Een Amerikaanse journalist wordt op pad gestuurd om verslag te doen van een congres over de toekomst van Duitsland na WOII. Hij maakt van de gelegenheid gebruik om op zoek te gaan naar een verloren liefde en raakt vervolgens betrokken bij een moordzaak.
Nee, helaas is The Good German nog niet beschikbaar op Netflix in Nederland.
| Camera | Steven Soderbergh | Director of Photography |
| Writing | Joseph Kanon | Novel |
| Directing | Steven Soderbergh | Director |
| Editing | Steven Soderbergh | Editor |
| Writing | Paul Attanasio | Screenplay |
| Production | Jeremy Rich | Casting Associate |
| Costume & Make-Up | Lynda Foote | Costume Supervisor |
| Lighting | James Plannette | Lighting Technician |
| Art | Chris Snyder | Construction Coordinator |
| Production | Tannis Vallely | Casting Associate |
| Sound | Bill Bernstein | Music Editor |
| Costume & Make-Up | Michelle Vittone | Makeup Artist |
| Production | Debra Zane | Casting |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Art | Philip Messina | Production Design |
| Crew | Laura Dunlop | Choreographer |
| Visual Effects | Melissa Brockman | Visual Effects Producer |
| Costume & Make-Up | Julie Hewett | Makeup Department Head |
| Costume & Make-Up | Waldo Sanchez | Hair Department Head |
| Art | Scott Bobbitt | Leadman |
| Lighting | Joe Hill | Rigging Grip |
| Art | Wylie Griffin | Art Department Coordinator |
| Camera | Chris Lombardi | Camera Operator |
| Costume & Make-Up | Shandra Beri | Set Costumer |
| Crew | Lynn Givens | Choreographer |
| Lighting | Jose F. Barrios | Rigging Grip |
| Visual Effects | Thomas J. Smith | Visual Effects Supervisor |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Crew | Kevin Hannigan | Special Effects Coordinator |
| Costume & Make-Up | Jason M. Moore | Set Costumer |
| Crew | Gregory Lynch Jr. | Carpenter |
| Camera | Melinda Sue Gordon | Still Photographer |
| Costume & Make-Up | Heba Thorisdottir | Makeup Artist |
| Art | Kristen Toscano Messina | Set Decoration |
| Editing | Gregg Schaublin | Digital Intermediate |
| Costume & Make-Up | Marina Hart | Key Hair Stylist |
| Camera | Steven Meizler | First Assistant Camera |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Editing | David Kirchner | First Assistant Editor |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Lighting | Jose Danner | Rigging Grip |
| Art | Doug J. Meerdink | Art Direction |
| Sound | Larry Blake | Sound Re-Recording Mixer |
| Lighting | Kent Baker | Rigging Grip |
| Art | Steve Borgese | Greensman |
| Crew | Micah Roehr | Carpenter |
| Crew | Mickey Giacomazzi | Stunts |
| Crew | Gene Hartline | Stunts |
| Directing | Jody Spilkoman | Second Second Assistant Director |
| Directing | Basti Van Der Woude | Additional Second Assistant Director |
| Sound | Larry Blake | Sound Designer |
| Crew | Joni Avery | Stunts |
| Sound | Thomas Newman | Original Music Composer |
| Sound | David Betancourt | Foley Mixer |
| Sound | Kimaree Long | Dialogue Editor |
| Art | Robin L. Miller | Property Master |
| Directing | Trey Batchelor | Second Assistant Director |
| Directing | Gregory Jacobs | First Assistant Director |
| Sound | Paul Ledford | Production Sound Mixer |
| Sound | Dawn Fintor | Foley Artist |
| Sound | Randall L. Johnson | Boom Operator |
| Sound | Alicia Stevenson | Foley Artist |
| Crew | Ryan Piers Williams | Post Production Assistant |
| Production | Ben Waisbren | Executive Producer |
| Production | Gregory Jacobs | Producer |
| Production | Ben Cosgrove | Producer |
| Production | Frederic W. Brost | Executive Producer |
| Crew | Tabby Hanson | Stunts |
| Crew | John Robotham | Stunt Coordinator |
