Het is 1958. Iedereen gaat 's avonds naar de drive-in. Amerika lanceert zijn eerste satelliet. Het boek Lolita doet veel stof opwaaien. En Elvis geeft Bourbon Street een nieuw ritme in King Creole. Hij speelt een opstandige tiener wiens zingen de Franse wijk aan het swingen krijgt.
Nee, helaas is King Creole nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Curtiz | Director |
| Writing | Herbert Baker | Screenplay |
| Writing | Michael V. Gazzo | Screenplay |
| Writing | Harold Robbins | Novel |
| Camera | Russell Harlan | Director of Photography |
| Editing | Warren Low | Editor |
| Crew | Tom Parker | Technical Advisor |
| Production | Paul Nathan | Associate Producer |
| Production | Hal B. Wallis | Producer |
| Production | Joseph H. Hazen | Producer |
| Sound | Walter Scharf | Original Music Composer |
| Production | Bert McKay | Casting |
| Art | J. McMillan Johnson | Art Direction |
| Art | Hal Pereira | Art Direction |
| Art | Sam Comer | Set Decoration |
| Art | Frank R. McKelvy | Set Decoration |
| Costume & Make-Up | Nellie Manley | Hairstylist |
| Costume & Make-Up | Hedy Mjorud | Hairstylist |
| Costume & Make-Up | Wally Westmore | Makeup Artist |
| Costume & Make-Up | Jack Stone | Makeup Artist |
| Costume & Make-Up | Frank Westmore | Makeup Artist |
| Production | Frank Caffey | Production Manager |
| Production | Richard Blaydon | Unit Production Manager |
| Directing | Michael D. Moore | Assistant Director |
| Sound | Charles Grenzbach | Sound |
| Sound | Harold Lewis | Sound |
| Sound | R.D. Cook | Sound |
| Art | Robert McCrellis | Props |
| Directing | Ralph Axness | Second Assistant Director |
| Lighting | Bill Neff | Gaffer |
| Costume & Make-Up | Edith Head | Costumer |
| Editing | Matt McFarland | Colorist |
| Crew | Norman Stuart | Dialogue Coach |
