De avond nadat een collega van Barry Thomas wordt doodgeschoten, krijgt hij een elektrische schok van een lamp. De volgende dag merkt hij dat de tijd in een lus vastzit en hij de dag van gisteren nog een keer meemaakt. Deze dag blijft zich iedere keer herhalen. Aangezien hij de enige is die dit bemerkt, heeft hij elke keer precies één dag de tijd om de moord op zijn collega te voorkomen en de tijd uit zijn lus te halen.
Nee, helaas is 12:01 nog niet beschikbaar op Netflix in Nederland.
| Production | Jonathan Heap | Producer |
| Directing | Jack Sholder | Director |
| Crew | Christine Anne Baur | Stunts |
| Costume & Make-Up | Janet Sobel | Costume Supervisor |
| Production | Cindy Hornickel | Producer |
| Directing | Harriotte H. Aaron | Script Supervisor |
| Art | Kristian D. Bast | Art Direction |
| Writing | Jonathan Heap | Story |
| Art | Michael Novotny | Production Design |
| Costume & Make-Up | Cynthia Bergstrom | Costume Design |
| Sound | Pat Toma | Sound Mixer |
| Writing | Philip Morton | Writer |
| Sound | Peter Rodgers Melnick | Original Music Composer |
| Writing | Richard Lupoff | Short Story |
| Art | Anthony R. Stabley | Set Decoration |
| Camera | Anghel Decca | Director of Photography |
| Production | Bob Degus | Producer |
| Editing | Michael N. Knue | Editor |
| Production | Jana Sue Memel | Executive Producer |
| Production | Sasha Emerson | Executive Producer |
| Camera | Kimberly Wright | Still Photographer |
| Production | Leslee Dennis | Casting |
| Costume & Make-Up | Kerry Mendenhall | Hairstylist |
| Production | Joe Fineman | Executive In Charge Of Post Production |
| Costume & Make-Up | Anne P. Turk | Makeup Artist |
| Crew | Bruce Golin | Post Production Supervisor |
| Crew | Evan Edelist | Post Production Supervisor |
| Sound | Marc Fishman | Supervising Sound Editor |
| Art | Thom Schillinger | Art Designer |
| Art | John Stefanon | Assistant Art Director |
| Sound | Gregg Barbanell | Foley Artist |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Directing | John Wildermuth | Second Assistant Director |
| Sound | Jim Brookshire | Dialogue Editor |
| Production | Jonathan Sanger | Unit Production Manager |
| Sound | Vince Nicastro | Foley Artist |
| Crew | Al Jones | Stunts |
| Art | Joseph W. Grafmuller | Swing |
| Art | Warren Sewell | Swing |
| Directing | Adam Druxman | Additional Second Assistant Director |
| Production | Sabina C. Alvarez | Art Department Production Assistant |
| Art | Gene Bishop | Leadman |
| Costume & Make-Up | David S. Bridson | On Set Dresser |
| Art | Erik F. Brown | Additional Set Dresser |
| Art | Steven Schalk | Property Master |
| Art | Phil Tubach | Swing |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Art | Ed Martin II | Swing |
| Sound | Brian Geer | Foley Mixer |
| Lighting | Roland Cañamar | Electrician |
| Lighting | Dejon Ellis | Electrician |
| Lighting | Brett Santucci | Electrician |
| Camera | Edwin Schiernecker | Grip |
| Crew | J. Wesley Adams | Driver |
| Sound | Tony Sereno | Sound Re-Recording Mixer |
| Crew | Tim Gilbert | Stunt Coordinator |
| Camera | Bonnie Blake | First Assistant Camera |
| Sound | Harry Cohen | Sound Effects Editor |
| Crew | Chuck 'Chaz' Hosack | Stunts |
| Lighting | Jeffrey C. Mygatt | Gaffer |
| Editing | Mato | Color Timer |
| Crew | David Domeyer | Special Effects Assistant |
| Crew | Mickey Gilbert | Stunts |
| Camera | Keoki Ho | Camera Loader |
| Camera | David Luckenbach | Additional Camera |
| Lighting | John C. Nadeau | Electrician |
| Camera | Mark 'Guns' Navarette | Grip |
| Camera | Butch Pierson | First Assistant Camera |
| Camera | Bruce Swift | Key Grip |
| Camera | Bob Ivanjack | Dolly Grip |
| Camera | Andy Sydney | First Assistant Camera |
| Camera | Doug Weinmann | Grip |
| Camera | Robert A. Saliamonas | Assistant Camera |
| Production | Alyssa Weisberg | Casting Assistant |
| Production | Vicki Rogers | Location Manager |
| Lighting | Eugene Rivera | Electrician |
| Art | Richard Paul Pond | Swing |
| Sound | Ricardo Broadus | Sound Effects Editor |
| Sound | Scott Ganary | Sound Re-Recording Mixer |
| Sound | Tim Gedemer | Sound Effects Editor |
| Sound | Jeff Vaughn | ADR Mixer |
| Crew | Robert Keller | Stunts |
| Camera | Jerry Antonetti | Grip |
| Camera | Jeff Graham | Second Assistant Camera |
| Sound | Linda Perry | Boom Operator |
| Camera | Matthew J. Curry | Additional Camera |
| Lighting | J. Wesley Tillman | Electrician |
| Camera | James D. Wickman | Best Boy Grip |
| Sound | Cathie Speakman | Dialogue Editor |
| Lighting | G. Smokey Campbell | Electrician |
| Camera | Konstantin von Krusenstiern | Second Assistant Camera |
| Production | Lynn Hobson | Post Production Coordinator |
| Camera | Jeffrey Douglas | Grip |
| Camera | Wayne I. Eulert | Grip |
| Camera | Bob Gorelick | Camera Operator |
| Crew | Terence M. McGuire | Video Assist Operator |
| Camera | Peter K. Wilson | Assistant Camera |
| Camera | Alan Parr | Grip |
| Camera | David Emmerichs | Steadicam Operator |
| Camera | Scott E. Steele | Additional Camera |
| Editing | Edward R. Abroms | Assistant Editor |
| Sound | Carol Sue Humphrey | Music Editor |
| Crew | Rod Bearden | Driver |
| Crew | Charley Bob Burnham | Transportation Coordinator |
| Camera | Marc Polanski | Grip |
| Costume & Make-Up | Lori DeLapp | Costumer |
| Crew | Dave Dargie | Driver |
| Crew | Lance Gilbert | Stunts |
| Crew | Ric Roman Waugh | Stunts |
| Crew | Bruno Stempel | Special Effects Coordinator |
