Jack Conrad zit in een dodencel in een corrupte gevangenis ergens in Midden-Amerika. Dan doet er zich plotseling een mogelijkheid voor om zijn straf te ontlopen: een rijke televisieproducer heeft hem uitgezocht om deel te nemen aan een spannende reality tv-show. De corrupte gevangenisleiding wordt simpel omgekocht.
| Directing | Jamie Crooks | First Assistant Director |
| Directing | Angella McPherson | Second Assistant Director |
| Directing | Darwin Brooks | Second Unit First Assistant Director |
| Directing | Mark Wareham | Second Unit Director |
| Camera | Michael Carl Smith | Grip |
| Art | Tom Brkich | Standby Painter |
| Costume & Make-Up | Anita Lowe | Makeup & Hair |
| Costume & Make-Up | Kym Sainsbury | Makeup & Hair |
| Crew | Barry Thompson | Prop Maker |
| Crew | Stephen Longson | Carpenter |
| Art | Ron Wallekers | Head Greensman |
| Crew | Kristin Reuter | Prop Maker |
| Lighting | Peter Critchley | Electrician |
| Costume & Make-Up | Margaret Stevenson | Hair Supervisor |
| Art | Chris Turner | Construction Foreman |
| Art | Andrew Gardiner | Construction Manager |
| Art | Katrina Bull | Set Painter |
| Lighting | Andrew Shir | Lighting Technician |
| Camera | Mark Wareham | Second Unit Director of Photography |
| Costume & Make-Up | Gail Kane | Makeup & Hair |
| Costume & Make-Up | Anita Morgan | Makeup & Hair |
| Costume & Make-Up | Jacqui Deacon | Additional Hairstylist |
| Camera | Daniel Clark | Focus Puller |
| Camera | Benn Hyde | Key Grip |
| Costume & Make-Up | Jason Baird | Prosthetic Supervisor |
| Camera | Matthew Copping | Dolly Grip |
| Lighting | Scott Hamilton | Lighting Technician |
| Costume & Make-Up | Maree Stuartt | Makeup & Hair |
| Crew | Trevor Spann | Carpenter |
| Lighting | Phil Mulligan | Electrician |
| Art | Emile Oliver | Assistant Property Master |
| Crew | Tony Voevodin | Prop Maker |
| Camera | Jason Binnie | First Assistant "B" Camera |
| Camera | Margie McClymont | Focus Puller |
| Costume & Make-Up | Margaret Stevenson | Makeup Supervisor |
| Costume & Make-Up | Karen Grose | Prosthetics |
| Art | Noel McCartney | Construction Foreman |
| Art | Graeme Callander | Storyboard Artist |
| Crew | Ray Chapman | Carpenter |
| Art | Bob Booker | Property Master |
| Lighting | Mick O'Brien | Chief Lighting Technician |
| Camera | Adrien Seffrin | First Assistant "A" Camera |
| Lighting | Jesse Moyes | Lighting Technician |
| Production | Julian Bungate | Production Runner |
| Production | Kelly Weiler | Production Secretary |
| Lighting | Craig Perkins | Electrician |
| Lighting | Boo Slattery | Electrician |
| Visual Effects | Jason Billington | Digital Compositor |
| Sound | Sean Rowe | Foley Artist |
| Costume & Make-Up | Roberta Shaw | Costume Standby |
| Production | Fiona McMaster | Extras Casting |
| Visual Effects | Tate Arbon | Digital Compositor |
| Visual Effects | Matthew Wynne | Digital Compositor |
| Costume & Make-Up | Amanda Enders | Costume Standby |
| Camera | Riki Byrne | Clapper Loader |
| Lighting | Russell Lyons | Electrician |
| Camera | Damien Beebe | Epk Camera Operator |
| Camera | Paul Seipel | Second Assistant "B" Camera |
| Visual Effects | Grant Warwick | Modeling |
| Crew | Luke Cole | Systems Administrators & Support |
| Production | Kerry Mulgrew | Production Coordinator |
| Production | Abdul-Majeed Moulvi | Casting Assistant |
| Crew | Nancy Hirami | Post Production Supervisor |
