Autoverkoper Murray bewoont samen met zijn kinderen een goedkoop flatje in een vooraanstaande wijk. Vivian, zijn onzekere en onervaren puberdochter, moet noodgedwongen op haar rebelse nichtje Rita passen, die een bewogen leven leidt vol seks, drugs en rock 'n roll.
Nee, helaas is Slums of Beverly Hills nog niet beschikbaar op Netflix in Nederland.
| Directing | Tamara Jenkins | Director |
| Writing | Tamara Jenkins | Writer |
| Production | Michael Nozik | Producer |
| Production | Stan Wlodkowski | Producer |
| Editing | Robert Duffy | Editor |
| Crew | Margo Hunt McKay | Driver |
| Production | Joe Pichirallo | Production Executive |
| Costume & Make-Up | Romy Fleming | First Assistant Hairstylist |
| Costume & Make-Up | Anne Morgan | Additional Hairstylist |
| Costume & Make-Up | Candace Neal | Key Hair Stylist |
| Costume & Make-Up | Vicky Ogden | First Assistant Makeup Artist |
| Crew | Lisa Rodgers | Post Production Supervisor |
| Production | Tom Tucker | Production Supervisor |
| Production | Stan Wlodkowski | Unit Production Manager |
| Directing | Susie Balaban | Second Second Assistant Director |
| Directing | Dawn Massaro | Second Assistant Director |
| Directing | Scott Remick | Second Second Assistant Director |
| Art | Guillaume DeLouche | Set Dresser |
| Art | Carolyn Lassek | Set Dresser |
| Art | Tim Parkinson | Set Dresser |
| Sound | Andrew Adams | Boom Operator |
| Sound | Eric Brauch | Sound |
| Sound | Eddie Bydalek | Sound Recordist |
| Sound | Richard Chaim | Sound |
| Sound | Eric Erickson | Sound Recordist |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Sound | Laura Kamper | Sound Effects |
| Sound | Michael Kamper | Sound Effects Editor |
| Sound | Jonathan Karp | Sound Effects Editor |
| Sound | Shawn Kennelly | Foley Recordist |
| Sound | Jeffrey R. Payne | Sound Re-Recording Mixer |
| Sound | Thomas Pinney | Boom Operator |
| Sound | Joan Rowe | Foley Artist |
| Sound | Sean Rowe | Foley Artist |
| Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Mark Ulano | Sound Recordist |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | James Wright | Sound |
| Crew | Jean Malahni | Stunts |
| Crew | Jean Malahni | Stunt Double |
| Production | Georgianne Walken | Casting |
| Production | Sheila Jaffe | Casting |
| Costume & Make-Up | Kirsten Everberg | Costume Design |
| Art | Dena Roth | Production Design |
| Production | Robert Redford | Executive Producer |
| Directing | Ira Hurvitz | Script Supervisor |
| Camera | Leonard Myszynski | Still Photographer |
| Camera | Lorey Sebastian | Still Photographer |
| Sound | Ann Scibelli | Supervising Sound Effects Editor |
| Sound | Andrew DeCristofaro | Supervising Sound Editor |
| Art | Ritchie Kremer | Property Master |
| Art | Lisa S. Beasley | Art Department Coordinator |
| Directing | Michael A. Allowitz | First Assistant Director |
| Sound | Rolfe Kent | Original Music Composer |
| Sound | Gary Calamar | Music Supervisor |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | Mimi Bonetti | Music Coordinator |
| Sound | Paul Curtis | Dialogue Editor |
| Sound | Matthew C. Beville | ADR Mixer |
| Sound | John Chandler | Foley Editor |
| Sound | Ken Segal | Sound Mixer |
| Sound | D. Chris Smith | ADR Recordist |
| Art | Robert Greenfield | Set Decoration |
| Art | Scott Plauche | Art Direction |
| Crew | Dick Ziker | Stunt Coordinator |
| Costume & Make-Up | Julie Glick | Costume Supervisor |
| Camera | Tom Richmond | Director of Photography |
| Costume & Make-Up | Kathryn Bihr | Key Makeup Artist |
| Art | Bently Tittle | Set Dresser |
