Wanneer Jules en Mel na een vakantie op de luchthaven zijn aangekomen stappen ze ’s-avonds laat, drijfnat, in de ‘shuttle bus’ van de luchthaven. Maar wat begint als een kort ritje naar huis, eindigt in een omweg met een aantal angstaanjagende gebeurtenissen waarbij Jules, Mel en de rest van de passagiers voor hun leven moeten vechten. Uiteindelijk ontdekt Mel de ware bedoelingen van de chauffeur en moet ze al haar verstand gebruiken om zichzelf zien te redden.
Nee, helaas is Shuttle nog niet beschikbaar op Netflix in Nederland.
| Directing | Edward Anderson | Director |
| Writing | Edward Anderson | Writer |
| Camera | Beth Anderson | Second Assistant Camera |
| Directing | Allan Rafael | Second Assistant Director |
| Production | Benjamin C. Dewey | Line Producer |
| Directing | Jonathan Southard | First Assistant Director |
| Editing | William Yeh | Editor |
| Production | Stephen Margolis | Executive Producer |
| Production | Miriam Marcus | Co-Producer |
| Production | Albert Martínez Martín | Co-Producer |
| Production | J. Todd Harris | Executive Producer |
| Production | Anne McCarthy | Casting |
| Production | Jay Scully | Casting |
| Production | Mark Donadio | Producer |
| Art | Roger Danchik | Production Design |
| Sound | Henning Lohner | Music |
| Production | Mark Williams | Producer |
| Production | Michael A. Pierce | Producer |
| Costume & Make-Up | Virginia B. Johnson | Costume Design |
| Production | Allan Jones | Producer |
| Production | Todd Lemley | Producer |
| Crew | Caroline Vexler | Stunt Double |
| Camera | Michael Fimognari | Director of Photography |
| Art | Krista Gall | Set Dresser |
| Art | John F. O'Neil | Property Master |
| Art | Dave Major | Assistant Property Master |
| Art | Deborah Kehs | Set Dresser |
| Art | Matt Harrington | Set Dresser |
| Costume & Make-Up | Elizabeth Clifford | Wardrobe Supervisor |
| Lighting | Aaron Tyburski | Electrician |
| Sound | Steven Parker | Sound Re-Recording Mixer |
| Costume & Make-Up | Sherryn Smith | Key Makeup Artist |
| Art | Katrina Parsons | Art Department Coordinator |
| Art | Janine Moore | Set Dresser |
| Sound | Nigel Mills | Sound Designer |
| Production | Maura Tighe | Local Casting |
| Sound | Richard Kondal | Foley Editor |
| Lighting | Joshua Barnatt | Electrician |
| Lighting | Phil Nason | Electrician |
| Lighting | Chuck Rudolph | Electrician |
| Camera | Lee-Anthony Holloway | Dolly Grip |
| Lighting | Michael Dynice | Gaffer |
| Production | Melissa Paradice | Local Casting |
| Lighting | Rob Thorp | Electrician |
| Crew | Roy Farfel | Stunt Coordinator |
| Sound | Neel Dhorajiwala | Sound Editor |
| Editing | Simon Giblin | Digital Intermediate |
| Editing | Jen Woodhouse | First Assistant Editor |
| Sound | David J. Schwartz | Sound Mixer |
| Production | Kellie Roy | Casting Associate |
| Sound | Brian Courchine | Boom Operator |
| Lighting | Jose 'Flecha' Hernandez | Electrician |
| Directing | Jill W. Reurs | Script Supervisor |
| Lighting | Guy Holt | Rigging Gaffer |
| Art | Dolores McGinley | Title Designer |
| Visual Effects | Jonah Loop | Visual Effects Supervisor |
| Production | Richard Kathlean | Location Manager |
| Camera | Mark Price | Dolly Grip |
| Costume & Make-Up | Frank Barbosa | Key Hair Stylist |
| Lighting | Nathan Steele | Electrician |
| Camera | Mike Henry | Key Grip |
| Editing | Dan Coles | Digital Intermediate |
| Camera | Claire Folger | Still Photographer |
