CIA-analist Jack Ryan beschikt over foto's van de Red October, een Russische atoom-onderzeeër die twaalf meter langer en drie meter breder is dal alle andere duikboten. Erger is, dat de Red October aangedreven wordt door een zogenaamde 'stille' motor, waardoor de onderzeeër niet door de sonar van de Amerikanen kan waargenomen worden en zo vrijuit verscheidene Amerikaanse steden met de grond gelijk kan maken.
Nee, helaas is The Hunt for Red October nog niet beschikbaar op Netflix in Nederland.
| Sound | Basil Poledouris | Original Music Composer |
| Production | Mace Neufeld | Producer |
| Camera | Jan de Bont | Director of Photography |
| Production | Jerry Sherlock | Executive Producer |
| Production | Amanda Mackey | Casting |
| Art | William Cruse | Art Direction |
| Writing | Larry Ferguson | Screenplay |
| Editing | John Wright | Editor |
| Directing | John McTiernan | Director |
| Editing | Dennis Virkler | Editor |
| Writing | Donald E. Stewart | Screenplay |
| Production | Larry DeWaay | Executive Producer |
| Writing | Tom Clancy | Novel |
| Costume & Make-Up | Jim Kail | Makeup Artist |
| Art | Willard Livingston | Property Master |
| Sound | Douglas Greenfield | Dolby Consultant |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Art | William F. Reinert | Leadman |
| Sound | Greg Curda | Foley Mixer |
| Art | Steve Fegley | Construction Foreman |
| Crew | Debbie Jo Grillo | Cableman |
| Costume & Make-Up | Dino Ganziano | Hairstylist |
| Art | Tommy Tomlinson | Property Master |
| Sound | Anne Couk | Assistant Sound Editor |
| Costume & Make-Up | James W. Tyson | Wardrobe Supervisor |
| Directing | Beau Marks | Second Unit Director |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Production | Jimmy Jue | Extras Casting |
| Production | Joel Marx | Production Supervisor |
| Directing | J. Tom Archuleta | Second Unit First Assistant Director |
| Sound | Bob Baron | ADR Mixer |
| Sound | Bruce Fortune | Sound Editor |
| Sound | Victoria Martin | Foley Editor |
| Production | Beau Marks | Unit Production Manager |
| Sound | Cecelia Hall | Supervising Sound Editor |
| Costume & Make-Up | Wes Dawn | Makeup Artist |
| Directing | Steve Danton | Second Assistant Director |
| Sound | Pamela Bentkowski | Foley Supervisor |
| Art | Isidoro Raponi | Property Master |
| Sound | F. Hudson Miller | Sound Editor |
| Directing | Jerry Ballew | First Assistant Director |
| Directing | Todd Turner | Second Unit Director |
| Sound | John Benson | Sound Editor |
| Crew | Mike Sasgen | Carpenter |
| Sound | John P. Fasal | Sound Effects |
| Sound | David Lee Fein | Foley Artist |
| Sound | Shelley Rae Hinton | ADR Editor |
| Art | Mickey S. Michaels | Set Decoration |
| Sound | Jay Kamen | ADR Editor |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Sound | Frank Howard | Sound Editor |
| Sound | Ken Dufva | Foley Artist |
| Crew | Al Di Sarro | Special Effects Coordinator |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | Joe A. Hawthorne | Graphic Designer |
| Sound | Donald Ortiz | Assistant Sound Editor |
| Sound | Richard Bryce Goodman | Production Sound Mixer |
| Visual Effects | Scott E. Anderson | CG Artist |
| Visual Effects | Robert L. Clark | CG Painter |
| Visual Effects | Michael Backauskas | Visual Effects Lineup |
| Crew | Shane Dixon | Stunts |
| Crew | Steve Hulin | Stunts |
| Camera | David Canestro | Second Company Grip |
| Crew | William Aldridge | Special Effects Assistant |
| Sound | Tom Villano | Music Editor |
| Camera | Roger Gebhard | Camera Operator |
| Camera | Bruce McBroom | Still Photographer |
| Editing | Michael Ruscio | Assistant Editor |
| Costume & Make-Up | Darryl M. Athons | Costumer |
| Visual Effects | Tom Bertino | Rotoscoping Artist |
| Art | Ron Gress | Painter |
| Camera | Larry J. Aube | First Company Grip |
| Crew | Mike Fenster | Transportation Captain |
| Crew | Manuel S. Epstein | Special Effects Assistant |
| Visual Effects | Steve Williams | CG Artist |
| Crew | Michael Forte | Driver |
| Visual Effects | Tim August | Visual Effects Production Assistant |
| Crew | Gary Epper | Stunts |
| Sound | Greig McRitchie | Orchestrator |
| Camera | Michael J. Coo | Dolly Grip |
| Crew | Myra Hill | Transportation Coordinator |
| Costume & Make-Up | Gary Sampson | Costumer |
| Crew | Monty Cox | Stunts |
| Editing | Tom Shaffer | Color Timer |
| Production | Stuart Neumann | Location Manager |
| Directing | Luca Kouimelis | Script Supervisor |
| Crew | Steve Beck | Visual Effects Art Director |
| Visual Effects | Mark Yuricich | Modeling |
| Crew | Carl Ciarfalio | Stunts |
| Editing | Marcelo Sansevieri | Assistant Editor |
| Crew | David Bartholomew | Visual Effects Editor |
| Crew | Jan Aaris | Special Effects Assistant |
| Lighting | Ed Ayer | Lighting Technician |
| Camera | Alexander Witt | Second Unit Director of Photography |
| Production | Joel Marx | Location Manager |
| Crew | James Camomile | Special Effects Assistant |
| Editing | John Haggar | Assistant Editor |
| Visual Effects | Kathleen Beeler | Rotoscoping Artist |
| Crew | Ronnie Rondell Jr. | Stunts |
| Crew | Chuck Picerni Jr. | Stunt Coordinator |
| Sound | George Watters II | Supervising Sound Editor |
| Art | Terence Marsh | Production Design |
| Art | Dianne Wager | Art Direction |
| Visual Effects | Scott Squires | Visual Effects Supervisor |
| Art | Donald B. Woodruff | Art Direction |
| Visual Effects | John Knoll | Visual Effects Supervisor |
