Een Amerikaanse journalist wordt op pad gestuurd om verslag te doen van een congres over de toekomst van Duitsland na WOII. Hij maakt van de gelegenheid gebruik om op zoek te gaan naar een verloren liefde en raakt vervolgens betrokken bij een moordzaak.
Nee, helaas is The Good German nog niet beschikbaar op Netflix in Nederland.
| Writing | Joseph Kanon | Novel |
| Directing | Steven Soderbergh | Director |
| Writing | Paul Attanasio | Screenplay |
| Camera | Steven Soderbergh | Director of Photography |
| Editing | Steven Soderbergh | Editor |
| Production | Debra Zane | Casting |
| Art | Philip Messina | Production Design |
| Art | Doug J. Meerdink | Art Direction |
| Art | Kristen Toscano Messina | Set Decoration |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Art | Wylie Griffin | Art Department Coordinator |
| Art | Chris Snyder | Construction Coordinator |
| Sound | Larry Blake | Sound Re-Recording Mixer |
| Crew | Kevin Hannigan | Special Effects Coordinator |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Visual Effects | Melissa Brockman | Visual Effects Producer |
| Visual Effects | Thomas J. Smith | Visual Effects Supervisor |
| Camera | Chris Lombardi | Camera Operator |
| Camera | Melinda Sue Gordon | Still Photographer |
| Camera | Steven Meizler | First Assistant Camera |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Lighting | Kent Baker | Rigging Grip |
| Production | Jeremy Rich | Casting Associate |
| Production | Tannis Vallely | Casting Associate |
| Costume & Make-Up | Lynda Foote | Costume Supervisor |
| Costume & Make-Up | Shandra Beri | Set Costumer |
| Costume & Make-Up | Jason M. Moore | Set Costumer |
| Editing | Gregg Schaublin | Digital Intermediate |
| Editing | David Kirchner | First Assistant Editor |
| Sound | Bill Bernstein | Music Editor |
| Crew | Laura Dunlop | Choreographer |
| Crew | Lynn Givens | Choreographer |
| Costume & Make-Up | Waldo Sanchez | Hair Department Head |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Costume & Make-Up | Marina Hart | Key Hair Stylist |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Costume & Make-Up | Julie Hewett | Makeup Department Head |
| Costume & Make-Up | Michelle Vittone | Makeup Artist |
| Costume & Make-Up | Heba Thorisdottir | Makeup Artist |
| Crew | Gregory Lynch Jr. | Carpenter |
| Art | Steve Borgese | Greensman |
| Art | Scott Bobbitt | Leadman |
| Crew | Micah Roehr | Carpenter |
| Lighting | Jose F. Barrios | Rigging Grip |
| Lighting | Jose Danner | Rigging Grip |
| Lighting | Joe Hill | Rigging Grip |
| Lighting | James Plannette | Lighting Technician |
| Crew | Mickey Giacomazzi | Stunts |
| Crew | Gene Hartline | Stunts |
| Directing | Jody Spilkoman | Second Second Assistant Director |
| Directing | Basti Van Der Woude | Additional Second Assistant Director |
| Sound | Larry Blake | Sound Designer |
| Crew | Joni Avery | Stunts |
| Sound | Dawn Fintor | Foley Artist |
| Sound | Kimaree Long | Dialogue Editor |
| Sound | David Betancourt | Foley Mixer |
| Sound | Paul Ledford | Production Sound Mixer |
| Sound | Alicia Stevenson | Foley Artist |
| Art | Robin L. Miller | Property Master |
| Sound | Thomas Newman | Original Music Composer |
| Directing | Gregory Jacobs | First Assistant Director |
| Directing | Trey Batchelor | Second Assistant Director |
| Sound | Randall L. Johnson | Boom Operator |
| Crew | Ryan Piers Williams | Post Production Assistant |
| Production | Gregory Jacobs | Producer |
| Production | Ben Cosgrove | Producer |
| Production | Ben Waisbren | Executive Producer |
| Production | Frederic W. Brost | Executive Producer |
| Crew | Tabby Hanson | Stunts |
