Elephant laat een 'gewone' schooldag op een Amerikaanse high school zien. Deze dag is gevuld met schoolwerk, football, roddelen en gezelligheid. Voor elke student die we ontmoeten, is de high school een andere ervaring: stimulerend, leuk, traumatisch, eenzaam en hard. Stimulerend en leuk omdat ze hun vrienden weer ontmoeten en traumatisch en hard omdat de jongeren gevolgd worden in de uren voor een dramatisch bloedbad.
Nee, helaas is Elephant nog niet beschikbaar op Netflix in Nederland.
| Camera | Harris Savides | Director of Photography |
| Production | Dany Wolf | Producer |
| Camera | Christopher Blauvelt | First Assistant Camera |
| Camera | Scott Patrick Green | Still Photographer |
| Camera | Brent Lawson | Best Boy Grip |
| Lighting | Steve Purcell | Electrician |
| Lighting | Chris Steele | Electrician |
| Art | John Pearson-Denning | Property Master |
| Crew | Stephen MacDougall | Loader |
| Costume & Make-Up | Leslie Gilbertson | Costumer |
| Editing | Mato | Color Timer |
| Crew | Ken Erck | Scenic Artist |
| Camera | Eric Alan Edwards | Additional Photography |
| Production | Sally Gates | Extras Casting |
| Sound | Tanya Smith | Sound Assistant |
| Costume & Make-Up | Marsha Barlett | Costumer |
| Editing | Kiersten Harter | First Assistant Editor |
| Production | Roger D. Faires | Location Manager |
| Art | Greg McMickle | Props |
| Camera | Bruce Lawson | Key Grip |
| Camera | Hector Rodriguez | Second Assistant Camera |
| Editing | John Dowdell | Colorist |
| Camera | Brian C. Lawson | Dolly Grip |
| Art | Sean Fong | Props |
| Crew | Greg Spence | Post Production Supervisor |
| Lighting | Scott Walters | Best Boy Electric |
| Visual Effects | James Walton | 24 Frame Playback |
| Costume & Make-Up | Marychris Mass | Wardrobe Supervisor |
| Sound | Neil Riha | Boom Operator |
| Lighting | Steve Pape | Electrician |
| Sound | David A. Cohen | Dialogue Editor |
| Sound | Concha Solano | Sound Assistant |
| Production | Stephen Finders | Location Assistant |
| Art | Robert Melchior | Leadman |
| Editing | Peter Appleton | First Assistant Editor |
| Crew | Charles Cooley | Special Effects Assistant |
| Production | Jen Wall | Production Supervisor |
| Directing | Sally Sue Beisel | Second Assistant Director |
| Directing | Kathy Krause | Second Second Assistant Director |
| Art | Teresa J. Tamiyasu | Set Dresser |
| Costume & Make-Up | Tamy Cropper | Set Costumer |
| Production | Dany Wolf | Unit Production Manager |
| Art | Philip Blackburn | Set Dresser |
| Production | Bill Robinson | Executive Producer |
| Costume & Make-Up | Marychris Mass | Costume Designer |
| Production | Jay Hernandez | Associate Producer |
| Production | Laura Albert | Associate Producer |
| Production | Mali Finn | Casting |
| Sound | Felix Andrew | Sound Mixer |
| Crew | Jor Van Kline | Special Effects Coordinator |
| Visual Effects | Collin Fowler | Visual Effects Coordinator |
| Art | Benjamin Hayden | Art Direction |
| Sound | Leslie Shatz | Sound Designer |
| Production | Danny Stoltz | Casting |
| Writing | Gus Van Sant | Screenplay |
| Production | Diane Keaton | Executive Producer |
| Editing | Gus Van Sant | Editor |
| Camera | Matías Mesa | Steadicam Operator |
| Directing | Dany Wolf | First Assistant Director |
| Camera | Mike Hanauska | Grip |
| Crew | Thomas M. Ficke | Stunt Coordinator |
| Camera | Shawn Sundby | Grip |
| Lighting | Bruce 'Sarge' Fleskes | Gaffer |
| Directing | Gus Van Sant | Director |
