Op 21 december 2012 beginnen vier mensen (vreemden van elkaar), gedreven door geloof, aan een reis naar een oude tempel in het hart van Mexico. Voor de Maya indianen is deze dag de laatste vastgelegde dag.
Nee, helaas is 2012 Doomsday nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Tara Lang | Special Effects Makeup Artist |
| Crew | Danny Maldonado | Post Production Supervisor |
| Production | Vessela Bannzurkova | Production Manager |
| Visual Effects | Kevin Lane | VFX Artist |
| Sound | Ralph Rieckermann | Music Supervisor |
| Sound | Ralph Rieckermann | Music |
| Art | Hennie Goddard | Construction Coordinator |
| Sound | Bali Bock | Supervising Sound Editor |
| Sound | James Sinclair | Sound |
| Visual Effects | Tiny Juggernaut | Visual Effects |
| Writing | Naomi L. Selfman | Story |
| Crew | Bali Bock | Sound Recordist |
| Visual Effects | Brenda Finster | Visual Effects Coordinator |
| Writing | Nick Everhart | Writer |
| Editing | Nick Everhart | Editor |
| Sound | Bali Bock | Sound Effects Editor |
| Directing | Nick Everhart | Director |
| Art | Brandon Kihl | Production Design |
| Sound | Brett Bach | Sound Editor |
| Sound | Bali Bock | Sound Re-Recording Mixer |
| Visual Effects | Andrew Harlow | VFX Artist |
| Crew | Rob Filson | Stunts |
| Editing | Kate Noonan | Editor |
| Visual Effects | David Jones | Visual Effects Producer |
| Visual Effects | Scott Wheeler | Visual Effects Supervisor |
| Camera | Mark Atkins | Director of Photography |
| Crew | Xavier S. Puslowski | Stunt Double |
| Sound | Bali Bock | ADR Mixer |
| Crew | Daniel Maldonado | Post Production Supervisor |
| Editing | Ross Martin | Assistant Editor |
| Sound | Bali Bock | Sound Supervisor |
| Sound | Bali Bock | ADR Recordist |
| Editing | Nick Everhart | EPK Editor |
| Editing | Ryan Snodgrass | EPK Editor |
| Sound | Brett Bach | ADR Recordist |
| Editing | Daniel Maldonado | Assistant Editor |
| Sound | Brett Bach | Dialogue Editor |
| Sound | Bali Bock | Sound Designer |
| Sound | Brett Bach | ADR Mixer |
| Crew | Jose Magana | Thanks |
| Visual Effects | Davey Jones | Visual Effects Producer |
| Sound | Brett Bach | Sound Mixer |
| Crew | Ross Edgar | Thanks |
| Crew | Karine Grigorian | Thanks |
| Writing | Brian Brinkman | Script Consultant |
| Crew | Mark Atkins | Thanks |
| Directing | Justin Jones | First Assistant Director |
| Camera | Steve Goldenberg | Grip |
| Camera | Nat Magnuson | Still Photographer |
| Directing | Xavier S. Puslowski | Second Assistant Director |
| Production | Nicholas Day | Production Coordinator |
| Production | Brandon McCullum | Production Assistant |
| Camera | Bryan Krass | Second Assistant Camera |
| Camera | Steve Goldenberg | Second Assistant Camera |
| Camera | Alex Konowitz | Grip |
| Camera | William Posley | Dolly Grip |
| Camera | Scott Wheeler | First Assistant Camera |
| Camera | Bianca Bahena | First Assistant Camera |
| Camera | Marcus Kellum | Steadicam Operator |
| Camera | Alex Hamilton | Key Grip |
| Camera | Mark Atkins | Director of Photography |
| Camera | Bryan Krass | Dolly Grip |
| Lighting | Cody Boesen | Gaffer |
| Costume & Make-Up | Deanna Soria | Wardrobe Assistant |
| Production | Lara Solomon | Production Assistant |
| Production | Kenneth Thompson | Production Assistant |
| Crew | Trenton McRae | Stunt Driver |
| Crew | Rob Filson | Stunt Driver |
| Production | David Michael Latt | Producer |
| Crew | Bryan Krass | Stunt Driver |
| Production | Paul Bales | Associate Producer |
| Production | David Rimawi | Executive Producer |
| Production | Matthew Bolton | Line Producer |
