Het stijve, burgelijke leventje van de jonge Winnie Foster verstikt haar meer dan de zomerhitte, maar er hangt verandering in de lucht. Bij toeval maakt ze kennis met de familie Tuck - een gastvrij maar vreemd gezin dat niet van deze tijd lijkt te zijn. Ze leren haar het maximale uit het leven te halen. Als er plotseling een vreemdeling verschijnt die te veel vragen stelt en het wereldje van de familie Tuck bedreigt, moet Winnie al snel besluiten of ze verder wil leven zoals vroeger, of dat ze het leven dat ze nu kent niet meer vaarwel wil zeggen.
Nee, helaas is Tuck Everlasting nog niet beschikbaar op Netflix in Nederland.
| Directing | Jay Russell | Director |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Crew | Jennifer Badger | Stunt Double |
| Crew | David Brian Martin | Stunt Double |
| Crew | Rick LeFevour | Stunt Double |
| Crew | Jeffrey Lee Gibson | Stunt Double |
| Crew | Jay Spadaro | Stunt Double |
| Crew | Bob Colletti | Stunt Double |
| Art | Tiffany Zappulla | Art Department Assistant |
| Costume & Make-Up | Catharine Fletcher Incaprera | Assistant Costume Designer |
| Costume & Make-Up | Lois DeArmond | Assistant Costume Designer |
| Costume & Make-Up | Marisa Aboitiz | Costume Supervisor |
| Costume & Make-Up | Jeannie Flynn | Key Costumer |
| Costume & Make-Up | Christine Wada | Costume Supervisor |
| Costume & Make-Up | Mara Majorowicz | Key Costumer |
| Costume & Make-Up | Linda M. Boyland | Costumer |
| Costume & Make-Up | Charmaine Henninger | Assistant Hairstylist |
| Costume & Make-Up | Gina W. Bateman | Assistant Makeup Artist |
| Camera | Mark Van Loon | Steadicam Operator |
| Directing | Deirdre Horgan | Script Supervisor |
| Camera | Mark Van Loon | "B" Camera Operator |
| Camera | Martin J. Layton | Second Unit Director of Photography |
| Camera | Martin J. Layton | Camera Operator |
| Camera | Mark Walpole | Second Assistant Camera |
| Sound | Kirk Francis | Production Sound Mixer |
| Sound | Jack M. Nietzsche Jr. | Boom Operator |
| Editing | Dana Mulligan | First Assistant Editor |
| Editing | Jonathan Chibnall | First Assistant Editor |
| Sound | Lesley Langs | Music Editor |
| Sound | Charles Maynes | Supervising Sound Editor |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Sound | Jon Mete | Sound Editor |
| Sound | Jamie Hardt | Assistant Sound Editor |
| Sound | Dean Beville | ADR Editor |
| Sound | Harry B. Miller III | ADR Editor |
| Sound | Cameron Steenhagen | Dialogue Editor |
| Sound | Kira Roessler | Dialogue Editor |
| Sound | Dana Gustafson | Foley Editor |
| Sound | Edward Steidele | Foley Artist |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Sound | Samuel Lehmer | Sound Re-Recording Mixer |
| Sound | Troy Porter | ADR Mixer |
| Sound | Doc Kane | ADR Mixer |
| Sound | Christina Tucker | ADR Mixer |
| Lighting | Newton TerMeer | Chief Lighting Technician |
| Camera | Rodney French | Key Grip |
| Camera | John C. Barber | Grip |
| Camera | Mark Hutchings | Grip |
| Camera | Brian Snell | Grip |
| Art | Lorraine Walker | Assistant Property Master |
| Production | Thomas 'Doc' Boguski | Production Coordinator |
| Production | Kathi Ash | Location Manager |
| Crew | Mark Bero | Special Effects Coordinator |
| Crew | Douglas Retzler | Special Effects Assistant |
| Art | Michael Davis | Construction Coordinator |
| Art | David Beach | Construction Buyer |
| Production | Frank J. Ellison | Production Accountant |
| Production | Lori Scowley | First Assistant Accountant |
| Camera | Ron Phillips | Still Photographer |
| Crew | Gerald Titus | Driver |
| Production | Carlyn Davis | Extras Casting |
| Production | Molly Dedham | Extras Casting |
| Crew | Thomas M. Cornelius | Craft Service |
| Editing | Mary Beth Smith | Negative Cutter |
| Editing | Jeff Smithwick | Color Timer |
| Visual Effects | Mat Beck | Visual Effects Supervisor |
| Visual Effects | Cindy Jones | Visual Effects Producer |
| Visual Effects | Yoshiya Yamada | 3D Modeller |
| Visual Effects | Erik Liles | 2D Supervisor |
| Visual Effects | Brian Ali Harding | Compositing Artist |
| Crew | Peter Epstein | Stunts |
| Crew | Blaise Corrigan | Stunts |
| Writing | Jeffrey Lieber | Screenplay |
| Writing | James V. Hart | Screenplay |
| Writing | Natalie Babbitt | Novel |
| Production | Jane Startz | Producer |
| Production | Marc Abraham | Producer |
| Production | Armyan Bernstein | Executive Producer |
| Production | Thomas A. Bliss | Executive Producer |
| Production | William Teitler | Executive Producer |
| Production | Deborah Forte | Executive Producer |
| Production | Max Wong | Executive Producer |
| Camera | James L. Carter | Director of Photography |
| Art | Tony Burrough | Production Design |
| Editing | Jay Cassidy | Editor |
| Costume & Make-Up | Carol Ramsey | Costume Design |
| Sound | William Ross | Original Music Composer |
| Production | Mary Gail Artz | Casting Director |
| Production | Barbara Cohen | Casting Director |
| Production | Dana Robin | Unit Production Manager |
| Directing | John Rusk | First Assistant Director |
| Directing | Alison C. Rosa | Second Assistant Director |
| Art | Ray Kluga | Art Direction |
| Art | Catherine Davis | Set Decoration |
| Costume & Make-Up | Thomas Nellen | Makeup Department Head |
| Costume & Make-Up | Janice Kinigopoulos | Hair Department Head |
