Ren MacCormack is net verhuisd van Chicago naar het stadje Bomont. Hij is een echte stadsjongen en danst graag op rockmuziek, twee doodzonden in het lieflijke Bomont. De leraren gebruiken hem als een slecht voorbeeld en zijn klasgenoten pesten hem. Dominee Moore heeft de dansmuziek verboden, echter, hij moest eens weten wat zijn dochter Ariel en Ren samen doen...
Nee, helaas is Footloose nog niet beschikbaar op Netflix in Nederland.
| Production | Mike Fenton | Casting |
| Production | Craig Zadan | Producer |
| Production | Marci Liroff | Casting |
| Art | Ron Hobbs | Production Design |
| Production | Jane Feinberg | Casting |
| Directing | Herbert Ross | Director |
| Production | Lewis J. Rachmil | Producer |
| Editing | Paul Hirsch | Editor |
| Art | Mary Swanson | Set Decoration |
| Camera | Ric Waite | Director of Photography |
| Writing | Dean Pitchford | Screenplay |
| Costume & Make-Up | Gloria Gresham | Costume Design |
| Production | Margery Simkin | Casting |
| Directing | Esther Vivante | Script Supervisor |
| Production | Daniel Melnick | Executive Producer |
| Art | C.J. Maguire | Property Master |
| Crew | Lynne Taylor-Corbett | Choreographer |
| Sound | Becky Mancuso-Winding | Music Supervisor |
| Production | Murray Schwartz | Unit Production Manager |
| Camera | Richard Walden | Camera Operator |
| Camera | Baird Steptoe | First Assistant Camera |
| Camera | Donald E. Thorin Jr. | First Assistant Camera |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Directing | Donald Hauer | Additional Second Assistant Director |
| Editing | David Handman | Assistant Editor |
| Sound | Al Overton Jr. | Sound Mixer |
| Directing | L. Andrew Stone | First Assistant Director |
| Sound | Bob Newlan | Sound Effects Editor |
| Crew | Max Kleven | Stunt Coordinator |
| Production | Frawley Becker | Location Manager |
| Sound | David W. Gray | Dolby Consultant |
| Crew | Sam Edelman | Transportation Coordinator |
| Art | Wayne Fitzgerald | Title Designer |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Crew | Carol Rees | Stunts |
| Sound | Jim Henrikson | Music Editor |
| Costume & Make-Up | Daniel C. Striepeke | Makeup Artist |
| Camera | Harold Rabuse | Key Grip |
| Directing | Robert Engelman | Second Assistant Director |
| Camera | Richard R. Robinson | Still Photographer |
| Crew | John-Clay Scott | Stunts |
| Camera | Mako Koiwai | Second Assistant Camera |
| Crew | Robert Allen | Stunts |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Camera | Eric D. Andersen | Camera Operator |
| Sound | Wylie Stateman | Sound Effects Editor |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Sound | Robert Bradshaw | Sound Effects Editor |
| Crew | Wayne Beauchamp | Special Effects |
| Crew | Donna Garrett | Stunts |
| Editing | Peck Prior | Assistant Editor |
| Crew | Spencer Henderson | Associate Choreographer |
| Sound | Stan Gilbert | Supervising ADR Editor |
| Lighting | Carl Boles | Gaffer |
| Sound | Randy Kelley | Sound Effects Editor |
| Sound | Nancy Fogarty | Music Editor |
| Costume & Make-Up | Barbara Lampson | Hairstylist |
| Crew | Norman Howell | Stunts |
| Crew | J. Suzanne Fish | Stunts |
| Crew | Wayne Brown | Stunts |
| Crew | Clair E. Leucart | Stunts |
| Crew | Daniel K. Moore | Stunts |
| Sound | Kenny Loggins | Songs |
