Er breekt opnieuw een verkiezingstijd aan voor de triades en de zittende grote man, Lok, krijgt het ditmaal aan de stok met zijn vijf peetzonen. Zij azen op de hoogste positie binnen het misdaadsyndicaat, maar Lok is goed op hen voorbereid. In de tussentijd doet Jimmy Li zijn best om uit met de misdaad te breken, maar ook als hij een goede, legale zakenman wil zijn blijkt af en toe inmenging van de triades onontkoombaar.
Nee, helaas is Hak Se Wui Yi Wo Wai Kwai nog niet beschikbaar op Netflix in Nederland.
| Writing | Yip Tin-Shing | Writer |
| Directing | 杜琪峯 | Director |
| Writing | Yau Nai-hoi | Writer |
| Production | Chiu Chi-Shing | Unit Manager |
| Sound | Lee Sin-Kwok | Sound Recordist |
| Crew | Catherine Chan Dao-Ho | Production Controller |
| Production | Dennis Law | Producer |
| Sound | Robert Ellis-Geiger | Original Music Composer |
| Writing | Yau Nai-hoi | Characters |
| Production | 陳明英 | Administration |
| Production | 向華強 | Executive Producer |
| Editing | Jeff Cheung Ka-Kit | Editor |
| Production | Elos Gallo | Consulting Producer |
| Costume & Make-Up | Joe Kwong Yiu-Chung | Hairstylist |
| Costume & Make-Up | Midco Chu Wai-Fong | Makeup Artist |
| Production | Kuk Kok-Leung | Line Producer |
| Costume & Make-Up | Stanley Cheung Sai-Kit | Costume Design |
| Production | 杜琪峯 | Producer |
| Writing | Yip Tin-Shing | Characters |
| Camera | Cheng Siu-keung | Director of Photography |
| Costume & Make-Up | Kit Ling Chan | On Set Dresser |
| Costume & Make-Up | Rachel Kong Tak-Yen | Hairstylist |
| Art | 區永基 | Property Master |
| Sound | Sona Balam | Sound Re-Recording Mixer |
| Sound | 莫美華 | Sound Designer |
| Directing | Jeff Cheung Ka-Kit | Assistant Director |
| Art | Brian Lau Shui-Yin | Assistant Art Director |
| Sound | Man Keung Ngai | Boom Operator |
| Lighting | Kwong Ting-Fong | Best Boy Electric |
| Sound | Tony Cheng Yiu-Chung | Location Sound Recordist |
| Writing | Po Sang Sie | Story Consultant |
| Production | Ding Yuin-Shan | Production Supervisor |
| Visual Effects | Siu Lun Leung | Animation |
| Costume & Make-Up | 文潤鈴 | Makeup Artist |
| Editing | Elaine Chu Suk-Yee | Project Manager |
| Art | Kwok-On Lau | Property Master |
| Crew | Cathy Lau Wai-Fong | Post Production Assistant |
| Directing | Law Wing-Cheong | Assistant Director |
| Sound | Tommy Yu Ka-Luk | Foley Artist |
| Crew | Calmen Lui Lai-Wah | Post Production Consulting |
| Visual Effects | 馬文現 | Visual Effects Supervisor |
| Camera | Hirotake Okazaki | Still Photographer |
| Sound | Charles C.W. Chan | Music Editor |
| Directing | Andy Ma Kun Wai | Continuity |
| Crew | Lu Ching-Ting | Set Runner |
| Crew | 羅大佑 | Thanks |
| Directing | 陳偉雄 | Assistant Director |
| Art | Ko Kin-Wah | Property Master |
| Sound | 莫美華 | Sound Mixer |
| Editing | Simon Fung | Assistant Editor |
| Visual Effects | Pak Chung Kwan | Animation |
| Visual Effects | 林碧雯 | Visual Effects Coordinator |
| Crew | Ling Chun-Pong | Stunt Coordinator |
| Sound | Charlie Lo Pak-Yue | Sound Editor |
| Production | Jackson Ha Chak-Shun | Production Manager |
| Sound | Charlie Lo Pak-Yue | Sound Designer |
| Sound | 黃俊明 | Boom Operator |
| Camera | To Hung-Mo | Second Unit Director of Photography |
| Lighting | 胡國超 | Gaffer |
| Editing | Law Wing-Cheong | Editor |
| Art | Tony Yu | Art Direction |
| Production | Dennis Law | Executive Producer |
