Nick Cavanaugh is een gerespecteerd chirurg, maar totaal geobsedeerd door de aantrekkelijke en speelse Helena. Deze vrouw blijkt echter onbereikbaar voor hem, wat hem tot wrede daden drijft. Nadat hij haar van een zwaar auto-ongeluk redt, neemt hij haar mee naar huis en houdt haar gevangen. Hier denkt Nick Helena volledig te kunnen bezitten, maar Helena is niet al te meegaand. Daarnaast zitten zijn rivaal Dr. Alan Palmer en Helena's bedgenoot Ray hem danig in de weg.
Nee, helaas is Boxing Helena nog niet beschikbaar op Netflix in Nederland.
| Production | Philippe Caland | Producer |
| Camera | Frank Byers | Director of Photography |
| Writing | Philippe Caland | Story |
| Production | Carl Mazzocone | Producer |
| Sound | Graeme Revell | Original Music Composer |
| Writing | Jennifer Lynch | Screenplay |
| Camera | Bojan Bazelli | Director of Photography |
| Production | Larry Sugar | Executive Producer |
| Production | James R. Schaeffer | Executive Producer |
| Directing | Jennifer Lynch | Director |
| Production | Brigitte Caland | Associate Producer |
| Editing | David Finfer | Editor |
| Art | Paul Huggins | Production Design |
| Production | Ferne Cassel | Casting |
| Production | Laurel Ayn Selko | Associate Producer |
| Art | Sharon Braunstein | Set Decoration |
| Production | Dawn Darfus | Production Accountant |
| Directing | Marcei A. Brown | Second Assistant Director |
| Directing | Josh King | First Assistant Director |
| Production | Denise Kaczmarczyk | Assistant Production Coordinator |
| Production | David R. Kappes | Production Consultant |
| Camera | Jimmy E. Jensen | First Assistant Camera |
| Sound | Kini Kay | Sound Effects Editor |
| Sound | Kurt Nicholas Forshager | Foley Editor |
| Directing | Gail Hunter | Script Supervisor |
| Camera | Ruth Leltman | Still Photographer |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Dick Bernstein | Music Editor |
| Sound | G.W. Brown | ADR Supervisor |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Sound | Tami Treadwell | Foley Recordist |
| Sound | Ken S. Polk | Sound Re-Recording Mixer |
| Camera | C. Ashley Sudge | Dolly Grip |
| Sound | Tommy Goodwin | Foley Mixer |
| Production | Amy Stevens | Production Coordinator |
| Production | Sonya Lunsford | Assistant Accountant |
| Crew | J.L. Parker | Stunt Driver |
| Production | David Finfer | Post Production Coordinator |
| Sound | Tom Hammond | Foley Editor |
| Sound | Bayard Carey | Sound Mixer |
| Camera | Denise Bailie | Second Assistant Camera |
| Lighting | Tully McCulloch | Best Boy Electric |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Directing | Rhonda Guthrie | Second Second Assistant Director |
| Lighting | Brian Gunter | Gaffer |
| Art | Richard Blake Wester | Property Master |
| Crew | Cindy Parker | Transportation Coordinator |
| Sound | Todd Toon | Sound Effects Editor |
| Sound | Martin J. Bram | Dialogue Editor |
| Crew | Lonnie R. Smith Jr. | Stunt Coordinator |
| Crew | J.L. Parker | Transportation Captain |
| Sound | Catherine Harper | Foley Artist |
| Costume & Make-Up | Nina Port | Makeup Artist |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | Ossama Khuluki | Foley Artist |
| Editing | David Bryden | Color Timer |
| Editing | Phyllis Housen | Assistant Editor |
| Costume & Make-Up | Candida Conery | Hairstylist |
| Sound | David Jobe | ADR Recordist |
| Editing | Syd Klinge | Assistant Editor |
