Mississippi 1964. Drie mensenrechtenactivisten worden op gruwelijke wijze vermoord. Reden genoeg voor onderzoek. Twee FBI agenten, de jonge Ward en de wat oudere, doorgewinterde Anderson, merken al snel dat ze niet welkom zijn in het stadje.
Nee, helaas is Mississippi Burning nog niet beschikbaar op Netflix in Nederland.
| Directing | Alan Parker | Director |
| Writing | Chris Gerolmo | Screenplay |
| Sound | Trevor Jones | Original Music Composer |
| Camera | Peter Biziou | Director of Photography |
| Directing | Brenda Kalosh | Second Assistant Director |
| Directing | Aldric La'Auli Porter | First Assistant Director |
| Sound | Danny Michael | Sound Recordist |
| Crew | Roger Dietz | Scenic Artist |
| Art | E.W. Bradford | Construction Coordinator |
| Art | David Brace | Leadman |
| Art | James C. Feng | Assistant Art Director |
| Art | Polar Bear Shaw | Set Dresser |
| Sound | Anthony Starbuck | Boom Operator |
| Art | Steve Arnold | Assistant Art Director |
| Art | John Bromell | Set Dresser |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Art | Jerry G. Henery | Construction Foreman |
| Camera | Mike Roberts | Camera Operator |
| Camera | Eamonn O'Keeffe | First Assistant Camera |
| Art | Ron Stone | Property Master |
| Art | Gretchen Rau | Assistant Set Decoration |
| Production | Barbara Harris | ADR Voice Casting |
| Directing | Carol D. Bonnefil | Second Second Assistant Director |
| Editing | Glenn Cunningham | First Assistant Editor |
| Costume & Make-Up | Cynthia L. Hamilton | Assistant Costume Designer |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Production | Judith Lyn Brown | Production Coordinator |
| Camera | Les Percy | Key Grip |
| Crew | Rick Davis | Transportation Captain |
| Sound | Bill Phillips | Supervising Sound Editor |
| Sound | Hal Sanders | Sound Editor |
| Sound | Bruce Lacey | Sound Editor |
| Sound | David Grannis | Assistant Sound Editor |
| Sound | John Phillips | Sound Editor |
| Camera | Mike Moad | Dolly Grip |
| Editing | Gary Burritt | Negative Cutter |
| Crew | Jerry Jackson | Transportation Coordinator |
| Crew | Richard E. Butler | Stunts |
| Costume & Make-Up | Ellen Lutter | Costume Supervisor |
| Production | Robert F. Colesberry | Producer |
| Editing | Gerry Hambling | Editor |
| Costume & Make-Up | Paul LeBlanc | Hair Designer |
| Art | Philip Harrison | Production Design |
| Editing | Mayin Lo | Assistant Editor |
| Sound | Paul Hulme | Sound Engineer |
| Art | John Willett | Art Direction |
| Production | Tom Razzano | Unit Production Manager |
| Production | Howard Feuer | Casting |
| Production | Juliet Taylor | Casting |
| Crew | John Robotham | Stunt Coordinator |
| Art | Geoffrey Kirkland | Production Design |
| Costume & Make-Up | David Forrest | Makeup Designer |
| Art | Jim Erickson | Set Decoration |
| Crew | Maida N. Morgan | Thanks |
| Costume & Make-Up | Aude Bronson-Howard | Costume Design |
| Production | Frederick Zollo | Producer |
| Crew | Stan Parks | Special Effects Coordinator |
| Crew | Steve Kelso | Stunts |
| Crew | David Linck | Unit Publicist |
| Directing | Robin Squibb | Script Supervisor |
| Camera | Bob Leitelt | Grip |
| Lighting | Dennis J. Lootens | Electrician |
| Crew | Nicholas Paleologos | Thanks |
| Lighting | Willie Mann | Best Boy Electric |
| Sound | Pieter Hubbard | Sound Editor |
| Costume & Make-Up | Helen P. Butler | Costume Supervisor |
| Camera | David Appleby | Still Photographer |
