Een Amerikaanse journalist wordt op pad gestuurd om verslag te doen van een congres over de toekomst van Duitsland na WOII. Hij maakt van de gelegenheid gebruik om op zoek te gaan naar een verloren liefde en raakt vervolgens betrokken bij een moordzaak.
Nee, helaas is The Good German nog niet beschikbaar op Netflix in Nederland.
| Writing | Paul Attanasio | Screenplay |
| Editing | Steven Soderbergh | Editor |
| Camera | Steven Soderbergh | Director of Photography |
| Writing | Joseph Kanon | Novel |
| Directing | Steven Soderbergh | Director |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Costume & Make-Up | Lynda Foote | Costume Supervisor |
| Crew | Kevin Hannigan | Special Effects Coordinator |
| Costume & Make-Up | Waldo Sanchez | Hair Department Head |
| Crew | Gregory Lynch Jr. | Carpenter |
| Camera | Steven Meizler | First Assistant Camera |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Art | Scott Bobbitt | Leadman |
| Lighting | Jose Danner | Rigging Grip |
| Art | Doug J. Meerdink | Art Direction |
| Sound | Larry Blake | Sound Re-Recording Mixer |
| Production | Tannis Vallely | Casting Associate |
| Art | Kristen Toscano Messina | Set Decoration |
| Costume & Make-Up | Marina Hart | Key Hair Stylist |
| Production | Debra Zane | Casting |
| Costume & Make-Up | Julie Hewett | Makeup Department Head |
| Lighting | Joe Hill | Rigging Grip |
| Art | Wylie Griffin | Art Department Coordinator |
| Camera | Chris Lombardi | Camera Operator |
| Costume & Make-Up | Shandra Beri | Set Costumer |
| Editing | Gregg Schaublin | Digital Intermediate |
| Crew | Laura Dunlop | Choreographer |
| Crew | Lynn Givens | Choreographer |
| Visual Effects | Thomas J. Smith | Visual Effects Supervisor |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Art | Chris Snyder | Construction Coordinator |
| Visual Effects | Melissa Brockman | Visual Effects Producer |
| Production | Jeremy Rich | Casting Associate |
| Editing | David Kirchner | First Assistant Editor |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Costume & Make-Up | Heba Thorisdottir | Makeup Artist |
| Lighting | James Plannette | Lighting Technician |
| Sound | Bill Bernstein | Music Editor |
| Lighting | Kent Baker | Rigging Grip |
| Art | Steve Borgese | Greensman |
| Crew | Micah Roehr | Carpenter |
| Lighting | Jose F. Barrios | Rigging Grip |
| Art | Philip Messina | Production Design |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Costume & Make-Up | Jason M. Moore | Set Costumer |
| Camera | Melinda Sue Gordon | Still Photographer |
| Costume & Make-Up | Michelle Vittone | Makeup Artist |
| Crew | Mickey Giacomazzi | Stunts |
| Crew | Gene Hartline | Stunts |
| Directing | Jody Spilkoman | Second Second Assistant Director |
| Directing | Basti Van Der Woude | Additional Second Assistant Director |
| Sound | Larry Blake | Sound Designer |
| Crew | Joni Avery | Stunts |
| Sound | Alicia Stevenson | Foley Artist |
| Art | Robin L. Miller | Property Master |
| Sound | David Betancourt | Foley Mixer |
| Sound | Dawn Fintor | Foley Artist |
| Directing | Gregory Jacobs | First Assistant Director |
| Sound | Paul Ledford | Production Sound Mixer |
| Sound | Thomas Newman | Original Music Composer |
| Directing | Trey Batchelor | Second Assistant Director |
| Sound | Randall L. Johnson | Boom Operator |
| Sound | Kimaree Long | Dialogue Editor |
| Crew | Ryan Piers Williams | Post Production Assistant |
| Production | Ben Waisbren | Executive Producer |
| Production | Ben Cosgrove | Producer |
| Production | Frederic W. Brost | Executive Producer |
| Production | Gregory Jacobs | Producer |
| Crew | Tabby Hanson | Stunts |
