1950, Brooklyn. Een jonge vrouw, Eilis, is verhuisd vanuit een klein dorp in Ierland naar Brooklyn om te werken en carrière te maken. Daar wordt ze verliefd op de Italiaans-Amerikaanse Tony.
Nee, helaas is Brooklyn nog niet beschikbaar op Netflix in Nederland.
| Art | Suzanne Cloutier | Set Decoration |
| Directing | John Crowley | Director |
| Production | Nicole Hilaréguy | Line Producer |
| Production | Amanda Posey | Producer |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Production | Fiona Weir | Casting |
| Writing | Nick Hornby | Screenplay |
| Art | Tania Bijlani | Production Design |
| Production | Finola Dwyer | Producer |
| Production | Marie-Claude Poulin | Co-Producer |
| Production | Pierre Even | Co-Producer |
| Writing | Colm Tóibín | Novel |
| Editing | Jake Roberts | Editor |
| Production | Liam Kiernan | Assistant Location Manager |
| Production | Patrick O'Donoghue | Line Producer |
| Production | Alan Moloney | Executive Producer |
| Production | Susan Mullen | Co-Producer |
| Production | Caroline Levy | Line Producer |
| Production | Thorsten Schumacher | Executive Producer |
| Production | Zygi Kamasa | Executive Producer |
| Art | Irene O'Brien | Art Direction |
| Art | Jenny Oman | Set Decoration |
| Art | Christine Fitzgerald | Assistant Art Director |
| Sound | Mark Heslop | Sound Effects Editor |
| Visual Effects | Gillian Mackie | Visual Effects Coordinator |
| Costume & Make-Up | Niamh O'Loan | Makeup Artist |
| Visual Effects | Gary Brown | VFX Supervisor |
| Sound | Glenn Freemantle | Sound Designer |
| Sound | Ian Tapp | Sound Re-Recording Mixer |
| Costume & Make-Up | Michelle Côté | Key Hair Stylist |
| Costume & Make-Up | R. Cory McCutcheon | Key Hair Stylist |
| Visual Effects | Ciara Gillan | Visual Effects Producer |
| Lighting | James McGuire | Gaffer |
| Camera | Daniel Bishop | Steadicam Operator |
| Costume & Make-Up | Vanessa Porter | Assistant Costume Designer |
| Production | Alice Searby | Casting Associate |
| Costume & Make-Up | Ellen Crawshaw | Assistant Costume Designer |
| Sound | Dillon Bennett | Sound Effects Editor |
| Visual Effects | Andy Clarke | Visual Effects Supervisor |
| Directing | Rowena Ladbury | Script Supervisor |
| Sound | Yann McCullough | Music Editor |
| Costume & Make-Up | Christopher Fulton | Hair Department Head |
| Lighting | Eames Gagnon | Gaffer |
| Camera | Kerry Brown | Still Photographer |
| Sound | Kle Savidge | Music Supervisor |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Sound | Gillian Dodders | ADR & Dubbing |
| Art | Robert Parle | Art Direction |
| Camera | Nicolas Marion | First Assistant Camera |
| Sound | Adam Scrivener | Sound Re-Recording Mixer |
| Costume & Make-Up | Ivy Ermert | Makeup Department Head |
| Costume & Make-Up | Marlène Rouleau | Makeup Artist |
| Sound | Jack Stew | Foley |
| Editing | Steve Owen | Digital Intermediate |
| Editing | Lea Morement | First Assistant Editor |
| Editing | Justin Lanchbury | Digital Intermediate |
| Editing | Michelle Cort | Digital Intermediate |
| Crew | Pierre L'Heureux | Special Effects |
| Sound | Michael Brook | Original Music Composer |
| Production | Lindsay Feldman | Production Manager |
| Crew | Polly Duval | Post Production Supervisor |
| Production | Patrick Legault | Unit Manager |
| Crew | Réal Hamel | Picture Car Coordinator |
| Crew | Jonathan Rutter | Unit Publicist |
| Crew | Dustin Hoffman | Thanks |
| Art | François Séguin | Production Design |
| Camera | Yves Bélanger | Director of Photography |
| Production | Christine Langan | Executive Producer |
| Directing | Charlie Watson | First Assistant Director |
| Production | Louise O'Malley | Controller |
| Production | Beth Pattinson | Executive Producer |
| Production | Hussain Amarshi | Executive Producer |
| Costume & Make-Up | Morna Ferguson | Makeup Designer |
| Costume & Make-Up | Lorraine Glynn | Hair Designer |
| Sound | Ian Morgan | Dialogue Editor |
| Sound | Gillian Dodders | Dialogue Editor |
| Crew | Roger Donaldson | Thanks |
| Art | Louise Tremblay | Set Decoration |
