De 17-jarige Texaanse tiener Billie Jean Davy is op zoek naar gerechtigheid. Enkele lokale jongens hebben de scooter van haar broer beschadigd en wanneer ze een schadevergoeding gaat vragen aan de vader van één van de jongens weigert deze te betalen. Al gauw wordt Billie Jean en haar strijd een legende, ook al wordt ze op de hielen gezeten door de lokale autoriteiten.
Nee, helaas is The Legend of Billie Jean nog niet beschikbaar op Netflix in Nederland.
| Directing | Matthew Robbins | Director |
| Production | Rob Cohen | Producer |
| Writing | Mark Rosenthal | Writer |
| Writing | Lawrence Konner | Writer |
| Sound | Craig Safan | Original Music Composer |
| Camera | Jeffrey L. Kimball | Director of Photography |
| Editing | Cynthia Scheider | Editor |
| Production | Paula Herold | Casting |
| Production | Peter Guber | Executive Producer |
| Production | Jon Peters | Executive Producer |
| Art | Ted Haworth | Production Design |
| Production | Lawrence Konner | Co-Producer |
| Production | Mark Rosenthal | Co-Producer |
| Production | Tony Wade | Production Manager |
| Directing | Thomas J. Mack | First Assistant Director |
| Directing | Mark Radcliffe | Second Assistant Director |
| Costume & Make-Up | Donna Linson | Costume Design |
| Sound | Jolene Cherry | Music Supervisor |
| Camera | James R. Connell | Camera Operator |
| Camera | Kristin R. Glover | First Assistant Camera |
| Camera | Dennis J. Laine | Second Assistant Camera |
| Lighting | Kevin Kelley | Best Boy Electric |
| Camera | Thomas Prophet Jr. | Key Grip |
| Camera | J. Michael Popovich | Dolly Grip |
| Camera | Larry Sweet | Grip |
| Lighting | Stanley L. Gonsales | Electrician |
| Art | William J. Durrell Jr. | Set Designer |
| Art | R. Chris Westlund | Set Decoration |
| Art | Cheryl Carasik | Leadman |
| Art | William Maldonado | Construction Coordinator |
| Sound | Charles M. Wilborn | Sound Mixer |
| Sound | William Gocke | Boom Operator |
| Sound | Jay Boekelheide | Supervising Sound Editor |
| Sound | Ken Johnson | Music Editor |
| Directing | Louise Jaffe | Script Supervisor |
| Costume & Make-Up | Alan Friedman | Makeup Designer |
| Costume & Make-Up | Alan Friedman | Makeup Supervisor |
| Costume & Make-Up | Lynn Del Kail | Hairstylist |
| Costume & Make-Up | Kim Samson | Hairstylist |
| Costume & Make-Up | Rosalie Wallace | Costumer |
| Costume & Make-Up | Alfred N. Martin Jr. | Costumer |
| Production | Sheila A. Warner | Production Coordinator |
| Art | Steven Westlund | Property Master |
| Crew | Ken Pepiot | Special Effects Coordinator |
| Crew | Michael Arbogast | Special Effects |
| Crew | Bobby Bass | Stunt Coordinator |
| Production | John Panzarella | Location Manager |
| Production | George Parra | Location Assistant |
| Directing | J. Tom Archuleta | Second Second Assistant Director |
| Production | Pat Orseth | Location Casting |
| Crew | Gary Hellerstein | Transportation Coordinator |
| Crew | Robin Forman | Post Production Supervisor |
| Editing | David Dresher | Assistant Editor |
| Editing | Rick Derby | Assistant Editor |
| Sound | John Nutt | Supervising Dialogue Editor |
| Sound | Marilyn McCoppen | Dialogue Editor |
| Sound | Vivien Hillgrove Gilliam | ADR Editor |
| Sound | Karen Spangenberg | ADR Editor |
| Sound | Ken Fischer | Sound Effects Editor |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Sound | Diana Pellegrini | Foley Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Directing | Rob Cohen | Second Unit Director |
| Camera | Larry Barbier | Still Photographer |
| Camera | Richard Walden | Camera Operator |
| Lighting | Lee Phillips | Gaffer |
