De veelbelovende CIA-rekruut James Clayton wordt na een zware opleiding door mentor Walter Burke gevraagd een spion op te sporen
Nee, helaas is The Recruit nog niet beschikbaar op Netflix in Nederland.
Production | Roger Birnbaum | Producer |
Production | Jeff Apple | Producer |
Directing | Roger Donaldson | Director |
Production | Gary Barber | Producer |
Camera | Stuart Dryburgh | Director of Photography |
Editing | David Rosenbloom | Editor |
Crew | Monique Ganderton | Stunt Double |
Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
Production | Marcia Ross | Casting |
Production | Robin D. Cook | Casting |
Sound | Klaus Badelt | Music |
Production | Jonathan Glickman | Executive Producer |
Art | Andrew McAlpine | Production Design |
Writing | Mitch Glazer | Writer |
Writing | Roger Towne | Writer |
Writing | Kurt Wimmer | Writer |
Production | Ric Kidney | Executive Producer |
Art | Arlindo Vicente | Leadman |
Production | Lori Greenberg | Assistant Production Manager |
Crew | Michael Russo | Stunt Coordinator |
Art | Dennis Davenport | Art Direction |
Costume & Make-Up | Linda Petty | Costume Supervisor |
Directing | Jeff J.J. Authors | First Assistant Director |
Art | Peter Nicolakakos | Set Decoration |
Crew | Alan Zielonko | Cableman |
Crew | Cara Fay | Post Production Supervisor |
Production | Megan Wolpert | Co-Producer |
Costume & Make-Up | John Caglione Jr. | Makeup Artist |
Writing | Rob McCallum | Storyboard |
Camera | Gilles Corbeil | Camera Operator |
Camera | Andy Chmura | Camera Operator |
Editing | Dawn M. Stoliar | First Assistant Editor |
Sound | David E. Fluhr | Sound Re-Recording Mixer |
Editing | Gregory Plotkin | First Assistant Editor |
Editing | Richmond Riedel | First Assistant Editor |
Costume & Make-Up | Angel De Angelis | Hairstylist |
Sound | Alex Gibson | Music Editor |
Sound | Tom Bellfort | Supervising Sound Editor |
Sound | David C. Hughes | Sound Effects Editor |
Sound | Christian P. Minkler | Sound Re-Recording Mixer |
Lighting | Bob Rodgers | Rigging Gaffer |
Directing | Samantha Armstrong | Script Supervisor |
Lighting | Scotty Allan | Chief Lighting Technician |
Directing | Penny Charter | Second Assistant Director |
Sound | Christopher Brooks | Music Editor |
Lighting | Ronald Gauvin | Rigging Grip |
Costume & Make-Up | Jennifer Bower O'Halloran | Key Hair Stylist |
Production | Fred Kamping | Location Manager |
Art | Deryck Blake | Property Master |
Crew | Steve Lucescu | Stunt Coordinator |
Sound | Douglas Ganton | Production Sound Mixer |
Sound | Gwendolyn Yates Whittle | ADR Supervisor |
Lighting | Gary Deneault | Best Boy Electric |
Writing | Ron Hobbs | Storyboard |
Production | Jason Bogard | Production Accountant |
Production | Mathew Hart | Unit Production Manager |
Art | Neil Morfitt | Assistant Art Director |
Art | John Subotich | Leadman |
Costume & Make-Up | Sylvain Cournoyer | Key Makeup Artist |
Crew | Kaz Kobielski | Special Effects Coordinator |
Art | Gordon White | Set Designer |
Sound | Reynald Trudel | Boom Operator |
Production | Vair Macphee | Production Coordinator |
Sound | Erich Stratmann | Sound Effects Editor |
Sound | Tom Bellfort | ADR Editor |
Art | Joe Curtin | Construction Coordinator |
Camera | Gilles Corbeil | Steadicam Operator |
Production | Nicole Hilliard-Forde | Casting Associate |
Camera | Kerry Hayes | Still Photographer |
Sound | Klaus Badelt | Orchestrator |
Production | Kate Lacey | Casting Associate |
Sound | Robert Elhai | Orchestrator |
Crew | Stuart Mitchell | Transportation Captain |
Crew | Karen Tyrell | Unit Publicist |
Editing | Dale E. Grahn | Color Timer |
Crew | Dave Staples | Transportation Coordinator |
Editing | Mary Beth Smith | Negative Cutter |
Sound | Blake Neely | Orchestrator |
Crew | Shelley Cook | Stunt Double |
Sound | Michael Silvers | Dialogue Editor |