Het is 1958. Iedereen gaat 's avonds naar de drive-in. Amerika lanceert zijn eerste satelliet. Het boek Lolita doet veel stof opwaaien. En Elvis geeft Bourbon Street een nieuw ritme in King Creole. Hij speelt een opstandige tiener wiens zingen de Franse wijk aan het swingen krijgt.
Nee, helaas is King Creole nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Curtiz | Director |
| Writing | Herbert Baker | Screenplay |
| Writing | Harold Robbins | Novel |
| Camera | Russell Harlan | Director of Photography |
| Writing | Michael V. Gazzo | Screenplay |
| Editing | Warren Low | Editor |
| Crew | Tom Parker | Technical Advisor |
| Production | Paul Nathan | Associate Producer |
| Production | Joseph H. Hazen | Producer |
| Art | Hal Pereira | Art Direction |
| Production | Bert McKay | Casting |
| Costume & Make-Up | Jack Stone | Makeup Artist |
| Production | Richard Blaydon | Unit Production Manager |
| Production | Hal B. Wallis | Producer |
| Sound | Walter Scharf | Original Music Composer |
| Art | J. McMillan Johnson | Art Direction |
| Sound | Charles Grenzbach | Sound |
| Costume & Make-Up | Wally Westmore | Makeup Artist |
| Production | Frank Caffey | Production Manager |
| Art | Frank R. McKelvy | Set Decoration |
| Directing | Michael D. Moore | Assistant Director |
| Costume & Make-Up | Frank Westmore | Makeup Artist |
| Sound | R.D. Cook | Sound |
| Costume & Make-Up | Hedy Mjorud | Hairstylist |
| Sound | Harold Lewis | Sound |
| Art | Sam Comer | Set Decoration |
| Costume & Make-Up | Nellie Manley | Hairstylist |
| Art | Robert McCrellis | Props |
| Directing | Ralph Axness | Second Assistant Director |
| Lighting | Bill Neff | Gaffer |
| Crew | Norman Stuart | Dialogue Coach |
| Costume & Make-Up | Edith Head | Costumer |
| Editing | Matt McFarland | Colorist |
