Het is 2003, Cale is aangesteld als nieuwe directrice van CHAANK, een controversiële wapenfabriek. Al gauw ontdekt ze dat één van de werknemers, Jack Dante, in het geheim werkt aan een moordmachine. Als er uiteindelijk een collega versnippert terug gevonden wordt, zet ze alles op alles om Dante tegen te houden...
Nee, helaas is Death Machine nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Stephanie Collie | Costume Design |
| Production | Dominic Anciano | Producer |
| Sound | Crispin Merrell | Music |
| Production | Beth Charkham | Casting |
| Writing | Stephen Norrington | Writer |
| Directing | Stephen Norrington | Director |
| Production | Jim Beach | Executive Producer |
| Art | Chris Edwards | Production Design |
| Costume & Make-Up | Dave Elsey | Special Effects Makeup Artist |
| Editing | Sylvia Wheeler | Negative Cutter |
| Visual Effects | Peter Hutchinson | Special Effects Supervisor |
| Editing | Clive Noakes | Color Grading |
| Editing | John Sellars | Colorist |
| Crew | Graham Riddell | Animatronics Designer |
| Camera | Roger Bonnici | Second Unit Director of Photography |
| Editing | Paul Endacott | Editor |
| Crew | Graham Aikman | Pyrotechnician |
| Directing | Kieron Phipps | First Assistant Director |
| Costume & Make-Up | Lisa Boni | Makeup Artist |
| Editing | Jason Wheeler | Negative Cutter |
| Art | Tim Youngman | Property Master |
| Art | Richard Van Den Bergh | Set Dresser |
| Costume & Make-Up | Alan Hedgcock | Makeup Effects Designer |
| Directing | Oscar Beuselinck | Second Assistant Director |
| Art | Sue Whitaker | Art Direction |
| Costume & Make-Up | Chris Cunningham | Tattoo Designer |
| Sound | Colin Codner | Boom Operator |
| Sound | Jenny Lee Wright | Foley Artist |
| Sound | Otto Snel | Sound Re-Recording Mixer |
| Sound | Patrick M. Griffith | Supervising Sound Editor |
| Camera | Ron Turowski | Assistant Camera |
| Sound | Kevin Tayler | Sound Re-Recording Mixer |
| Crew | Stephen Hutchinson | Special Effects Technician |
| Production | David Kerney | Production Accountant |
| Sound | Michael A. Carter | Sound Re-Recording Mixer |
| Camera | Tony Haynes | Clapper Loader |
| Camera | Lisa Lloyd | Clapper Loader |
| Camera | Jasper Fforde | Focus Puller |
| Sound | Chris Kelly | Foley Editor |
| Sound | Peter Lacey | ADR Mixer |
| Sound | Pauline Griffiths | Foley Artist |
| Sound | Nainita Desai | Sound Designer |
| Sound | Mike Wood | Sound Editor |
| Production | Joyce Turner | Production Coordinator |
| Production | Anna Lisa Seccombe | Assistant Production Coordinator |
| Sound | Rudi Buckle | Production Sound Mixer |
| Camera | Michael Metcalfe | Camera Operator |
| Camera | John de Borman | Camera Operator |
| Directing | Elizabeth West | Script Supervisor |
| Camera | John Ward | Steadicam Operator |
| Crew | Stuart St. Paul | Stunt Coordinator |
| Visual Effects | Sally Goldberg | Animation |
| Camera | John de Borman | Director of Photography |
| Sound | Mark Allen | Sound Designer |