| Camera | Aaron Smith | Clapper Loader |
| Lighting | Nick Sowter | Electrician |
| Editing | Lou Levinson | Digital Intermediate Colorist |
| Sound | Boris Elkis | Music Programmer |
| Costume & Make-Up | Shane Phillips | Costume Assistant |
| Crew | Allan Mowbray | Armorer |
| Visual Effects | Liam Neville | Digital Compositor |
| Editing | David Donaldson | Digital Intermediate |
| Camera | Andy Smith | Best Boy Grip |
| Lighting | Mark Bills | Electrician |
| Visual Effects | Marc Tingle | Modeling |
| Crew | Danielle Hession | Systems Administrators & Support |
| Crew | Patrick Carmiggelt | Special Effects Technician |
| Sound | Rick Canelli | ADR Recordist |
| Sound | Bryan Pennington | Dolby Consultant |
| Costume & Make-Up | Phil Eagles | Costume Consultant |
| Editing | Bob Fredrickson | Color Timer |
| Visual Effects | Koji Yamaguchi | Digital Compositor |
| Art | Mark Rakocy | Main Title Designer |
| Visual Effects | Matt Sloan | Visual Effects Camera |
| Production | Jason Rowling | Production Assistant |
| Production | Cindy Gollagher | Production Coordinator |
| Visual Effects | Dexter Davey | Digital Compositor |
| Visual Effects | Chris Davies | Digital Compositor |
| Visual Effects | Matthew Hermans | Digital Compositor |
| Sound | Joan Rowe | Foley Artist |
| Sound | David Werntz | Sound Effects Editor |
| Costume & Make-Up | Brett Beacham | Prosthetic Makeup Artist |
| Sound | Neil A. Lawi | Music Supervisor |
| Lighting | Richard Riwaka | Lighting Technician |
| Camera | Brendan Shambrook | Second Assistant "A" Camera |
| Art | Ricardo Navarro | Title Designer |
| Visual Effects | Tim Sotiri | VFX Artist |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Bruce Tanis | Foley Editor |
| Sound | Bob Beher | Foley Supervisor |
| Editing | Doug Delaney | Digital Intermediate Assistant |
| Visual Effects | Nicole Papax | Matte Painter |
| Sound | Mark L. Mangino | ADR Editor |
| Editing | Mandy Jacobs | Additional Editor |
| Editing | Geoff Lamb | Assistant Editor |
| Costume & Make-Up | Helen Maggs | Costume Standby |
| Camera | Toby Copping | Key Grip |
| Lighting | Julian Filer | Lighting Technician |
| Visual Effects | Sophie Carroll | Visual Effects Coordinator |
| Editing | Kyle M. Brechin | Editorial Production Assistant |
| Visual Effects | Matt Greig | Digital Compositor |
| Visual Effects | Murray Smallwood | Digital Compositor |
| Editing | Annalise Kurinsky | Digital Intermediate |
| Sound | Joe Dorn | ADR Editor |
| Sound | Michael Thompson | ADR Mixer |
| Sound | Stephanie Brown | Assistant Sound Editor |
| Sound | Rod Conder | Boom Operator |
| Production | Jasmin Lyford | Production Secretary |
| Visual Effects | Craig Rowe | Digital Compositor |
| Crew | Gary Sullivan | Digital Effects Supervisor |
| Crew | Simon Clark | Telecine Colorist |
| Crew | Peter Exton | Special Effects Technician |
| Crew | Julian Summers | Special Effects Technician |
| Sound | Ryan Maguire | Foley Mixer |
| Sound | Jim Johnston | Music Supervisor |
| Production | Samantha Strauss | Casting Associate |
| Crew | Jeff Gribble | Armorer |
| Production | Rachel Duxbury | Payroll Accountant |
| Directing | Scott Wiper | Director |
| Writing | Scott Wiper | Screenplay |
| Crew | Bruce Shapiro | Dialogue Coach |
| Production | Graham Ludlow | Executive Producer |
| Crew | Michael Mier | Video Assist Operator |
| Editing | Derek Brechin | Editor |
