Tijdens de jaren '40 ging een team wetenschappers via een experiment terug naar de prehistorie. Maar het experiment liep niet zoals gepland en alles wat fout kon gaan, ging ook fout. Jaren later besluit een wetenschapper met een nieuw team terug te reizen naar de prehistorie om het oude team te redden. Maar als ze tijdens de terugreis per ongeluk een gigantische vleesetende dinosaurus mee terug nemen, beginnen de problemen pas echt.
Nee, helaas is 100 Million BC nog niet beschikbaar op Netflix in Nederland.
| Production | David Michael Latt | Producer |
| Directing | Griff Furst | Director |
| Camera | Alexander Yellen | Director of Photography |
| Sound | Ralph Rieckermann | Original Music Composer |
| Art | Brandon Kihl | Production Design |
| Writing | Paul Bales | Screenplay |
| Production | Jeff Cagle | Casting |
| Production | David Rimawi | Executive Producer |
| Editing | Nick Everhart | Editor |
| Editing | Mark Atkins | Editor |
| Visual Effects | Ross Otterman | Visual Effects Producer |
| Visual Effects | Allan Baxendale | Creature Design |
| Costume & Make-Up | Mim Carroll | Costume Design |
| Crew | Robin Petgrave | Aerial Coordinator |
| Costume & Make-Up | Tara Lang | Key Makeup Artist |
| Visual Effects | S. Kai Bovaird | Visual Effects Supervisor |
| Production | Erik Lynch | Production Assistant |
| Editing | Narbeh Tatoussian | Colorist |
| Editing | Bryan Snodgrass | EPK Editor |
| Crew | Gustavo A. Giron Sr. | Pilot |
| Editing | Kate Noonan | Assistant Editor |
| Crew | Robin Petgrave | Pilot |
| Camera | Nathaniel Magnuson | Still Photographer |
| Camera | Bryan Krass | Grip |
| Camera | Bianca Bahena | First Assistant Camera |
| Crew | Steve Goldenberg | Post Production Assistant |
| Lighting | Hinishi Tomonori | Best Boy Electric |
| Visual Effects | Scott Wheeler | Additional Visual Effects |
| Production | Jeff Cagle | Production Coordinator |
| Camera | Orlando Ordonez | Best Boy Grip |
| Visual Effects | Elliot Rudmann | Visual Effects Production Assistant |
| Editing | Ross H. Martin | Assistant Editor |
| Camera | James Hammond | Additional First Assistant Camera |
| Visual Effects | Andrew Lewitin | Visual Effects |
| Camera | Glenn Miller | Dolly Grip |
| Camera | Scott Wheeler | First Assistant Camera |
| Camera | Trenton McRae | Key Grip |
| Visual Effects | Ken Locsmandi | Visual Effects Supervisor |
| Camera | Marcus Kellum | Steadicam Operator |
| Camera | Christina N. Jin | Grip |
| Camera | Jihane Mrad Balaa | Second Assistant Camera |
| Lighting | Ben Demaree | Gaffer |
| Camera | Mark Atkins | Director of Photography |
| Crew | Yoshio Kohashi | Visual Effects Editor |
| Visual Effects | David Michael Latt | Additional Visual Effects |
| Visual Effects | Julie Taylor | Creature Design |
| Visual Effects | Miki Jelicic | Visual Effects Production Assistant |
| Visual Effects | Scott Mueller | Creature Design |
| Art | Robert Wesley Knight | Sculptor |
| Visual Effects | Robert Giddens | Creature Design |
| Visual Effects | Marcel Dejure | Creature Design |
| Visual Effects | Tony Buffa | Creature Design |
| Visual Effects | Neal Kennemore | Creature Design |
| Sound | Lisa Ries | Dialogue Editor |
| Sound | Brett Bach | Sound Supervisor |
| Directing | Nick Day | Second Assistant Director |
| Sound | Bali Bock | Boom Operator |
| Sound | Lisa Ries | Sound Mixer |
| Sound | Brett Bach | ADR Recordist |
| Art | James Vieira | Props |
| Crew | Karine Grigorian | Post Production Supervisor |
| Art | Nino Zagaroli | Property Master |
| Art | Joy Shulman | Set Dresser |
| Production | Paul Bales | Associate Producer |
| Production | Jeff Cagle | Unit Production Manager |
| Crew | Danny Maldonado | Post Production Supervisor |
| Sound | Brett Bach | Sound Designer |
| Directing | Xavier S. Puslowski | First Assistant Director |
| Sound | Bali Bock | Sound Mixer |
| Sound | Brett Bach | ADR Mixer |
| Production | Anthony Fankhauser | Line Producer |
