De 17-jarige Texaanse tiener Billie Jean Davy is op zoek naar gerechtigheid. Enkele lokale jongens hebben de scooter van haar broer beschadigd en wanneer ze een schadevergoeding gaat vragen aan de vader van één van de jongens weigert deze te betalen. Al gauw wordt Billie Jean en haar strijd een legende, ook al wordt ze op de hielen gezeten door de lokale autoriteiten.
Nee, helaas is The Legend of Billie Jean nog niet beschikbaar op Netflix in Nederland.
| Directing | Matthew Robbins | Director |
| Production | Rob Cohen | Producer |
| Production | Paula Herold | Casting |
| Sound | Craig Safan | Original Music Composer |
| Production | Peter Guber | Executive Producer |
| Writing | Mark Rosenthal | Writer |
| Writing | Lawrence Konner | Writer |
| Editing | Cynthia Scheider | Editor |
| Camera | Jeffrey L. Kimball | Director of Photography |
| Art | Ted Haworth | Production Design |
| Production | Jon Peters | Executive Producer |
| Production | Lawrence Konner | Co-Producer |
| Production | Mark Rosenthal | Co-Producer |
| Directing | Mark Radcliffe | Second Assistant Director |
| Production | Tony Wade | Production Manager |
| Directing | Thomas J. Mack | First Assistant Director |
| Costume & Make-Up | Donna Linson | Costume Design |
| Sound | Jolene Cherry | Music Supervisor |
| Camera | Dennis J. Laine | Second Assistant Camera |
| Art | Steven Westlund | Property Master |
| Lighting | Kevin Kelley | Best Boy Electric |
| Sound | Diana Pellegrini | Foley Editor |
| Lighting | Stanley L. Gonsales | Electrician |
| Art | R. Chris Westlund | Set Decoration |
| Crew | Bobby Bass | Stunt Coordinator |
| Production | John Panzarella | Location Manager |
| Camera | J. Michael Popovich | Dolly Grip |
| Crew | Ken Pepiot | Special Effects Coordinator |
| Art | Cheryl Carasik | Leadman |
| Costume & Make-Up | Alan Friedman | Makeup Designer |
| Costume & Make-Up | Kim Samson | Hairstylist |
| Production | George Parra | Location Assistant |
| Production | Pat Orseth | Location Casting |
| Art | William J. Durrell Jr. | Set Designer |
| Sound | William Gocke | Boom Operator |
| Camera | Thomas Prophet Jr. | Key Grip |
| Costume & Make-Up | Lynn Del Kail | Hairstylist |
| Crew | Robin Forman | Post Production Supervisor |
| Sound | Marilyn McCoppen | Dialogue Editor |
| Camera | Larry Sweet | Grip |
| Sound | Charles M. Wilborn | Sound Mixer |
| Sound | Jay Boekelheide | Supervising Sound Editor |
| Directing | Louise Jaffe | Script Supervisor |
| Costume & Make-Up | Rosalie Wallace | Costumer |
| Crew | Michael Arbogast | Special Effects |
| Directing | J. Tom Archuleta | Second Second Assistant Director |
| Sound | John Nutt | Supervising Dialogue Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Camera | James R. Connell | Camera Operator |
| Costume & Make-Up | Alfred N. Martin Jr. | Costumer |
| Crew | Gary Hellerstein | Transportation Coordinator |
| Editing | David Dresher | Assistant Editor |
| Editing | Rick Derby | Assistant Editor |
| Sound | Ken Fischer | Sound Effects Editor |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Sound | Vivien Hillgrove Gilliam | ADR Editor |
| Art | William Maldonado | Construction Coordinator |
| Sound | Ken Johnson | Music Editor |
| Production | Sheila A. Warner | Production Coordinator |
| Camera | Kristin R. Glover | First Assistant Camera |
| Costume & Make-Up | Alan Friedman | Makeup Supervisor |
| Sound | Karen Spangenberg | ADR Editor |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Camera | Larry Barbier | Still Photographer |
| Directing | Rob Cohen | Second Unit Director |
| Lighting | Lee Phillips | Gaffer |
| Camera | Richard Walden | Camera Operator |