| Production | Tom McSweeney | Casting |
| Camera | Ian 'Thistle' Thorburn | Camera Operator |
| Sound | Jeremy Peirson | Sound Effects Editor |
| Sound | Christopher S. Aud | Sound Designer |
| Visual Effects | Gary Keir | VFX Supervisor |
| Crew | Susan Booth | Machinist |
| Sound | Ashley Revell | Music Editor |
| Production | Joel Simon | Producer |
| Production | Jennifer Cornwell | Production Manager |
| Visual Effects | Julian Parry | Visual Effects Supervisor |
| Lighting | Stephen Head | Best Boy Electric |
| Directing | Chris O'Connell | Script Supervisor |
| Production | Jamie McLennan | Location Manager |
| Crew | Glenn Ruehland | Stunt Coordinator |
| Camera | Greg Gilbert | Steadicam Operator |
| Art | Paula Whiteway | Set Designer |
| Visual Effects | Dave Morley | Visual Effects Supervisor |
| Camera | Vince Valitutti | Still Photographer |
| Art | Graham 'Grace' Walker | Production Design |
| Art | Natalie Taylor | Art Department Coordinator |
| Art | Matt Jordin | Greensman |
| Crew | Janine Bray | Machinist |
| Production | Scott Stewart | Location Manager |
| Art | Suzie Freeman | Art Department Coordinator |
| Visual Effects | Kent Boswell | Visual Effects Producer |
| Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
| Sound | Graeme Revell | Music |
| Art | Richard Hobbs | Art Direction |
| Art | Bill Booth | Construction Coordinator |
| Crew | Nick Walker | Scenic Artist |
| Camera | Calum McFarlane | Additional Camera |
| Production | Toni Pearson | Production Accountant |
| Visual Effects | Julian Parry | Visual Effects Producer |
| Crew | Jamie Whitfield | Transportation Coordinator |
| Sound | Rickley W. Dumm | Sound Effects Editor |
| Sound | Tim LeBlanc | Sound Re-Recording Mixer |
| Crew | Greg Stuart | Stunt Coordinator |
| Crew | Darren Loveday | Picture Car Coordinator |
| Art | Jim Millett | Assistant Art Director |
| Camera | Henry Pierce | Additional Camera |
| Editing | Stephen Shapiro | First Assistant Editor |
| Sound | Steve Bissinger | Sound Effects Editor |
| Sound | Christopher S. Aud | Supervising Sound Editor |
| Camera | Butch Sawko | Camera Operator |
| Lighting | Matt Slattery | Gaffer |
| Camera | Greg Gilbert | Camera Operator |
| Directing | Antoinette O'Neill | Script Supervisor |
| Production | Fiona Searson | Publicist |
| Camera | Ross Emery | Director of Photography |
| Camera | Paul Murphy | Best Boy Grip |
| Production | Debbie Gilbert | Post Production Accountant |
| Writing | Rob Hedden | Screenplay |
| Sound | Paul 'Salty' Brincat | Sound Recordist |
| Sound | Avram D. Gold | Dialogue Editor |
| Sound | Benjamin Beardwood | Dialogue Editor |
| Sound | Lisa J. Levine | ADR Supervisor |
| Production | Peter Block | Executive Producer |
| Production | Michael Lake | Executive Producer |
| Production | Matt Walden | Co-Producer |
| Production | John Bonneau | Co-Producer |
| Production | Mara Jacobs | Co-Producer |
| Production | Julian Parry | Producer |
| Production | Richard Lowell | Associate Producer |
| Production | John Sacchi | Executive Producer |
| Production | Jed Blaugrund | Executive Producer |
| Production | Jason Constantine | Executive Producer |
| Production | Vince McMahon | Executive Producer |
| Production | George Vrabeck | Executive Producer |
| Production | Michael Gruber | Executive Producer |
| Costume & Make-Up | Joanne Wilson | Costume Supervisor |
