Rudy groeit op in een mijndorpje waar veel mensen uiteindelijk gingen werken, maar wilden daarvoor in de plaats liever football spelen bij de Notre Dame. Rudy's cijfers zijn alleen een beetje laag, hij heeft weinig atletische vaardigheden en is veel kleiner dan andere sporters. Maar hij besluit niet op te geven zich aan te sluiten bij het footbal team.
Nee, helaas is Rudy nog niet beschikbaar op Netflix in Nederland.
| Directing | David Anspaugh | Director |
| Writing | Angelo Pizzo | Writer |
| Production | Sharon Bialy | Casting |
| Production | Robert N. Fried | Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Editing | David Rosenbloom | Editor |
| Production | Debi Manwiller | Casting |
| Production | Cary Woods | Producer |
| Production | Lee R. Mayes | Executive Producer |
| Art | Robb Wilson King | Production Design |
| Production | Richard J. Zinman | Associate Producer |
| Production | Jeffrey I. Friedman | Associate Producer |
| Camera | Oliver Wood | Director of Photography |
| Production | Richard Pagano | Casting |
| Art | Martin Price | Set Decoration |
| Production | Alan J. Mintz | Associate Producer |
| Production | Angelo Pizzo | Co-Producer |
| Directing | Michael Waxman | First Assistant Director |
| Directing | Daniel M. Stillman | Second Assistant Director |
| Costume & Make-Up | Wendy Kimmel | Makeup Artist |
| Costume & Make-Up | Jane Anderson | Costume Design |
| Directing | Richard Muessel | Second Assistant Director |
| Costume & Make-Up | Robyn Goldman | Makeup Artist |
| Art | Eric Ramsey | Storyboard Artist |
| Directing | Kevin Barry Howe | Assistant Director |
| Directing | Kevin Barry Howe | Second Unit Director |
| Directing | Angelo Pizzo | Second Unit Director |
| Directing | Sam Hoffman | Second Second Assistant Director |
| Sound | Christopher S. Aud | Sound Effects Editor |
| Visual Effects | Joe Digaetano | Special Effects Supervisor |
| Sound | Kenneth Hall | Music Editor |
| Camera | Van Redin | Still Photographer |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Camera | Art Bartels | Key Grip |
| Directing | Mary Tallman | Script Supervisor |
| Sound | Zane D. Bruce | Foley Artist |
| Directing | Alicia Accardo | Script Supervisor |
| Sound | George H. Anderson | Supervising Sound Editor |
| Sound | Clayton Collins | Dialogue Editor |
| Sound | Dale R. Janus | Boom Operator |
| Sound | John J. Stephens | Sound Re-Recording Mixer |
| Sound | James Matheny | Dialogue Editor |
| Sound | David Giammarco | Supervising ADR Editor |
| Sound | Tony Margulies | Foley Artist |
| Sound | Sanford Ponder | Sound Effects Editor |
| Sound | Sergio Reyes | Sound Re-Recording Mixer |
| Sound | Paul J. Diller | Sound Effects Editor |
| Sound | Kimberly Harris | ADR Editor |
| Sound | Drake Jenevein | Assistant Sound Editor |
| Sound | Curt Frisk | Sound Mixer |
| Sound | Timothy Pearson | Foley Artist |
| Sound | David Williams | Dialogue Editor |
| Sound | Clayton Collins | Sound Editor |
| Sound | Mark L. Mangino | Sound Effects Editor |
| Sound | Brenda Sowa | Foley Editor |
| Sound | Roy Seeger | Foley Editor |
| Sound | Vanessa Lapato | Assistant Sound Editor |
| Sound | Paul J. Diller | Sound Recordist |
| Sound | Matt Hovland | Foley Mixer |
| Sound | Steven Ticknor | Sound Effects Editor |
| Crew | Linda Perlin | Stunts |
| Sound | Alexander Courage | Orchestrator |
| Crew | Ben Scott | Stunts |
