Dertig jaar terug was Arlis getuige van een moord die zijn vader op een familie pleegde. Als volwassene stuit hij op Kay, de gespaarde jongste telg uit de destijds omgebrachte familie. Arlis en Kay zijn nietsvermoedend wat hun gezamenlijke 'band' betreft. De terugkeer van Arlis' vader zal echter wat stof doen opwaaien.
Nee, helaas is Flesh and Bone nog niet beschikbaar op Netflix in Nederland.
| Directing | Steve Kloves | Director |
| Sound | Andrea Lakin | Sound Recordist |
| Art | Shane Patrick | Set Dresser |
| Directing | Cara Giallanza | First Assistant Director |
| Sound | Joan Chamberlain | Sound Recordist |
| Sound | Joe Earle | Sound Effects Editor |
| Sound | Bruce Tanis | Sound Effects Editor |
| Art | Joe Self | Set Dresser |
| Sound | Gary Lewis | Dialogue Editor |
| Art | Jerry King | Set Dresser |
| Sound | Pat McCormick | Dialogue Editor |
| Sound | Brian Ruberg | ADR Mixer |
| Directing | Jordan Stone | Second Second Assistant Director |
| Art | Marcus Brown | Set Dresser |
| Sound | Ann Hadsell | Sound Recordist |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Directing | Marge Piane | Second Assistant Director |
| Crew | Brad Bovee | Stunt Double |
| Art | Lisa K. Sessions | Set Dresser |
| Sound | Samuel F. Kaufman | Sound Recordist |
| Art | Jeff Schwan | Set Dresser |
| Sound | Simon Coke | Sound Effects Editor |
| Art | Darren Patnode | Set Dresser |
| Sound | Ralph Osborn | Dialogue Editor |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Costume & Make-Up | Elizabeth McBride | Costume Designer |
| Writing | Steve Kloves | Screenplay |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Visual Effects | Randy E. Moore | Special Effects Supervisor |
| Crew | Sara Romilly | Post Production Supervisor |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Costume & Make-Up | Dorothy J. Pearl | Makeup Artist |
| Crew | Margaret Johnson | Special Effects Coordinator |
| Sound | Danny Michael | Sound Mixer |
| Art | Samara Schaffer | Set Decoration |
| Costume & Make-Up | Leonard Engelman | Makeup Artist |
| Crew | Andy Armstrong | Stunt Coordinator |
| Art | Charles William Breen | Art Direction |
| Sound | Joel Sill | Music Consultant |
| Sound | Bill Bernstein | Music Editor |
| Crew | Mark Rosenberg | In Memory Of |
| Camera | C. Alan Rawlins Sr. | First Company Grip |
| Camera | Lorey Sebastian | Still Photographer |
| Camera | Robert Hicks | Grip |
| Camera | C. Ashley Sudge | Dolly Grip |
| Camera | Ted Morris | First Assistant Camera |
| Costume & Make-Up | Taneia Lednicky | Assistant Costume Designer |
| Art | John D. Kretschmer | Lead Set Dresser |
| Crew | Mauriece Jacks Jr. | Cableman |
| Sound | Christopher Flick | Sound Effects Editor |
| Production | G. Mac Brown | Unit Production Manager |
| Directing | Valerie E. Norman | Script Supervisor |
| Art | Beth Bernstein | Art Department Coordinator |
| Art | Tom Dreesen | Construction Coordinator |
| Camera | Michael Alexonis | Grip |
| Camera | J. Steven Latham | Second Assistant Camera |
| Lighting | Scott Graves | Lighting Technician |
| Editing | Jim Makiej | Assistant Editor |
| Art | Gary Diamond | Assistant Art Director |
| Crew | Brian Stultz | Charge Scenic Artist |
| Camera | Anastas N. Michos | Camera Operator |
| Editing | Heather Persons | Assistant Editor |
| Production | Andrew D. Cooke | Location Manager |
| Lighting | Jack English | Chief Lighting Technician |
| Production | Sue Bokobza | Production Accountant |
| Editing | Anthony Sherin | Additional Editor |
| Art | Patricia Malone | Assistant Set Decoration |
| Sound | Dean Drabin | Foley Mixer |
| Camera | Alan J. Bullard | Grip |
| Lighting | James Babineaux | Assistant Chief Lighting Technician |
| Sound | Adam Sawelson | Dialogue Editor |
| Production | Mari-Jo Winkler | Production Coordinator |
| Camera | Steve Belsky | Grip |
| Lighting | George M. Chappell | Lighting Technician |
| Lighting | Daniel Murphy | Rigging Gaffer |
| Art | Christopher Carlson | Assistant Property Master |
| Costume & Make-Up | Eva Prappas | Set Costumer |
| Sound | Joe Dorn | Supervising ADR Editor |
| Camera | J. Wayne Parker | Second Company Grip |
| Art | Trish Gallaher Glenn | Property Master |
| Sound | Andrew Schmetterling | Boom Operator |
| Sound | Doug Kent | First Assistant Sound Editor |
| Editing | Mike Milliken | Color Timer |
| Crew | Michael Maxwell | Catering |
| Sound | Steve F.B. Smith | Dolby Consultant |
| Editing | Gary Burritt | Negative Cutter |
| Crew | Elizabeth Smith Maxwell | Catering |
| Camera | Philippe Rousselot | Director of Photography |
| Production | Mark Rosenberg | Producer |
| Production | Juel Bestrop | Casting |
| Editing | Mia Goldman | Editor |
| Production | G. Mac Brown | Co-Producer |
| Production | Sydney Pollack | Executive Producer |
| Production | Risa Bramon Garcia | Casting |
| Sound | Thomas Newman | Original Music Composer |
| Art | Jon Hutman | Production Design |
| Production | Paula Weinstein | Producer |
