Op de 1000e verjaardag van de Leprechaun kan diens bediende onder Leprechaun's juk uitkomen door te helpen bij het verkrijgen van een bruid. Helaas viel de keuze van de gnoom op zijn dochter en door haar te redden van dat lot vervloekt hij zijn nageslacht. Op de 2000e verjaardag zal de Leprechaun de mooiste dochter van het nageslacht tot zich nemen.
Nee, helaas is Leprechaun 2 nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Meta Jardine | Costume Designer |
| Production | Mark Jones | Co-Producer |
| Writing | Mark Jones | Characters |
| Art | Anton Tremblay | Production Design |
| Camera | Jane Castle | Director of Photography |
| Costume & Make-Up | Gabriel Bartalos | Makeup Artist |
| Sound | Jonathan Elias | Original Music Composer |
| Writing | Alfredo Septién | Writer |
| Editing | Richard Gentner | Editor |
| Editing | Christopher Roth | Editor |
| Writing | Turi Meyer | Writer |
| Directing | Rodman Flender | Director |
| Production | Linda Francis | Casting |
| Production | Mark Amin | Executive Producer |
| Production | Michael Prescott | Co-Producer |
| Production | Donald P. Borchers | Producer |
| Crew | Cole S. McKay | Stunts |
| Camera | Adam Kane | Camera Operator |
| Art | Randal P. Earnest | Property Master |
| Directing | Eddie Ziv | First Assistant Director |
| Art | Claire Kaufman | Art Direction |
| Costume & Make-Up | Chanthou Kozberg | Assistant Costume Designer |
| Costume & Make-Up | Malou Magnusson | Costumer |
| Costume & Make-Up | Marita De Leon | Costume Supervisor |
| Production | Ray Zimmerman | Production Manager |
| Production | Page Rosenberg-Marvin | Production Coordinator |
| Camera | Paul Janossy | Second Assistant Camera |
| Art | Alex Cole | Assistant Art Director |
| Camera | Greg Maselli | Key Grip |
| Camera | Gergely Fonyó | First Assistant Camera |
| Camera | David Moir | Still Photographer |
| Production | David Tripet | Executive In Charge Of Production |
| Production | John Steven Agoglia | Location Manager |
| Camera | Dave Chameides | Steadicam Operator |
| Lighting | John Priebe | Gaffer |
| Lighting | Miro Pokorny | Electrician |
| Lighting | Steve Charnow | Electrician |
| Lighting | Jeff Finicle | Electrician |
| Lighting | Chris Pascuzzo | Electrician |
| Camera | Greg Maselli | Dolly Grip |
| Camera | Blake Pike | Key Grip |
| Camera | Steven L. Henry | Grip |
| Crew | Douglas O'Neil | Stunts |
| Visual Effects | Paolo Mazzucato | Visual Effects Supervisor |
| Costume & Make-Up | Elisabeth Fry | Key Makeup Artist |
| Crew | Thomas DeWier | Stunts |
| Crew | Arturo Gil | Stunts |
| Directing | Melisa Sánchez | Script Supervisor |
| Costume & Make-Up | Mary A. Williams | Assistant Makeup Artist |
| Sound | Brian Moss | Boom Operator |
| Camera | Gabby O'Neill | Assistant Camera |
| Art | Adolfo Martínez Pérez | Storyboard Artist |
| Lighting | Ross Dunkerley | Best Boy Electric |
| Editing | Douglas Crise | Assistant Editor |
| Sound | Oliver L. Moss | Production Sound Mixer |
| Crew | Roy E. Harrison | Stunts |
| Directing | Bob Kay | Second Assistant Director |
| Camera | Blain Brown | Additional Photography |
| Lighting | Cristin Harrigan | Electrician |
| Crew | Kurt Bryant | Stunt Coordinator |
| Costume & Make-Up | Mr. Lisa | Additional Hairstylist |
| Production | Jill Scoppa Sweeny | Assistant Production Coordinator |
| Camera | Blain Brown | Camera Operator |
| Directing | Jamie Thompson | Second Unit Director |
| Sound | Marty Hutcherson | Sound Re-Recording Mixer |
| Camera | Matthew A. Seiss | Best Boy Grip |
| Sound | Adriane Marfiak | Sound Effects Editor |
| Sound | Dan Luna | Sound Effects Editor |
| Sound | Marilyn Graf | ADR Mixer |
| Sound | Lauren Stephens | Dialogue Editor |
| Production | Lowell Dean Cox | Production Manager |
| Camera | Jamie Thompson | Second Unit Director of Photography |
| Camera | Monica Anderson | Second Assistant Camera |
| Production | William L. Rice | Production Supervisor |
| Costume & Make-Up | Todd Masters | Makeup Effects Designer |
| Directing | Lowell Dean Cox | Second Unit First Assistant Director |
| Sound | Doug Reed | Foley Editor |
| Sound | Eric Hoeschen | Foley Mixer |
| Crew | Scott Elias | Executive Music Producer |
| Sound | Brian Smith | Sound Recordist |
| Crew | Monica Anderson | Editorial Staff |
| Editing | Dan Muscarella | Color Timer |
| Directing | Tita Dobson | Script Supervisor |
| Lighting | Yoshikazu Isomura | Electrician |
| Sound | John Brasher | Sound Re-Recording Mixer |
| Sound | Doug Reed | Foley Artist |
| Production | Erik DeSando | Extras Casting |
| Editing | Carlos Lopez | Assistant Editor |
| Camera | Richard A. Ludt | Grip |
| Sound | Tom Scurry | ADR Editor |
| Production | Chad Leeper | Production Supervisor |
| Lighting | Marty Leeper | Electrician |
| Camera | Blake Pike | Dolly Grip |
| Camera | Alan Caudillo | First Assistant Camera |
| Camera | Greg Goldthwaite | Grip |
| Camera | Piper Layton | Grip |
| Lighting | David S. Bouza | Gaffer |
| Sound | Sarah Brady | ADR Editor |
| Sound | Chris Jargo | ADR Editor |
| Crew | James Morioka | Editorial Staff |
| Crew | Carl V. Dupré | Editorial Staff |
| Production | Paolo Mazzucato | Producer |
| Sound | Bill Schlueter | Dialogue Editor |
| Production | Debe Waisman | Extras Casting |
| Production | Danny Hurley | Extras Casting |
