Op 21 december 2012 beginnen vier mensen (vreemden van elkaar), gedreven door geloof, aan een reis naar een oude tempel in het hart van Mexico. Voor de Maya indianen is deze dag de laatste vastgelegde dag.
Nee, helaas is 2012 Doomsday nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Tara Lang | Special Effects Makeup Artist |
| Editing | Kate Noonan | Editor |
| Writing | Naomi L. Selfman | Story |
| Sound | Brett Bach | Sound Editor |
| Sound | Bali Bock | Supervising Sound Editor |
| Crew | Bali Bock | Sound Recordist |
| Production | Vessela Bannzurkova | Production Manager |
| Visual Effects | Kevin Lane | VFX Artist |
| Sound | Bali Bock | Sound Re-Recording Mixer |
| Visual Effects | Andrew Harlow | VFX Artist |
| Sound | Ralph Rieckermann | Music Supervisor |
| Sound | Bali Bock | Sound Effects Editor |
| Writing | Nick Everhart | Writer |
| Editing | Nick Everhart | Editor |
| Sound | James Sinclair | Sound |
| Visual Effects | Tiny Juggernaut | Visual Effects |
| Crew | Rob Filson | Stunts |
| Crew | Danny Maldonado | Post Production Supervisor |
| Directing | Nick Everhart | Director |
| Art | Brandon Kihl | Production Design |
| Visual Effects | Brenda Finster | Visual Effects Coordinator |
| Sound | Ralph Rieckermann | Music |
| Art | Hennie Goddard | Construction Coordinator |
| Visual Effects | David Jones | Visual Effects Producer |
| Visual Effects | Scott Wheeler | Visual Effects Supervisor |
| Camera | Mark Atkins | Director of Photography |
| Crew | Xavier S. Puslowski | Stunt Double |
| Visual Effects | Davey Jones | Visual Effects Producer |
| Sound | Bali Bock | ADR Recordist |
| Sound | Brett Bach | Sound Mixer |
| Crew | Daniel Maldonado | Post Production Supervisor |
| Sound | Bali Bock | Sound Supervisor |
| Sound | Bali Bock | Sound Designer |
| Editing | Ross Martin | Assistant Editor |
| Editing | Ryan Snodgrass | EPK Editor |
| Editing | Nick Everhart | EPK Editor |
| Sound | Brett Bach | ADR Recordist |
| Sound | Brett Bach | ADR Mixer |
| Editing | Daniel Maldonado | Assistant Editor |
| Sound | Bali Bock | ADR Mixer |
| Sound | Brett Bach | Dialogue Editor |
| Writing | Brian Brinkman | Script Consultant |
| Crew | Jose Magana | Thanks |
| Crew | Ross Edgar | Thanks |
| Crew | Karine Grigorian | Thanks |
| Crew | Mark Atkins | Thanks |
| Directing | Justin Jones | First Assistant Director |
| Camera | William Posley | Dolly Grip |
| Costume & Make-Up | Deanna Soria | Wardrobe Assistant |
| Camera | Alex Konowitz | Grip |
| Camera | Bryan Krass | Dolly Grip |
| Camera | Nat Magnuson | Still Photographer |
| Camera | Bianca Bahena | First Assistant Camera |
| Camera | Alex Hamilton | Key Grip |
| Camera | Scott Wheeler | First Assistant Camera |
| Directing | Xavier S. Puslowski | Second Assistant Director |
| Production | Brandon McCullum | Production Assistant |
| Production | Nicholas Day | Production Coordinator |
| Camera | Steve Goldenberg | Second Assistant Camera |
| Camera | Marcus Kellum | Steadicam Operator |
| Camera | Steve Goldenberg | Grip |
| Production | Lara Solomon | Production Assistant |
| Production | Kenneth Thompson | Production Assistant |
| Camera | Bryan Krass | Second Assistant Camera |
| Lighting | Cody Boesen | Gaffer |
| Crew | Rob Filson | Stunt Driver |
| Crew | Trenton McRae | Stunt Driver |
| Crew | Bryan Krass | Stunt Driver |
| Production | David Michael Latt | Producer |
| Production | David Rimawi | Executive Producer |
| Production | Paul Bales | Associate Producer |
| Production | Matthew Bolton | Line Producer |
| Visual Effects | Glenn Campbell | VFX Artist |
