Marnie Watson heeft celstraf gekregen toen ze haar eigen man, een politieman, heeft vermoord uit zelfverdediging. Maar Marnie wordt plotseling vervroegd vrijgelaten uit de gevangenis, aangezien ze met een elektronische band om haar been de rest van haar straf in haar eigen huis mag doorbrengen.
Nee, helaas is 100 Feet nog niet beschikbaar op Netflix in Nederland.
| Directing | Eric Red | Director |
| Production | Nancy Foy | Casting |
| Costume & Make-Up | Bridget O'Neill | Makeup Department Head |
| Writing | Eric Red | Writer |
| Camera | Ken Kelsch | Director of Photography |
| Art | Márton Ágh | Production Design |
| Production | Jonathan Sanger | Producer |
| Art | Judit Varga | Art Direction |
| Production | Sarah Black | Producer |
| Editing | Anthony Redman | Editor |
| Production | Ed Elbert | Producer |
| Production | Stephen L'Heureux | Producer |
| Lighting | Péter Sidló | Gaffer |
| Crew | Robert G. Willard | Special Effects Coordinator |
| Sound | Lisa A. Arpino | Music Editor |
| Crew | Zoltán Gulyás Kiss | Stunt Coordinator |
| Art | Richard Tenewitz | Construction Coordinator |
| Visual Effects | Matthew Gratzner | Visual Effects Supervisor |
| Sound | Tony Margulies | Foley |
| Sound | Peter Michael Sullivan | Sound Re-Recording Mixer |
| Lighting | Brian Pryzpek | Gaffer |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Visual Effects | David Sanger | Visual Effects Producer |
| Crew | Rachael Weinzimer | Property Master |
| Costume & Make-Up | Éva Vass | Costume Design |
| Sound | John Frizzell | Original Music Composer |
| Crew | Robert Chapin | Digital Supervisor |
| Production | Steven Schneider | Co-Executive Producer |
| Art | József Kiss | Construction Manager |
| Camera | Zsolt Big Nagy | Epk Camera Operator |
| Crew | Ferenc Gombás | Pyrotechnician |
| Crew | Ferenc Hábetler | Pyrotechnician |
| Visual Effects | Ferenc Török | Pyrotechnic Supervisor |
| Camera | István Gottmann | Assistant Camera |
| Production | Lee Genick | Extras Casting |
| Costume & Make-Up | Melinda Domán | Assistant Costume Designer |
| Crew | Attila Vásári | Pyrotechnician |
| Camera | Gábor Garai | Second Assistant Camera |
| Crew | Norbert Orosz | Pyrotechnician |
| Crew | Attila Török | Pyrotechnician |
| Camera | Károly Kamerda | Assistant Camera |
| Camera | Gusztáv Kirsch | Focus Puller |
| Camera | Liz Sales | Second Assistant "A" Camera |
| Camera | Rob Koch | First Assistant "A" Camera |
| Costume & Make-Up | Veronika Szigeti | Key Costumer |
| Costume & Make-Up | Eileen Kastner-Delago | Makeup Artist |
| Camera | Ákos Gulyás | Assistant Camera |
| Camera | Vilmos Keszler | Grip |
| Costume & Make-Up | Réka Görgényi | Makeup Artist |
| Costume & Make-Up | Tina LaSpina | Key Makeup Artist |
| Art | Victor Littlejohn | Props |
| Lighting | Chris Zizzo | Best Boy Electric |
| Camera | Attila Szücs | Dolly Grip |
| Lighting | Péter Pozsonyi | Electrician |
| Costume & Make-Up | Paul Jones | Makeup Effects Designer |
| Costume & Make-Up | Shelby Saboy | Key Costumer |
| Crew | Corey Helmer | Pyrotechnician |
| Visual Effects | Matt Kutcher | Special Effects Supervisor |
| Costume & Make-Up | Kelly Marazzi | Hairstylist |
| Production | Bryan Riley | Casting Associate |
| Visual Effects | Matt Kelly | Digital Compositor |
| Editing | Brian Beard | Digital Intermediate Editor |
| Editing | George Papuashvili | Additional Editor |
| Editing | Dávid Jancsó | Assistant Editor |
| Editing | Benedek Kabán | Colorist |
| Directing | Peter Pálka | First Assistant Director |
| Visual Effects | Llyr Tobias Johansen | Visual Effects Coordinator |
| Editing | Paul Allia | Colorist |
| Visual Effects | Jeffrey Jasper | Digital Compositor |
| Editing | Gilbert Carreras | Color Timer |
| Editing | Adam Hawkey | Digital Intermediate Colorist |
| Directing | Michelangelo Csaba Bolla | First Assistant Director |
| Directing | Orsolya Vercz | Script Supervisor |
| Visual Effects | James Pastorius | Digital Compositor |
| Crew | Lori Freitag-Hild | Compositor |
| Crew | Michael Theurer | Digital Producer |
| Editing | Michael Nouryeh | Associate Editor |
