Nick Cavanaugh is een gerespecteerd chirurg, maar totaal geobsedeerd door de aantrekkelijke en speelse Helena. Deze vrouw blijkt echter onbereikbaar voor hem, wat hem tot wrede daden drijft. Nadat hij haar van een zwaar auto-ongeluk redt, neemt hij haar mee naar huis en houdt haar gevangen. Hier denkt Nick Helena volledig te kunnen bezitten, maar Helena is niet al te meegaand. Daarnaast zitten zijn rivaal Dr. Alan Palmer en Helena's bedgenoot Ray hem danig in de weg.
Nee, helaas is Boxing Helena nog niet beschikbaar op Netflix in Nederland.
| Production | Carl Mazzocone | Producer |
| Directing | Jennifer Lynch | Director |
| Production | Philippe Caland | Producer |
| Camera | Bojan Bazelli | Director of Photography |
| Sound | Graeme Revell | Original Music Composer |
| Writing | Philippe Caland | Story |
| Writing | Jennifer Lynch | Screenplay |
| Camera | Frank Byers | Director of Photography |
| Production | Larry Sugar | Executive Producer |
| Production | James R. Schaeffer | Executive Producer |
| Editing | David Finfer | Editor |
| Art | Paul Huggins | Production Design |
| Production | Ferne Cassel | Casting |
| Production | Laurel Ayn Selko | Associate Producer |
| Art | Sharon Braunstein | Set Decoration |
| Production | Brigitte Caland | Associate Producer |
| Directing | Rhonda Guthrie | Second Second Assistant Director |
| Camera | Denise Bailie | Second Assistant Camera |
| Directing | Marcei A. Brown | Second Assistant Director |
| Production | Dawn Darfus | Production Accountant |
| Camera | C. Ashley Sudge | Dolly Grip |
| Sound | Bayard Carey | Sound Mixer |
| Production | David R. Kappes | Production Consultant |
| Crew | Cindy Parker | Transportation Coordinator |
| Crew | J.L. Parker | Transportation Captain |
| Production | Amy Stevens | Production Coordinator |
| Production | Sonya Lunsford | Assistant Accountant |
| Crew | J.L. Parker | Stunt Driver |
| Production | David Finfer | Post Production Coordinator |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Directing | Josh King | First Assistant Director |
| Production | Denise Kaczmarczyk | Assistant Production Coordinator |
| Lighting | Tully McCulloch | Best Boy Electric |
| Sound | Todd Toon | Sound Effects Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Martin J. Bram | Dialogue Editor |
| Sound | Dick Bernstein | Music Editor |
| Sound | Kini Kay | Sound Effects Editor |
| Costume & Make-Up | Candida Conery | Hairstylist |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Sound | Tami Treadwell | Foley Recordist |
| Editing | David Bryden | Color Timer |
| Camera | Jimmy E. Jensen | First Assistant Camera |
| Directing | Gail Hunter | Script Supervisor |
| Sound | Catherine Harper | Foley Artist |
| Sound | G.W. Brown | ADR Supervisor |
| Editing | Phyllis Housen | Assistant Editor |
| Sound | Ken S. Polk | Sound Re-Recording Mixer |
| Sound | Tom Hammond | Foley Editor |
| Sound | Ossama Khuluki | Foley Artist |
| Sound | Tommy Goodwin | Foley Mixer |
| Costume & Make-Up | Nina Port | Makeup Artist |
| Lighting | Brian Gunter | Gaffer |
| Crew | Lonnie R. Smith Jr. | Stunt Coordinator |
| Art | Richard Blake Wester | Property Master |
| Sound | Robert Deschaine | ADR Mixer |
| Editing | Syd Klinge | Assistant Editor |
| Sound | Kurt Nicholas Forshager | Foley Editor |
| Camera | Ruth Leltman | Still Photographer |
| Sound | David Jobe | ADR Recordist |
