make-Up | Lois DeArmond | Assistant Costume Designer |
| Costume & Make-Up | Linda M. Boyland | Costumer |
| Camera | Mark Van Loon | Steadicam Operator |
| Camera | Martin J. Layton | Camera Operator |
| Camera | Mark Walpole | Second Assistant Camera |
| Sound | Kirk Francis | Production Sound Mixer |
| Costume & Make-Up | Mara Majorowicz | Key Costumer |
| Costume & Make-Up | Gina W. Bateman | Assistant Makeup Artist |
| Editing | Jonathan Chibnall | First Assistant Editor |
| Directing | Deirdre Horgan | Script Supervisor |
| Costume & Make-Up | Jeannie Flynn | Key Costumer |
| Camera | Mark Van Loon | "B" Camera Operator |
| Editing | Dana Mulligan | First Assistant Editor |
| Camera | Martin J. Layton | Second Unit Director of Photography |
| Costume & Make-Up | Charmaine Henninger | Assistant Hairstylist |
| Sound | Jack M. Nietzsche Jr. | Boom Operator |
| Sound | Jon Mete | Sound Editor |
| Sound | Cameron Steenhagen | Dialogue Editor |
| Art | Lorraine Walker | Assistant Property Master |
| Production | Lori Scowley | First Assistant Accountant |
| Sound | Charles Maynes | Supervising Sound Editor |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Sound | Dana Gustafson | Foley Editor |
| Sound | Christina Tucker | ADR Mixer |
| Camera | Mark Hutchings | Grip |
| Sound | Kira Roessler | Dialogue Editor |
| Sound | Troy Porter | ADR Mixer |
| Camera | Brian Snell | Grip |
| Sound | Edward Steidele | Foley Artist |
| Crew | Mark Bero | Special Effects Coordinator |
| Production | Kathi Ash | Location Manager |
| Crew | Douglas Retzler | Special Effects Assistant |
| Production | Frank J. Ellison | Production Accountant |
| Production | Thomas 'Doc' Boguski | Production Coordinator |
| Camera | Rodney French | Key Grip |
| Sound | Lesley Langs | Music Editor |
| Lighting | Newton TerMeer | Chief Lighting Technician |
| Art | David Beach | Construction Buyer |
| Sound | Samuel Lehmer | Sound Re-Recording Mixer |
| Camera | John C. Barber | Grip |
| Art | Michael Davis | Construction Coordinator |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Sound | Jamie Hardt | Assistant Sound Editor |
| Sound | Dean Beville | ADR Editor |
| Sound | Doc Kane | ADR Mixer |
| Camera | Ron Phillips | Still Photographer |
| Editing | Mary Beth Smith | Negative Cutter |
| Crew | Thomas M. Cornelius | Craft Service |
| Visual Effects | Brian Ali Harding | Compositing Artist |
| Visual Effects | Erik Liles | 2D Supervisor |
| Editing | Jeff Smithwick | Color Timer |
| Sound | Harry B. Miller III | ADR Editor |
| Production | Carlyn Davis | Extras Casting |
| Crew | Gerald Titus | Driver |
| Production | Molly Dedham | Extras Casting |
| Visual Effects | Mat Beck | Visual Effects Supervisor |
| Visual Effects | Cindy Jones | Visual Effects Producer |
| Visual Effects | Yoshiya Yamada | 3D Modeller |
| Crew | Peter Epstein | Stunts |
| Crew | Blaise Corrigan | Stunts |
| Writing | Natalie Babbitt | Novel |
| Writing | Jeffrey Lieber | Screenplay |
| Writing | James V. Hart | Screenplay |
| Production | Jane Startz | Producer |
| Production | Mary Gail Artz | Casting Director |
| Art | Ray Kluga | Art Direction |
| Costume & Make-Up | Janice Kinigopoulos | Hair Department Head |
| Production | Deborah Forte | Executive Producer |
| Art | Catherine Davis | Set Decoration |
| Production | William Teitler | Executive Producer |
| Production | Barbara Cohen | Casting Director |
| Costume & Make-Up | Carol Ramsey | Costume Design |
| Production | Dana Robin | Unit Production Manager |
| Directing | Alison C. Rosa | Second Assistant Director |
| Production | Marc Abraham | Producer |
| Camera | James L. Carter | Director of Photography |
| Production | Max Wong | Executive Producer |
| Sound | William Ross | Original Music Composer |
| Costume & Make-Up | Thomas Nellen | Makeup Department Head |
| Production | Thomas A. Bliss | Executive Producer |
| Art | Tony Burrough | Production Design |
| Editing | Jay Cassidy | Editor |
| Production | Armyan Bernstein | Executive Producer |
| Directing | John Rusk | First Assistant Director |
