Wanneer Jules en Mel na een vakantie op de luchthaven zijn aangekomen stappen ze ’s-avonds laat, drijfnat, in de ‘shuttle bus’ van de luchthaven. Maar wat begint als een kort ritje naar huis, eindigt in een omweg met een aantal angstaanjagende gebeurtenissen waarbij Jules, Mel en de rest van de passagiers voor hun leven moeten vechten. Uiteindelijk ontdekt Mel de ware bedoelingen van de chauffeur en moet ze al haar verstand gebruiken om zichzelf zien te redden.
Nee, helaas is Shuttle nog niet beschikbaar op Netflix in Nederland.
| Directing | Edward Anderson | Director |
| Writing | Edward Anderson | Writer |
| Editing | William Yeh | Editor |
| Directing | Allan Rafael | Second Assistant Director |
| Directing | Jonathan Southard | First Assistant Director |
| Production | Benjamin C. Dewey | Line Producer |
| Camera | Beth Anderson | Second Assistant Camera |
| Production | Stephen Margolis | Executive Producer |
| Production | J. Todd Harris | Executive Producer |
| Production | Miriam Marcus | Co-Producer |
| Production | Albert Martínez Martín | Co-Producer |
| Production | Anne McCarthy | Casting |
| Production | Jay Scully | Casting |
| Production | Michael A. Pierce | Producer |
| Production | Todd Lemley | Producer |
| Production | Allan Jones | Producer |
| Production | Mark Donadio | Producer |
| Production | Mark Williams | Producer |
| Sound | Henning Lohner | Music |
| Art | Roger Danchik | Production Design |
| Costume & Make-Up | Virginia B. Johnson | Costume Design |
| Crew | Caroline Vexler | Stunt Double |
| Camera | Michael Fimognari | Director of Photography |
| Costume & Make-Up | Sherryn Smith | Key Makeup Artist |
| Sound | Neel Dhorajiwala | Sound Editor |
| Directing | Jill W. Reurs | Script Supervisor |
| Lighting | Nathan Steele | Electrician |
| Art | Janine Moore | Set Dresser |
| Art | Dolores McGinley | Title Designer |
| Lighting | Phil Nason | Electrician |
| Lighting | Chuck Rudolph | Electrician |
| Editing | Simon Giblin | Digital Intermediate |
| Lighting | Rob Thorp | Electrician |
| Crew | Roy Farfel | Stunt Coordinator |
| Art | Deborah Kehs | Set Dresser |
| Costume & Make-Up | Elizabeth Clifford | Wardrobe Supervisor |
| Camera | Claire Folger | Still Photographer |
| Art | Katrina Parsons | Art Department Coordinator |
| Art | Dave Major | Assistant Property Master |
| Art | John F. O'Neil | Property Master |
| Art | Krista Gall | Set Dresser |
| Costume & Make-Up | Frank Barbosa | Key Hair Stylist |
| Art | Matt Harrington | Set Dresser |
| Editing | Jen Woodhouse | First Assistant Editor |
| Camera | Lee-Anthony Holloway | Dolly Grip |
| Lighting | Michael Dynice | Gaffer |
| Sound | Richard Kondal | Foley Editor |
| Visual Effects | Jonah Loop | Visual Effects Supervisor |
| Production | Maura Tighe | Local Casting |
| Camera | Mark Price | Dolly Grip |
| Lighting | Jose 'Flecha' Hernandez | Electrician |
| Sound | Brian Courchine | Boom Operator |
| Editing | Dan Coles | Digital Intermediate |
| Camera | Mike Henry | Key Grip |
| Sound | Nigel Mills | Sound Designer |
| Sound | Steven Parker | Sound Re-Recording Mixer |
| Production | Kellie Roy | Casting Associate |
| Sound | David J. Schwartz | Sound Mixer |
| Lighting | Guy Holt | Rigging Gaffer |
| Production | Melissa Paradice | Local Casting |
| Lighting | Joshua Barnatt | Electrician |
| Lighting | Aaron Tyburski | Electrician |
| Production | Richard Kathlean | Location Manager |
