Mississippi 1964. Drie mensenrechtenactivisten worden op gruwelijke wijze vermoord. Reden genoeg voor onderzoek. Twee FBI agenten, de jonge Ward en de wat oudere, doorgewinterde Anderson, merken al snel dat ze niet welkom zijn in het stadje.
Nee, helaas is Mississippi Burning nog niet beschikbaar op Netflix in Nederland.
| Directing | Alan Parker | Director |
| Writing | Chris Gerolmo | Screenplay |
| Sound | Trevor Jones | Original Music Composer |
| Camera | Peter Biziou | Director of Photography |
| Directing | Aldric La'Auli Porter | First Assistant Director |
| Directing | Brenda Kalosh | Second Assistant Director |
| Camera | Mike Roberts | Camera Operator |
| Sound | Danny Michael | Sound Recordist |
| Production | Judith Lyn Brown | Production Coordinator |
| Camera | Eamonn O'Keeffe | First Assistant Camera |
| Art | Ron Stone | Property Master |
| Art | Gretchen Rau | Assistant Set Decoration |
| Art | David Brace | Leadman |
| Art | James C. Feng | Assistant Art Director |
| Art | Steve Arnold | Assistant Art Director |
| Art | John Bromell | Set Dresser |
| Art | Stewart 'Polar Bear' Shaw | Set Dresser |
| Sound | Anthony Starbuck | Boom Operator |
| Directing | Carol D. Bonnefil | Second Second Assistant Director |
| Editing | Glenn Cunningham | First Assistant Editor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Bill Phillips | Supervising Sound Editor |
| Sound | Hal Sanders | Sound Editor |
| Sound | Bruce Lacey | Sound Editor |
| Sound | John Phillips | Sound Editor |
| Sound | David Grannis | Assistant Sound Editor |
| Camera | Les Percy | Key Grip |
| Camera | Mike Moad | Dolly Grip |
| Costume & Make-Up | Cynthia L. Hamilton | Assistant Costume Designer |
| Crew | Roger Dietz | Scenic Artist |
| Art | E.W. Bradford | Construction Coordinator |
| Art | Jerry G. Henery | Construction Foreman |
| Crew | Jerry Jackson | Transportation Coordinator |
| Crew | Rick Davis | Transportation Captain |
| Editing | Gary Burritt | Negative Cutter |
| Crew | Richard E. Butler | Stunts |
| Costume & Make-Up | Ellen Lutter | Costume Supervisor |
| Production | Robert F. Colesberry | Producer |
| Production | Frederick Zollo | Producer |
| Editing | Gerry Hambling | Editor |
| Production | Howard Feuer | Casting |
| Production | Juliet Taylor | Casting |
| Costume & Make-Up | Paul LeBlanc | Hair Designer |
| Art | Philip Harrison | Production Design |
| Art | Geoffrey Kirkland | Production Design |
| Art | John Willett | Art Direction |
| Art | Jim Erickson | Set Decoration |
| Costume & Make-Up | Aude Bronson-Howard | Costume Design |
| Costume & Make-Up | David Forrest | Makeup Designer |
| Production | Tom Razzano | Unit Production Manager |
| Crew | Stan Parks | Special Effects Coordinator |
| Crew | John Robotham | Stunt Coordinator |
| Crew | Steve Kelso | Stunts |
| Editing | Mayin Lo | Assistant Editor |
| Sound | Paul Hulme | Sound Engineer |
| Crew | Maida N. Morgan | Thanks |
| Crew | Nicholas Paleologos | Thanks |
| Directing | Robin Squibb | Script Supervisor |
| Crew | David Linck | Unit Publicist |
| Sound | Pieter Hubbard | Sound Editor |
| Camera | Bob Leitelt | Grip |
| Lighting | Dennis J. Lootens | Electrician |
| Lighting | Willie Mann | Best Boy Electric |
| Costume & Make-Up | Helen P. Butler | Costume Supervisor |
| Camera | David Appleby | Still Photographer |
| Crew | Kym Washington Longino | Stunts |
