Tijdens de Kerstvakantie reizen twee studenten samen per auto naar hun families. Omdat er een zware winterstorm aankomt nemen ze een snellere route over een verlaten landweg. Ze komen er al snel achter dat ze dit beter niet hadden kunnen doen, aangezien ze buiten het noodweer te maken krijgen met geesten en de sinistere geschiedenis van de betreffende weg.
Nee, helaas is Wind Chill nog niet beschikbaar op Netflix in Nederland.
| Writing | Joe Gangemi | Writer |
| Directing | Gregory Jacobs | Director |
| Writing | Steven Katz | Writer |
| Crew | Dexter Bell | Stunts |
| Crew | Garvin Cross | Stunts |
| Crew | Andrea Kinsky | Stunt Double |
| Crew | Gerald Paetz | Stunts |
| Crew | Ed Anders | Stunt Coordinator |
| Art | Howard Cummings | Production Design |
| Production | Graham Broadbent | Producer |
| Art | Carol Lavallee | Set Decoration |
| Camera | Dan Laustsen | Director of Photography |
| Art | Kelvin Humenny | Art Direction |
| Production | Sean Cossey | Casting |
| Production | Peter Czernin | Producer |
| Editing | Lee Percy | Editor |
| Costume & Make-Up | Debbie Geaghan | Costume Supervisor |
| Production | Ben Cosgrove | Executive Producer |
| Production | Peter Lhotka | Co-Producer |
| Production | Erika Armin | Associate Producer |
| Production | Steven Soderbergh | Executive Producer |
| Production | Peter Phillips | Associate Producer |
| Production | George Clooney | Executive Producer |
| Directing | Trey Batchelor | First Assistant Director |
| Camera | Ed McMahon | Dolly Grip |
| Art | Michael Toby | Set Designer |
| Crew | Jeffrey Kalmus | Digital Effects Supervisor |
| Lighting | Andy Guichon | Best Boy Electric |
| Lighting | Jeffrey Harvey | Best Boy Electric |
| Camera | Ryan Monro | Dolly Grip |
| Sound | Mark Mangini | Sound Re-Recording Mixer |
| Lighting | Keith Woods | Rigging Gaffer |
| Editing | Amy Pawlowski | Digital Intermediate |
| Costume & Make-Up | Rebeccah Delchambre | Makeup Artist |
| Costume & Make-Up | Sanna Seppanen | Key Hair Stylist |
| Visual Effects | Thomas J. Smith | Visual Effects Supervisor |
| Camera | Junichi Hosoi | Steadicam Operator |
| Art | Dean Barker | Property Master |
| Visual Effects | Pete Dionne | 3D Artist |
| Editing | Robert E. Phillips | Digital Intermediate |
| Directing | Lana Krotenko | Script Supervisor |
| Costume & Make-Up | Marnie Wong | Hairstylist |
| Art | Glenn Woodruff | Construction Coordinator |
| Lighting | Bryan Forde | Chief Lighting Technician |
| Lighting | Michael Auger | Best Boy Electric |
| Camera | Ron MacLeay | Key Grip |
| Costume & Make-Up | Connie Parker | Makeup Department Head |
| Camera | Dan Power | Still Photographer |
| Sound | Kimaree Long | Dialogue Editor |
| Art | Victoria Balharry | Art Department Coordinator |
| Visual Effects | Chris Holmes | Visual Effects Supervisor |
| Lighting | Trevor Carabin | Best Boy Electric |
| Sound | Tony Wyman | Boom Operator |
| Art | Nancy Anna Brown | Assistant Art Director |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Lighting | Herb DeWaal | Rigging Grip |
| Sound | Joshua Winget | Music Editor |
| Production | Jim O'Grady | Production Manager |
| Visual Effects | Jon Cowley | Visual Effects Supervisor |
| Costume & Make-Up | Gail Barrett | Assistant Costume Designer |
| Sound | Vanessa Lapato | Sound Editor |
| Costume & Make-Up | Todd Masters | Prosthetic Designer |
| Sound | Clint Mansell | Original Music Composer |
