Marnie Watson heeft celstraf gekregen toen ze haar eigen man, een politieman, heeft vermoord uit zelfverdediging. Maar Marnie wordt plotseling vervroegd vrijgelaten uit de gevangenis, aangezien ze met een elektronische band om haar been de rest van haar straf in haar eigen huis mag doorbrengen.
Nee, helaas is 100 Feet nog niet beschikbaar op Netflix in Nederland.
| Directing | Eric Red | Director |
| Writing | Eric Red | Writer |
| Production | Sarah Black | Producer |
| Production | Ed Elbert | Producer |
| Production | Jonathan Sanger | Producer |
| Camera | Ken Kelsch | Director of Photography |
| Editing | Anthony Redman | Editor |
| Production | Nancy Foy | Casting |
| Art | Márton Ágh | Production Design |
| Art | Judit Varga | Art Direction |
| Costume & Make-Up | Bridget O'Neill | Makeup Department Head |
| Production | Stephen L'Heureux | Producer |
| Art | Richard Tenewitz | Construction Coordinator |
| Crew | Rachael Weinzimer | Property Master |
| Sound | Tony Margulies | Foley |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Sound | Peter Michael Sullivan | Sound Re-Recording Mixer |
| Crew | Robert G. Willard | Special Effects Coordinator |
| Visual Effects | Matthew Gratzner | Visual Effects Supervisor |
| Visual Effects | David Sanger | Visual Effects Producer |
| Crew | Zoltán Gulyás Kiss | Stunt Coordinator |
| Lighting | Brian Pryzpek | Gaffer |
| Lighting | Péter Sidló | Gaffer |
| Sound | Lisa A. Arpino | Music Editor |
| Costume & Make-Up | Éva Vass | Costume Design |
| Sound | John Frizzell | Original Music Composer |
| Crew | Robert Chapin | Digital Supervisor |
| Production | Steven Schneider | Co-Executive Producer |
| Art | József Kiss | Construction Manager |
| Art | Victor Littlejohn | Props |
| Camera | István Gottmann | Assistant Camera |
| Camera | Ákos Gulyás | Assistant Camera |
| Camera | Károly Kamerda | Assistant Camera |
| Lighting | Chris Zizzo | Best Boy Electric |
| Camera | Attila Szücs | Dolly Grip |
| Lighting | Péter Pozsonyi | Electrician |
| Camera | Zsolt Big Nagy | Epk Camera Operator |
| Camera | Rob Koch | First Assistant "A" Camera |
| Camera | Gusztáv Kirsch | Focus Puller |
| Camera | Vilmos Keszler | Grip |
| Camera | Liz Sales | Second Assistant "A" Camera |
| Camera | Gábor Garai | Second Assistant Camera |
| Costume & Make-Up | Kelly Marazzi | Hairstylist |
| Costume & Make-Up | Tina LaSpina | Key Makeup Artist |
| Costume & Make-Up | Réka Görgényi | Makeup Artist |
| Costume & Make-Up | Eileen Kastner-Delago | Makeup Artist |
| Costume & Make-Up | Paul Jones | Makeup Effects Designer |
| Production | Bryan Riley | Casting Associate |
| Production | Lee Genick | Extras Casting |
| Costume & Make-Up | Melinda Domán | Assistant Costume Designer |
| Costume & Make-Up | Shelby Saboy | Key Costumer |
| Costume & Make-Up | Veronika Szigeti | Key Costumer |
| Crew | Ferenc Gombás | Pyrotechnician |
| Crew | Corey Helmer | Pyrotechnician |
| Crew | Ferenc Hábetler | Pyrotechnician |
| Crew | Norbert Orosz | Pyrotechnician |
| Crew | Attila Török | Pyrotechnician |
| Crew | Attila Vásári | Pyrotechnician |
| Visual Effects | Ferenc Török | Pyrotechnic Supervisor |
| Visual Effects | Matt Kutcher | Special Effects Supervisor |
| Crew | Lori Freitag-Hild | Compositor |
| Visual Effects | Jeffrey Jasper | Digital Compositor |
| Visual Effects | Matt Kelly | Digital Compositor |
| Visual Effects | James Pastorius | Digital Compositor |
| Crew | Michael Theurer | Digital Producer |
| Visual Effects | Llyr Tobias Johansen | Visual Effects Coordinator |
| Directing | Michelangelo Csaba Bolla | First Assistant Director |
| Directing | Peter Pálka | First Assistant Director |
| Directing | Orsolya Vercz | Script Supervisor |
| Editing | George Papuashvili | Additional Editor |
| Editing | Dávid Jancsó | Assistant Editor |
| Editing | Michael Nouryeh | Associate Editor |
| Editing | Gilbert Carreras | Color Timer |
| Editing | Paul Allia | Colorist |
| Editing | Benedek Kabán | Colorist |
| Editing | Adam Hawkey | Digital Intermediate Colorist |
| Editing | Brian Beard | Digital Intermediate Editor |
